Split Image, l'envoûtement

A young man, Danny Stetson (Michael O'Keefe), is seduced by a pretty young woman (Karen Allen) into a cult called Homeland. It's run by Kirklander (Peter Fonda) and Danny slowly becomes brainwashed into them, rejecting his family and friends. He is kidnapped from the cult and deprogrammer Charles Pratt (James Woods) tries to save him...but is he too late?

This is a totally lost film which I caught in a theatre during its VERY short run in 1982. It didn't tell me anything I didn't already know (I've read some books on actual cults) and seemed kind of blandly directed--but it wasn't too bad. O'Keefe was very good in a difficult role and Woods matched him as the very tough deprogrammer. Allen unfortunately was given very little to work with. Best of all was Fonda who REALLY surprised me. He was cast against type and he was just great. The only letdown was the very end which seemed abrupt and not realistic. Aside from that, this is a good dramatic film that's just fallen between the cracks. Recommended.

This 1982 film is supported by a great cast and film score by Bill Conti (Rocky, FX.) Filmed largely in Dallas and Texas, this anti-cult film deals with basically the same subject as a Canadian film released the previous year. Ticket To Heaven (1981) also has a great cast and for me is a much more entertaining and realistic film. TTH deals with the true story of a depressed young man getting caught up in the cult of Sun-Yung Moon, while Split Image portrays the identity crisis of a young man who is seeking answers beyond the sometimes shallow lives of his family and friends. His confusion leads him to a new-age cult, where he finds the leader to be even more sinister and devoid of answers than those he runs away from. While many of life's questions can be answered by the Bible, proper spiritual guidance and direction is essential, particularly for those who are not mature enough to seek God on their own.

Gripping story to watch, and Fonda and Woods are both perfect fits for their roles here.

And this movie is uncanny in its parallels to politics here in year 2019.

Today's analogue to Fonda's cult would be contemporary political "progressivism". A veneer of sentiment of love and utopian hopes for mankind masks an underbelly of self-righteous smugness and dangerous naivite about human societies and the destructive consequences of public policy based on wishful thinking.

The populist conservative movement is the analogue to the cult deprogrammers. Offering a crude and harsh sounding message in an attempt to dissuade people from succumbing to the cult's suicidal dogma.

And the icing on the cake is that Woods and Fonda both are activists today that parallel their roles in this movie.

Progressives will no doubt be aghast at this opinion.

Anyone who is unfavorably commenting about Peter Fonda's performance seems to forget just how much of a trippy hippie he himself was in the 60's. His role here was absolutely brilliant as the manipulative Neil Kirklander. James Woods; well, as usual, simply stellar! My favorite roles for him are exactly personified in this one: sleazy, unrefined, unkempt, easily angered and irritable, and doesn't care what the world thinks. He makes being disgusting look like such fun (when he spits on Kirklander's picture as a sort of de-programming method for Danny). O'Keefe and Dennehy are equally superb and convincing. Karen Allen is as we always expect; vulnerable and adorably sensitive. Fonda takes it all on this one for me, the man who gave John Lennon "I know what it's like to be dead." Excellent!

Overall I really enjoyed this movie. The acting was terrific, with a lot of nuance and subtlety conveyed by the actors all around. The plot was interesting and it felt very authentic.

Whether or not this is how cults recruit/operate, or how intervention deprogramming happens, I don't know. However I suspect it is close to real life. My parents sent me to a fundamentalist church camp one summer when I was a teen and it was eerily similar to this movie. As a teen it felt like pure (albeit very strict) love, but as an adult looking back many decades ago, I can now say that my summer camp experience was creepy and inappropriate. In any event, because of insight from my personal experience, this is why I suspect that cults operate similar to what was portrayed in this movie.

One funny thing about this movie is the musical score which sounds is really dated. It was neither distracting nor annoying, but, my gosh, it just sounded like it was 100 years (even though it's only 1982).

This movie is definitely worth a watch for the entertainment value, plus it's a very well made movie overall, considering the period and content.