Le choix de Sophie

Although achingly literary at times, moments of true emotional power are rendered by fluid storytelling, Nestor Almendros's haunting cinematography, Marvin Hamlisch's quietly effecting score, a touching performance by Peter MacNichol, and a seminal performance by Meryl Streep; one that Kim Stanley (the celebrated actress/teacher and Oscar nominated mother to Jessica Lange in 'Frances' of the same year) proclaimed, "the titanic portrayal of her generation."

No matter what your initial feelings about this film, I encourage you to go back and take in Streep's dark dance of loss, madness and, finally, sorrowful redemption.

Comments from 2008 Viewing: Pakula skillfully brings the Styron novel about a woman's harrowing journey through WW2 to the screen. Streep's performance comes across as too mannered initially but must be considered a success ultimately, worthy of the Oscar she received. Although his character is supposed to be moody and manic, Kline is still much too animated and somewhat annoying as Streep's lover. MacNicol is fine, bringing much needed normalcy into the story as the young man befriended by the couple. The scene depicting the title of the movie is perhaps the most heart-wrenching in all of cinema. Hamlisch's elegiac score helps create a haunting atmosphere.

Comments from 2013 Viewing: The scenes in Brooklyn, which take up much of the film, are repetitious and somewhat dreary. The flashback scenes are disjointed and lacking in narrative flow. Pakula's direction seems heavy-handed and too respectful of the book. Rating reduced from 8 to 7.

After enjoying Meryl Streep and Kevin Kline in the recent ensemble comedy "A Prairie Home Companion," it was great to see their dramatic performances in "Sophie's Choice," the movie that made them famous. Here, they play Sophie and Nathan, a volatile young couple living in a Brooklyn boardinghouse in the summer of 1947. Their story, and eventually the story of the Polish Sophie's time in a concentration camp during World War II, is presented through the eyes of Stingo (Peter MacNichol), their young Southern neighbor.

Though other characters appear, especially during the flashbacks, "Sophie's Choice" is largely a three-person drama that relies on subtle interactions. Meryl Streep can always be counted on to give a nuanced performance, but here, especially, she raises the bar. Speaking three languages (including a very realistic portrayal of how foreigners can hesitate and hunt for words when speaking English), going from a haggard Auschwitz inmate to a pretty "blooming rose," consumed by guilt even during the madcap or romantic moments she shares with Nathan, she gives a brilliant performance of a very complex character. Her big scenes with Nazi officers are of course powerful, but I was equally struck by smaller moments: the heartbreaking little flashes of emotion that reveal Sophie's postwar wounds, or the extraordinary conversation she has with a Nazi's daughter.

Kline throws himself into the role of the "fatally glamorous" Nathan and also displays impressive range: he goes from charming to menacing. MacNichol is not up to these (admittedly high) standards. He can play the wide-eyed innocent, but he always seems somewhat thick-headed and lacking in passion. The movie would be more effective if Stingo seemed more truly changed by his experiences with Sophie and Nathan.

Despite Stingo's weakness as a character, I liked the unusual structure that reveals Sophie's story gradually, in flashbacks that draw closer and closer to the ultimate horror. The movie is nicely shot and some of the Brooklyn scenes look as though they actually could have come from a 1940s movie. But no director from the 1940s would have confronted the brutalities of the Holocaust so directly, and few actresses from any era could have given a performance like Streep's.

'Sophie's Choice' should be compulsory viewing for any member of the voting panel who decide Academy Award winners. Quite simply, Meryl Streep's performance is THE benchmark for that 'Best Actress' category. I've seen a LOT of films, but not one performance has ever (and will ever) match her's. The manner in which she embodies Sophie goes beyond explanation. It is too accomplished and moving for words. It is almost offensive to think that Julia Roberts was awarded the same statue for ‘Erin Brockovich'!

Aside from the breathtaking central performance from the marvellous Ms Streep, there are so many other reasons to see this film. Kevin Kline and Peter MacNicol are excellent, the cinematography is beautiful (particularly the shots of Brooklyn Bridge) the score is haunting ... I could go on.

Although certain critics have berated 'Sophie's Choice' as a mere platform for Meryl Streep as an actress, I urge you to overlook this view. The film succeeds admirably in bringing to horrific life an event in history which we should all be made aware of. It is undeniable that the phenomenal performance of MS leaves you spellbound, but NOT at the expense of being horrified and affected by what you have seen. All I can say to sum up is: just see it. An intelligent and profoundly moving film which will (I promise you) live on in your memory long after the closing credits.

Sophie's Choice is one of those films I always meant to watch, and finally got the chance. It is best to go into it with as little idea as to what it's about as possible, as it's a slow film with a lot of layers that get peeled off one by one. A young would-be-author from the South moves to Brooklyn and befriends his neighbors, the couple Nathan and Sophie. All three hit it off, but Nathan's bipolar tendencies do puncture their friendship at times. Sophie, however, is a calm soul as kind as she is tortured by her past in Auschwitz. As the author, Stingo, gets to know them better, he is also taken deeper and deeper into Sophie's past, where a hidden pain resides.

Sophie's Choice brilliantly captures two polar opposite worlds. The colourful and tranquil Brooklyn is contrasted strikingly by a late 1930s Poland occupied by Nazis, where the colour drains so much out of the film that any further and it would be black-and-white. The present in Brooklyn is a good haven to have and catch our breath between glimpses into Sophie's horrible past.

At the end of the day, in spite of the emotionally shattering story, Sophie's Choice is a story about hope and redemption. The performances certainly helped. Peter MacNicol and Kevin Kline are both wonderful as polar opposite personalities, united by a common love for literature.

But Meryl Streep is utterly mesmerizing as Sophie. It's not for no reason that this was one of those Oscar-nominated performances of hers that gave that extra edge and got her the statue. All of Sophie's mannerisms, her accent, her speaking German and Polish, her searching for words in English to express what she wants to say, her restrained kindness, her pain; none of it overdone. The director even trusted Streep enough to take long shots with her as she gets into deep characterization. This is quite simply one of the finest female performances in cinema.

I did fear, throughout the film, what exactly Sophie's choice was, and I was right, for it is a scene that crushes your heart. But the film comes together in the end and ends in an emotionally satisfying way in spite of everything. Steel yourself for an emotional journey and give Sophie's Choice a view, it's a film as uplifting as it is depressing, and unmissable for cinema buffs.