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7.6/10
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Richard Pryor performs his stand-up comedy act on the Sunset Strip.Richard Pryor performs his stand-up comedy act on the Sunset Strip.Richard Pryor performs his stand-up comedy act on the Sunset Strip.
Gene Cross
- Stoned Hippie
- (uncredited)
Julie Hampton
- Self - Audience Member
- (uncredited)
Jesse Jackson
- Self - Audience Member
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Richard Pryor proves his comedic genius here with another comedy film, this time live from the sunset strip. Here, he talks about women, african roots, and Pryor on fire (which is his hilarious account of when he lit himself on fire mixing crack-cocaine). Funny stuff, but not as fully dandy as his 1979 special. Tries as hard as he can, and succeeds in winning the audience over. It also worked for me. Sort of. First of two Pryor comedy films from Columbia-Tristar. A-
RICHARD PRYOR : HERE AND NOW (1983) & RICHARD PRYOR: LIVE ON THE SUNSET STRIP (1982) both ***1/2 Pryor, one of America's greatest stand-up comedians, expertly conveys the inner pain and personal demons of his tumultuous life with heartbreakingly funny takes on his drug abuse, sexual relationships, racism, spirituality abroad in Africa, getting drunk, recalling early gigs with Mob run clubs and the occasional improvs (his bit with a hermit crab shows just how quick on his feet his mind is) showcase the true brilliance of an original artist in his element and total at ease and command for the language of 'vulgur' humor that seamlessly blends into the vernacularity of his topics of discussion (say unlike his protégé Eddie Murphy and only recently touched upon with better results by Chris Rock). Lucky to be alive after his near-fatal freebasing burning Pryor even makes dying sound funny. A genius in every sense of the word.
8tavm
Having just watched Richard Pryor: Live in Concert yesterday, I was very much looking forward to this, his next concert film. Quite hilarious when talking about sex, his experiences with the mafia, white people looking for humans like them in black Africa, and how women seem so calm compared to men like him. There's also some poignant stories about his trip to Africa and his resolving to never use the N-word again for humorous purposes compared to some of his past work. And then there's the freebasing/fire incident that concludes this film. His talk about Jim Brown and Brown's attempting to rehabilitate him is perhaps the most touching of the stories but that doesn't mean it doesn't end on a good laugh especially when it concerns his member. But while I liked most of what he did, I have to admit I wasn't too crazy about his "Mudbone" routine even though it was a favorite of an audience member who requested it. Still, while this wasn't as good as RP:LIC, Richard Pryor Live on the Sunset Strip still has many brilliant moments that make this well worth seeing.
Richard Pryor performs his stand-up comedy act on the Sunset Strip.
This shows us the benefit of editing two performances together -- we get the best of two shows, making it better than seeing either one of them live.
Pryor has a vulgar routine on sex, and how showbiz has the perk of more women, including one night with an unnamed Playboy Bunny. We hear how Africa has black people that are actually black (suggesting that American black people are not completely black).
We get a great story on how he worked in a Mafia night club in Youngstown, Ohio with stripper Satin Doll, and how "crime don't pay". (Unfortunately, he again does not name names.)
Most striking of all, though, is his frank discussion of cocaine use. Not regretful, he tells it like it is (or was).
This shows us the benefit of editing two performances together -- we get the best of two shows, making it better than seeing either one of them live.
Pryor has a vulgar routine on sex, and how showbiz has the perk of more women, including one night with an unnamed Playboy Bunny. We hear how Africa has black people that are actually black (suggesting that American black people are not completely black).
We get a great story on how he worked in a Mafia night club in Youngstown, Ohio with stripper Satin Doll, and how "crime don't pay". (Unfortunately, he again does not name names.)
Most striking of all, though, is his frank discussion of cocaine use. Not regretful, he tells it like it is (or was).
One of Richard Pryor's concert movies features him talking about a trip to Africa, employment in a Mafia club, and even his freebasing incident ("The burn unit eliminates race. The only color in there is burnt-up muthaf***as!").
After Pryor died, Eddie Murphy and Chris Rock noted that he paved the way for all the African-American comedians who came afterwards. It's hard to deny that. His passing left some big shoes to fill, as did George Carlin's death and Robin Williams's suicide. It must've been quite an experience to get to see Pryor in concert. You're sure to love this performance.
Respect indeed!
After Pryor died, Eddie Murphy and Chris Rock noted that he paved the way for all the African-American comedians who came afterwards. It's hard to deny that. His passing left some big shoes to fill, as did George Carlin's death and Robin Williams's suicide. It must've been quite an experience to get to see Pryor in concert. You're sure to love this performance.
Respect indeed!
Did you know
- TriviaIt is revealed in "Richard Pryor: Omit the Logic (2013)" that Pryor completely messed up his performance during the first filming of the show. Pryor lost his train of thought and forgot most of his material. He apologized to the audience and ended the show early leaving the audience angry. Pryor pulled himself together and gave a much better performance the next night. Most of the footage in the film is from the second performance.
- Quotes
Richard Pryor: [discussing his trip to Africa] One thing I got out of it is magic, I'd like to share with you. You know, it's like I was leavin' and I was sittin' in the hotel and a voice said to me, it said to me, "Look around, what do you see?" And I said, "I see all colors of people doin' everything." You know, and the voice said, "Do you see any niggers?" I said, "No." And it said, "You know why? 'Cause there aren't any."
- ConnectionsEdited into Heroes of Black Comedy (2002)
- SoundtracksJust be Good to Me
Written by Jimmy Jam & Terry Lewis
Performed by The S.O.S. Band
Courtesy of Tabu Records
© 1983 Tabu Records Inc.
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Ричард Прайор: Концерт на Сансет-Стрип
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $36,299,720
- Opening weekend US & Canada
- $7,780,693
- Mar 14, 1982
- Gross worldwide
- $36,299,720
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