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7.6/10
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Richard Pryor performs his stand-up comedy act on the Sunset Strip.Richard Pryor performs his stand-up comedy act on the Sunset Strip.Richard Pryor performs his stand-up comedy act on the Sunset Strip.
Gene Cross
- Stoned Hippie
- (uncredited)
Julie Hampton
- Self - Audience Member
- (uncredited)
Jesse Jackson
- Self - Audience Member
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
"Richard Pryor Live On the Sunset Strip" showcases comedy legend Richard Pryor in his element, doing stand-up comedy. In his routine, he touches on all subjects, ranging from women to his trip to Africa, and even his scandalous past: the brothel run by his grandmother, his cocaine addiction, and the infamous incident in which he lit himself on fire. There are many laughs to be had in Pryor's delivery, and a few bittersweet moments as well, like Pryor's reminiscences about recovery and kicking his addiction. Even he can look back and have fun with his past. His comedic performance on the Sunset strip will be a wonderful document to remember him by in the future.
Richard Pryor performs his stand-up comedy act on the Sunset Strip.
This shows us the benefit of editing two performances together -- we get the best of two shows, making it better than seeing either one of them live.
Pryor has a vulgar routine on sex, and how showbiz has the perk of more women, including one night with an unnamed Playboy Bunny. We hear how Africa has black people that are actually black (suggesting that American black people are not completely black).
We get a great story on how he worked in a Mafia night club in Youngstown, Ohio with stripper Satin Doll, and how "crime don't pay". (Unfortunately, he again does not name names.)
Most striking of all, though, is his frank discussion of cocaine use. Not regretful, he tells it like it is (or was).
This shows us the benefit of editing two performances together -- we get the best of two shows, making it better than seeing either one of them live.
Pryor has a vulgar routine on sex, and how showbiz has the perk of more women, including one night with an unnamed Playboy Bunny. We hear how Africa has black people that are actually black (suggesting that American black people are not completely black).
We get a great story on how he worked in a Mafia night club in Youngstown, Ohio with stripper Satin Doll, and how "crime don't pay". (Unfortunately, he again does not name names.)
Most striking of all, though, is his frank discussion of cocaine use. Not regretful, he tells it like it is (or was).
In his second most successful concert movie, again we brace ourselves for what magical dynamic stuff that will spout out of the mouth of an undying and legendary comic, who was pure genius. He cuts the surface of truth with his jokes, which makes so funny. The height of laughs for me, was when he was talking about the mafia. We've guaranteed ongoing laughs here, with new original material, where if your anti swearing, again take a rain check. Again 78 minutes passes by easy in another engrossing night of comedy, where our priceless Pryor tells those lengthy stories where that and vulgarity blend so well, where truths are told in funny and inventive scenarios, wonderfully written, where laughter just has us. No there never has been, or never will be, someone so sharp and cutting, or brilliant, like our Richard. Another concert movie success, in the city of Angels.
RICHARD PRYOR : HERE AND NOW (1983) & RICHARD PRYOR: LIVE ON THE SUNSET STRIP (1982) both ***1/2 Pryor, one of America's greatest stand-up comedians, expertly conveys the inner pain and personal demons of his tumultuous life with heartbreakingly funny takes on his drug abuse, sexual relationships, racism, spirituality abroad in Africa, getting drunk, recalling early gigs with Mob run clubs and the occasional improvs (his bit with a hermit crab shows just how quick on his feet his mind is) showcase the true brilliance of an original artist in his element and total at ease and command for the language of 'vulgur' humor that seamlessly blends into the vernacularity of his topics of discussion (say unlike his protégé Eddie Murphy and only recently touched upon with better results by Chris Rock). Lucky to be alive after his near-fatal freebasing burning Pryor even makes dying sound funny. A genius in every sense of the word.
A standup comedyshow in Los Angeles, for the posh folks. His comedy routine was a bit less rude and more refined than usual, but still worth listening every minute of it.
His setting himself on fire was the most memorable bit that he spoke about in detail. He also spoke in length about his trip to Africa, where he forgot about racism, because they were all equals.
Richard Pryor's comedy shows are a must see for any Richard Pryor fan. I am still trying to find more shows that I can see of him, because on stage Richard Pryor is truly the king of comedy.
His setting himself on fire was the most memorable bit that he spoke about in detail. He also spoke in length about his trip to Africa, where he forgot about racism, because they were all equals.
Richard Pryor's comedy shows are a must see for any Richard Pryor fan. I am still trying to find more shows that I can see of him, because on stage Richard Pryor is truly the king of comedy.
Did you know
- TriviaIt is revealed in "Richard Pryor: Omit the Logic (2013)" that Pryor completely messed up his performance during the first filming of the show. Pryor lost his train of thought and forgot most of his material. He apologized to the audience and ended the show early leaving the audience angry. Pryor pulled himself together and gave a much better performance the next night. Most of the footage in the film is from the second performance.
- Quotes
Richard Pryor: [discussing his trip to Africa] One thing I got out of it is magic, I'd like to share with you. You know, it's like I was leavin' and I was sittin' in the hotel and a voice said to me, it said to me, "Look around, what do you see?" And I said, "I see all colors of people doin' everything." You know, and the voice said, "Do you see any niggers?" I said, "No." And it said, "You know why? 'Cause there aren't any."
- ConnectionsEdited into Heroes of Black Comedy (2002)
- SoundtracksJust be Good to Me
Written by Jimmy Jam & Terry Lewis
Performed by The S.O.S. Band
Courtesy of Tabu Records
© 1983 Tabu Records Inc.
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Ричард Прайор: Концерт на Сансет-Стрип
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $36,299,720
- Opening weekend US & Canada
- $7,780,693
- Mar 14, 1982
- Gross worldwide
- $36,299,720
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