Partners
- 1982
- Tous publics
- 1h 33m
IMDb RATING
5.3/10
1.6K
YOUR RATING
A heterosexual police detective is unnerved when ordered to go undercover with a homosexual police clerk, as a couple, to solve a series of murders in the gay community.A heterosexual police detective is unnerved when ordered to go undercover with a homosexual police clerk, as a couple, to solve a series of murders in the gay community.A heterosexual police detective is unnerved when ordered to go undercover with a homosexual police clerk, as a couple, to solve a series of murders in the gay community.
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Featured reviews
Eccentric misfire comedy about a macho cop teamed with a meek desk-bound police officer and sent undercover as a gay couple to find the murderer of gay male models. O'Neal's subsequent appearance in full leathers while Hurt's character fusses around the apartment in pink T-shirt and cargo pants provides endless mirth.
Fans of O'Neal's manly physique will not be disappointed, but the coy jokes built on his character's awkwardness at being thrust into the gay scene are not very funny. The murder mystery aspect of the plot is the best thing about the film but it is constantly undermined by the film's habit of switching back into comedy mode whenever the suspense starts the build. And then as if that isn't bad enough, they slot in some cute and thoughtful scenes just to show us that O'Neal's character really is a caring guy after all. Then, despite the fact we have already met his girlfriend, he is straight to bed with whatever woman happens to cross his path.
The general story is also quite sloppy. Characters are introduced then disappear having fulfilled no greater function than to be the butt of a joke. The effeminate motel owner, Benson's original girlfriend, and the caftan-wearing landlord are given big introductions and then disappear.
Since Australian TV soap operas like 'Number 96', 'The Box', 'Prisoner' had been filled with positive gay and lesbian characters in the preceding decade this film wasn't even that groundbreaking at the time.
Fans of O'Neal's manly physique will not be disappointed, but the coy jokes built on his character's awkwardness at being thrust into the gay scene are not very funny. The murder mystery aspect of the plot is the best thing about the film but it is constantly undermined by the film's habit of switching back into comedy mode whenever the suspense starts the build. And then as if that isn't bad enough, they slot in some cute and thoughtful scenes just to show us that O'Neal's character really is a caring guy after all. Then, despite the fact we have already met his girlfriend, he is straight to bed with whatever woman happens to cross his path.
The general story is also quite sloppy. Characters are introduced then disappear having fulfilled no greater function than to be the butt of a joke. The effeminate motel owner, Benson's original girlfriend, and the caftan-wearing landlord are given big introductions and then disappear.
Since Australian TV soap operas like 'Number 96', 'The Box', 'Prisoner' had been filled with positive gay and lesbian characters in the preceding decade this film wasn't even that groundbreaking at the time.
I would like to point out to all the people who felt it necessary to take offence at this movie: It was pretty groundbreaking for the time it was released. Speaking as a lone gay teenager in the Bible Belt, it was very informative to see people such as the "caftan clad landlord" and realize that there were places in the world where men could live together as couples. The landlords story of his relationship was very touching.This movie holds a special place in my heart because it was the FIRST movie that let me know I was not alone in the world. If you are not gay, you don't understand what I am pointing out.If you are gay, and you are that offended at the gay stereotyping in the movie, then you were born in California, New York or somewhere else progressive and should consider yourself fortunate you didn't have to rely on movies such as this one for acceptance.This movie was presented from the point of view of Ryan's character which is to be expected since he was the bigger star at the time.
Here's a gay-themed action-comedy that even the gay community has thankfully forgotten, an appalling, tangled mess involving two male Los Angeles police detectives (one straight, one gay) posing as lovers in order to track down a killer of homosexuals. You have to commend Ryan O'Neal, he gives this one-joke affair his best shot; but poor John Hurt (the most sullen gay character ever!) sluggishly performs as if against his will. The plot is promising--it might've been a sharp satire of "Cruising" had the handling been a bit more nimble. But "Partners" has the patched-together feel of too many different hands, and the laziness of the writing and directing sinks the idea almost completely. Sniggering jokes, embarrassing and half-hearted sentiment, and a plea for the understanding of the gay minority turns this tale into one swishy stew. *1/2 from ****
Stereotypes, how does anyone get them. I've met men and women throughout my life and around the world whom were either shy closet types you'd never know existed, or standing up waving a flag obvious, and everything in between. Some have noted the movie is anti-gay, guess it depends on your attitude and who's watching it, just like anything else. I didn't think it was. To me the movie was a comedy about two reluctant cops balking at crossing orientation lines. And they find out they can work together just fine, co- exist, and the orientation lines blur a bit. I'd tell you my favorite scenes but that would ruin the movie. And except for a guy who's flamboyancy preceded him (funny as hell too), and the guy that used to come to the grocery store in paint, heels, and purse, most of the obvious stereotype stuff is kept indoors in my opinion.
This is a funny and entertaining movie that I went looking for again to add to my collection. If your not afraid of the flamboyant stereotypes and have an open mind you're going to love this movie.
This is a funny and entertaining movie that I went looking for again to add to my collection. If your not afraid of the flamboyant stereotypes and have an open mind you're going to love this movie.
5asyl
John Hurt and Ryan O'Neill as a very odd couple. Kerwin (Hurt) and Benson (O 'Neill) both cops are determined to solve a case together. So far nothing unusual... The problem is the victim is a homosexual living in a gay community and Benson and Kerwin have to investigate undercover. So all they have to do is pretend to be a happy gay couple. For Kerwin not too bad. He is gay. But for Benson... He is as straight as straight gets...
Actual the story of the movie is not the deepest. What made the movie funny for me was the problems Benson had pretending to be a gay man and the development of their "relationship" And really it has some nice gags.
Actual the story of the movie is not the deepest. What made the movie funny for me was the problems Benson had pretending to be a gay man and the development of their "relationship" And really it has some nice gags.
Did you know
- TriviaThe movie was allegedly intended as a parody of Al Pacino's undercover cop movie Cruising - La Chasse (1980). The 'DVD Verdict' website states that this movie is "basically William Friedkin's Cruising - La Chasse (1980) turned in to a sitcom."
- GoofsDuring quick close-up of newspaper when female photographer reads story headlined MALE MODEL SLAIN, the article has nothing to do with murder and is just a jumble of meaningless sentences.
- Quotes
Benson: Let me ask you something Sir. Why did you choose me for this job?
Chief Wilkins: Because you're a good cop, Benson, a real good cop. And because of your cute ass.
- ConnectionsFeatured in Sneak Previews: Changing Attitude Toward Homosexuality in Movies (1982)
- SoundtracksGet It Up For Love
Written by Ned Doheny (as N. Doheny)
Performed by Tata Vega
Courtesy of Motown Record Corporation
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Details
- Release date
- Country of origin
- Language
- Also known as
- Zwei irre Partner auf heißer Spur
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $6,000,000 (estimated)
- Gross US & Canada
- $6,062,898
- Opening weekend US & Canada
- $2,318,801
- May 2, 1982
- Gross worldwide
- $6,062,898
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