Next of Kin

"Next of Kin" is a cult horror classic from Australia.

It is effective at building suspense, and has some genuinely frightening, shocking moments.

The plot concerns a young woman who inherits her mother's nursing home. Strange deaths occur at the home and when the lady reads her mother's diary, finds that events in the past are mirrored in the present.

The movie is less a slasher than an Aussie giallo. It's a violent murder mystery with Hitchcockian suspense touches, rather than the typical hallmarks of the slasher genre, eg. a masked killer stalking victims who split up to be offed one by one, and sex leading to a grisly death.

The film is far more interested in atmosphere, which it provides really well.

This Australian horror film is a fine addition to the massive genre. The story is about a woman named Linda who comes back to her home town in order to take possession of a home for the elderly which she has inherited as a result of her mother's death. As Linda adjusts to moving back home and catching up with old friends, her troubled past begins to haunt her. Things get even harder for her when she finds her mother's diary and begins to read through it. She learns that her mother had feared that someone was watching and following her. Also, some of the patients had died under suspicious and mysterious circumstances. Soon Linda begins experiencing the same fears and events her mother wrote about in the diary. She is now being watched, followed and her patients are dying off as well. She learns the truth of what is happening in the films tense and devastating conclusion.

Next of Kin's plot is handled very well by the entire cast. Although dismissed by some as a basic slasher movie, co-writer/director Tony Williams use of music, shadows and slow-motion add much style giving the film a unique edge. The stalking scenes and action laced conclusion are very well done and bound to satisfy any horror fan out there. This is one film to seek out. Happy Hunting!

This film continues to scare the hell out of me.

It has been dismissed by some as a routine slasher film, but I whole-heartedly disagree, for a few reasons:

SUSPENSE: Much of the movie IS suspense...slow walks down hallways, heads looking around corners, far-off shots of indistinct figures. This really must be what it's like to go crazy, as Linda fears she is. Importantly, the suspenseful moments never cop-out, they do usually end in a satisfying chill...but the climax is wonderfully held off for the end.

MUSIC: The music is absolutely incredible in that early-80's, Tangerine Dream meets John Carpenter sort of way. It's perfect. Sometimes, it even transcends.

ACTING: The acting is pretty low-key, allowing us time to get interested in the characters, their quirks, their hang-ups. But when it comes time for the climax, the lead actress really lets loose, and it is most disturbing to be witness to such a total frenzy.

STYLISH CINEMATOGRAPHY: Moody hallways, strange camera angles & movements (particularly the long wall-hugging draw away from Linda's nervous eyes as she peers into the hallway, and the cameraman following the nonchalant cat down the hall), creepy focus changes and slow-motion moments.

SURPRISES: The ending will blow your head off. It's nice to see a heroine being sensible, capable, and strong (especially in 1982!!!)

For sure, it's not all good. Particularly weak is the link between the suspenseful bulk of the movie and the frantic climax...the storyline falls completely apart when it comes time to explain why everything has happened. Fortunately, we don't really care at that point, because it's all too freaking scary. If you can find it, SEE IT. Especially if you like horror films populated by realistic human beings (the old man Lance, telling endlessly dull stories about the war...Linda's fork tricks and sugar-cube pyramid...the father in the restaurant threatening to smack his son into the middle of next week). Few films have upset me as much as this one, and hopefully it will do that for you as well.

Despite popular belief, Next of Kin isn't really a regular stalk and slash flick. There isn't much of a death count and Tony Williams doesn't waste time with constant self references to other genre pieces. However, the plot resolves around a psychotic intruder that's murdering the inmates of an old people's home, although the deaths are sporadic enough (we only see one) to keep the heroine believing that they're actually accidents.

The things that lift Next of Kin above its contempararies is the superb, noteworthy direction and great atmosphere. It's beautifully photographed, with some instantly exquisite camera movements that add a supreme energy and sense of professionalism that's rarely found in slasher movies from New Zealand or Australia. In fact, such a notable level of craftsmanship is rarely seen in any category addition. There are plenty of credible shots, the best being the woodland scenes in which we see the mysterious menace lurking in the distance amongst the trees, barely recognisable. It's fairly well acted - although not superbly -, and it works well to set up a creepy suspense fuelled environment. When the nut-job reveals himself, there's some brilliant chases and a few surprises.

Like I said, don't expect slasher cliches by the dozen, but if you keep your options open, you'll find Next of Kin to be fairly rewarding. Worth a look...

I'm all for a slow burn, but Next of Kin might test the patience of anyone. It takes an awfully long time to get going and, by the time it does, the film is almost over. It's still a well shot and well made horror film, but it's a little too lethargic for its own good at times.