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La ballade de Narayama

Original title: Narayama bushikô
  • 1983
  • Tous publics
  • 2h 10m
IMDb RATING
7.8/10
9.6K
YOUR RATING
La ballade de Narayama (1983)
In a poor 19th century rural Japanese village, everyone who reaches the age of 70 has to climb a nearby mountain to die. An old woman is getting close to the cut-off age, and we follow her last days with her family.
Play trailer2:58
1 Video
26 Photos
DramaMystery

In a poor 19th century rural Japanese village, everyone who reaches the age of 70 has to climb a nearby mountain to die. An elderly woman is reaching close to her cut-off age during her last... Read allIn a poor 19th century rural Japanese village, everyone who reaches the age of 70 has to climb a nearby mountain to die. An elderly woman is reaching close to her cut-off age during her last days with her family.In a poor 19th century rural Japanese village, everyone who reaches the age of 70 has to climb a nearby mountain to die. An elderly woman is reaching close to her cut-off age during her last days with her family.

  • Director
    • Shôhei Imamura
  • Writers
    • Shôhei Imamura
    • Shichirô Fukazawa
  • Stars
    • Ken Ogata
    • Sumiko Sakamoto
    • Tonpei Hidari
  • See production info at IMDbPro
  • IMDb RATING
    7.8/10
    9.6K
    YOUR RATING
    • Director
      • Shôhei Imamura
    • Writers
      • Shôhei Imamura
      • Shichirô Fukazawa
    • Stars
      • Ken Ogata
      • Sumiko Sakamoto
      • Tonpei Hidari
    • 40User reviews
    • 44Critic reviews
  • See production info at IMDbPro
    • Awards
      • 9 wins & 9 nominations total

    Videos1

    Trailer
    Trailer 2:58
    Trailer

    Photos26

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    Top cast28

    Edit
    Ken Ogata
    Ken Ogata
    • Tatsuhei
    Sumiko Sakamoto
    • Orin
    Tonpei Hidari
    • Risuke
    Aki Takejô
    • Tamayan
    Shôichi Ozawa
    • Katsuzô
    Fujio Tokita
    Fujio Tokita
    • Jinsaku
    Sanshô Shinsui
    • Zeniya no Tadayan
    Seiji Kurasaki
    • Kesakichi
    Junko Takada
    • Matsuyan
    Mitsuko Baishô
    Mitsuko Baishô
    • Oei
    Taiji Tonoyama
    Taiji Tonoyama
    • Teruyan
    Casey Takamine
    • Arayashiki
    • (as Kêshi Takamine)
    Nenji Kobayashi
    • Tsune
    Nijiko Kiyokawa
    • Okane
    Akio Yokoyama
    • Amaya
    Kaoru Shimamori
    • Tomekichi
    Yukie Shimura
    • Amaya no Nyôbô
    Masami Okamoto
    • Amaya no Chônan
    • Director
      • Shôhei Imamura
    • Writers
      • Shôhei Imamura
      • Shichirô Fukazawa
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews40

    7.89.6K
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    Featured reviews

    10dks35

    A must see movie

    One of the best films I have ever seen. Teaches you how to love your parents and kids. The cast and photography are amazing. A must see movie. As for the previous comment from US on this film - isn't USA a country where the elderly are sent to nursing homes to die, often stripped off their dignity? So, go visit your granny or mommy...
    10flautist_englishdork

    Harsh yet beautiful

    This is actually an extraordinarily beautiful film, if one has even the remotest understanding of Japanese culture around that time period. The harshness of life in Japan made the sort of society in which people went to "be with their loved-ones" and "be with the God of the Mountain" at age 70 completely necessary. The focus of the film is the struggle for survival, and more than that, prospering, in the harsh environment of c. XIX Tohoku. The exploration of this topic takes the viewer into a study of survival through strict rules, and prospering through sexual relationships. The scenes of sexual intercourse serve to portray that even in sexual situations, the Japanese as a people have never viewed nature and animals as separate from ourselves.
    9kwindrum

    Tough stuff but asks the basic questions

    I was a little surprised by a few of the negative comments below since I don't consider this film to be at all slow or dull. Many foreign and Asian films (Tsai Ming-Liang, Apitchatpong Weerasethakul, Hou Hsiao-Hsien for example)are far more grueling and slow whereas this film is loaded with narrative events, humor, eroticism (of various sorts, not all involving contact between humans and other humans)and a profound meditation on community, responsibility and mortality. If one finds this slow then I'd imagine most foreign films besides Amelie would be off-limits. I have rarely seen a film that forces one to confront such disturbing yet important subjects. In this village where scarcity forces all over 70 to be taken to Narayama mountain to die, a 69 year old woman who is still energetic and capable must settle her son's affairs before taking her final journey. Pondering how one would live in a place where for years one would know that at 70 this would happen is one key question. Further, what are the final things one must do before dying. Finally, the film makes us confront the literal truth of bodily decay and corruption in the scenes at Narayama Mountain.
    8AlsExGal

    A universal story of human obsolescence...

    ... in this Japanese period drama from Shochiku and writer-director Keisuke Kinoshita. In a poor farming village, old woman Orin (Kinuyo Tanaka) is feeling the pressure, both from her ingrate grandson, and her own conscience and adherence to tradition, to commit obasute, wherein elderly people travel to the top of nearby Narayama mountain and wait to die from starvation or exposure. Orin is the strongest, most productive member of the family, but youth trumps utility, and Orin prepares to make her final journey.

    Using widescreen and color film, director Kinoshita uniquely melds the cinematic with the theatrical, as the story is told in near kabuki fashion, with a singing narrator and traditional Japanese musical instrumentation. The sets are stylized and deliberately artificial, with realistic settings in the foreground, and miniature or painted backdrops behind them. There is also repeated use of monochromatic lighting, from red filters to green filters, to accentuate the mood of the scene.

    The performances are equally stylized in the kabuki manner, and as such may be off-putting to Western audiences unused to the style. I thought the film was tremendous, an artistically challenging production with a very striking audio and visual presentation, and a moving, universal story touching on aging and obsolescence forming the bedrock. Recommended.
    10FilmCriticLalitRao

    Shohei Imamura : A true master of human emotions.

    On numerous occasions Japanese filmmaker Shohei Imamura has confessed that he is more interested in filming tales of despicable low lives than narrating stories of hypocrite Japanese middle class.This is precisely what makes his film special.It must be mentioned that an earlier version of this film was made in 1958 by veteran Japanese film maker Kinoshita Keisuke.Imamura has often stated that his film is more sensual than that of Kinoshita as it featured a Kabuki style narration of events.Ballad of Narayama is a film about ancient traditions which are hard to follow.It takes place in a Japanese village where a majority of inhabitants are low lives who lead a not so decent life.As traditions are to be respected there is a lot of respect for elders. The highlight of the film is the existential dilemma of a Japanese man whose task consists of leaving his old mother in the mountains of Narayama to be eaten alive by vultures.It is believed that forthcoming generations will live when sacrifices are made by old people.It is amazing how Imamura has managed to recreate a vivid life of ancient Japanese village.Ken Ogata is a joy to watch as an obedient son who hesitates to see his old mother die.A truly great film to learn about the eccentricities of human mind especially of the oriental kind.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Sumiko Sakamoto had her four front teeth extracted so she could better portray the scene where Orin smashes out her front teeth to convince her family that she is old enough to go.
    • Quotes

      Risuke: Hey Tsune! You guys tossed the dead baby in my paddy!

      Tsune: Sure did. I figured that in Stinker's paddy, the stench would make it rot quicker... so I went out of my way to do you a favor. Be grateful.

      Risuke: Who needs fertilizer like that? That was your brother, wasn't it?

      Tsune: Wasn't my fault.

      Risuke: You thought it'd be a girl, but you got a boy. Serves you right!

      Tsune: You moron! You were almost thrown away yourself.

      Risuke: You too. Same goes for all the yakkos in the village!

      Tsune: Man you stink! If the next one's a boy, I'll go to your stinking paddy... and toss it there...

      Risuke: I don't want... fertilizer like that...

    • Connections
      Featured in Fandor: Cannes On Fandor: Two-Time Palme D'Or Winning Directors (2017)
    • Soundtracks
      Risuke no uta
      Written by Hitoshi Machida

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    FAQ

    • How long is The Ballad of Narayama?
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    • Is there more than one version?
    • Is this the only film transcription of the book "The Men of Tohoku"?

    Details

    Edit
    • Release date
      • September 28, 1983 (France)
    • Country of origin
      • Japan
    • Language
      • Japanese
    • Also known as
      • La balada de Narayama
    • Filming locations
      • Maki Village, Otari, Nagano, Japan(village: 36°45'53"N, 137°55'39"E)
    • Production company
      • Toei Company
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      2 hours 10 minutes
    • Color
      • Color
    • Sound mix
      • Mono
    • Aspect ratio
      • 1.85 : 1

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