Nana: Le désir

It states 'comic, drama'. I couldn't find anything comical in there.

The setting is perfect, what one would expect from Zola. Acting by Katya Berger ... already difficult to judge. In itself it is naught; as Nana it does fit.

A captivating narration by Zola about the 'fickle women' (Shakespeare). In this sense this movie deserves full marks. It shows a rather emotionless ascent of a woman, rather an adolescent, to what her attraction can get her. In this sense, close to full marks.

On the other hand, if one perceives movie making as having a meaning beyond mere photographing, as analytic process, also displaying inner sentiments, doubts, motivators; this movie is a clear fail. Katya Berger as Nana just swirls around from scene to scene, until - sooner or later - her seemingly never reflected drive for more and more reaches its logic end.

All in all, definitely deserving better than the current 4,4.

I'm into finding more obscure/less mainstream films to watch but this one didn't do it for me and the young age of the lead actress was already a red flag. But the fact that there's real-life incest of sorts that's glossed over shocks me even more so. Never watching this again.

There was an interesting aspect of this film: Golan, Globus and Dan Wolman made two versions of this film. One was a PG version that they hoped to sell to T.V. and the R-Rated one that was filled with nudity. 18 year-old Katya Berger bares a lot of skin in this costume drama about a young Parisian lady who finds work at a burlesque club and then takes advantage of the perverts who come here. The film takes place in the 1880's yet one of the stars of the club has created movies. Not very exciting and very tame for today's standards. A turn-off in this film is the women who didn't shave under the arms. Ewww. Mandy Rice-Davies, who helped bring down the British Government years ago, appears in this film. Costume drama for completists or those who want to see a poor man's Brooke Shields.

In the opening titles of this movie it says that is "loosely based" on the fin-de-siècle novel of Emile Zola. I haven't read the novel, but I am a little suspicious about the lesbian scenes and the bizarre "human cockfighting" scene. I am also quite sure that Zola never claimed that his contemporary, George Melies, a real-life silent French filmmaker (who was also a character in Scorcese's "Hugo")made porn loops to show in Parisian brothels. I suspect the notorious 80's low-rent Israeli producers Golan and Globus took at least some liberties with both fiction and reality.

This is a movie about a young actress and prostitute, who shows up at a brothel and becomes an object of obsession for numerous men--a Jewish banker, a count, and the impressionable son of the count--and proceeds to blithely destroy all their lives.

The lead, 18-year-old Katya Berger, is not an especially beautiful girl, but she has a very nice body, which is useful since she spends a great deal of the movie nude. Berger is one of a several young German actresses of the 70's (including Lara Wendel, Katja Bienert, and most famously Nastassia Kinski)who actually appeared in a lot of nude and erotic roles BEFORE they were "legal" by modern-day US/UK standards. Berger's 1978 debut, "Labias Piccolas", for instance, is available in the US today, but reputedly shorn of about 11 minutes of underage nude scenes. But that is not a problem in THIS movie made five years later. Of course, she does have a lesbian scene with an actress played by her real-life sister, Debra Berger (both are daughters of spaghetti Western actor William Berger)and an inter-racial oral sex scene. And there are a couple other notorious figures in the cast including Annie Belle, a French "lolita" actress from the earlier 70's, and 60's British party girl Mandy Rice-Davies, who was caught up with Christine Keeler in the "Profumo Affair", which brought down a British government and was later chronicled in the movie "Scandal". Clearly the Go-Glo boys were trying to court a little controversy here.

Given all that though, this movie is surprisingly boring. One problem is that the only really strong actor here is Jean-Pierre Aumont, but a lot of it is that director Dan Wolman is not very adept at drawing out any believable drama. Still, it is not a terrible movie and isn't worse than any other Golan-Globus film--whether or not you consider THAt a recommendation. . .

Nana (1982) was an "erotic" film that was loosely based upon the Emile Zola novel. I saw this film when I was in high school on pay cable during the late 80's. There was only a couple of scenes that made the movie enjoyable. The rest was pretty lame, tame and filler. I have to warn you that the movie is pretty "Euro" and some people will be turned off by the "realism" of the way women are shown in this movie. But if you love the "au natural" look, then you'll be in heaven.

Today this film is pretty hard to find. I don't think that their was a strong demand for this film on video. But seriously, I wouldn't go out of my way searching for a copy.

Okay, not thrilling. Just okay.