A Midsummer Night's Dream

I was dissapointed in James Lapine's depiction of the fairies of the Athenian forest. Their costumes and acting was fun but in general, it was without the magic that continually glimmers through in Shakespeare's verse. With the exception of a few scenes i.e. Helena and Hermia's fight, the whole play lacked the humor it deserved. Finally, Bottom was miscast. He seemed like he was playing the comic character for children rather than for a discriminating audience. Only at the end when he sees Titania in the shadows does he achieve the complexity that the character deserves and that Kevin Kline delivered in the 1999 movie.

This is the best version of Midsummer's I've seen, of the three I've seen (1935, James Cagney as Bottom; 1981 BBC version, Nigel Davenport as Theseus; this one). I'm afraid, though, that all the fairy characters seem to be acting just a little too full of themselves, especially William Hurt. Not that that's too bad, especially in Hurt's case, because he's supposed to be kind of self-centered anyway. The rustics (eg. mechanicals, clowns) were very funny, especially in the Pyramus and Thisby scene at the end. This is the funniest version of Quince's prologue you'll find, and it's probably the way Shakespeare intended it, to boot! The lovers, though their haircuts and makeup date them like anything, act their parts well, and you can actually enjoy their super-long mid-play scene (if Hermia's voice doesn't drive you crazy). In this show Bottom and Puck don't seem to be the centers of the play, as in most productions. Probably the most engaging thing about this version of Midsummer's is that its live; although Shakespeare does remarkably well on film (considering its age), his works are still enjoyed best by the group he originally wrote them for, the live audience. I recommend this film for drama, Shakespeare, and film buffs alike.

When even the great Christine Baranski gives a boring performance, you know a production is in deep trouble directorially.

This technically gorgeous staging works well when we're with the acting troupe preparing its version of "Pyramus and Thisbe." Those parts of the play are cleverly directed and beautifully performed. However, the rest of the plots - especially the one about the two pairs of young lovers - don't work at all, despite an extremely talented cast.

Legendary director James Lapine tried something different here, and the result is a decent but largely unengaging production that seems much longer than it actually is.

This version of Shakespeare's play is well-acted but not particularly exciting. The funniest performance comes from Christine Baranski as Helena. The 1999 and 1935 versions are more interesting than this sometimes long-winded production. Granted, this is a televised stage production whereas the others had the freedom of the cinema. But a lot more can be done with Shakespeare on stage -- as exemplified by the recently televised (1998) "Twelfth Night" and by countless live performances.

As a drama teacher I've directed MSND 3 times and have seen a number live productions, including one at the Stratford Shapkespeare festival. This is without a doubt the one I love most. I like Hurt's growling, tumbling Oberon and his very physical relationship with Puck. Christine Baranski is, as noted many times by the other reviewers, utterly hilarious. But my favorite moment comes at the end, when Bottom is describing his dreamy interlude with Titania and he sees a fleeting vision of her as she fades away into the night. For a few seconds we see the loneliness and longing beneath his blustery persona. I'd never had much fondness for the character until then, but that tiny spark of pathos made him much more appealing. The day I can find it - video or DVD - I'll snap it up.