A young woman battles to regain custody of her son.A young woman battles to regain custody of her son.A young woman battles to regain custody of her son.
- Director
- Writers
- Stars
- Awards
- 3 wins & 4 nominations total
Lisa Dalbello
- Marcie
- (as Lisa Del Bello)
L.Q. Jones
- Buford
- (uncredited)
Robert Mayr
- Audience Member
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
It's unfathomable why this film isn't more widely seen and loved. The tale of a young illiterate rural housewife who ventures to the big city to retrieve her child has so much to offer the average viewer: Melanie learns to read, falls in love, redeems the career of a dissolute singer. All the performances are terrific, especially that of Glynnis O'Connor, always an underappreciated talent. Burton Cummings of the Guess Who also gives a good performance, and throws in a few songs. Paul Sorvino and Don Johnson are also thrown into the mix. I recommend this to my friends and acquaintances every chance I get.
The premise portends drama that's going to be less than fun, and as soon as we meet Carl and see what a brute he is - well, hypothesis proven. At the same time, the film strikes a weirdly playful tone at some points, especially in the character of Rick. Not least of all as it shifts between moods, the movie is a bit ham-handed in some scenes, to enough of an extent that without knowing any better, it'd be easy to think 'Melanie' is a made-for-TV movie. Even putting that aside, the picture is rough around the edges - the plot is whole, but still seems slightly unfocused where it expands away from the core question of custody; the romantic elements definitely feel a little forced.
If one can overlook the indelicacies, however, at its core this is really a very good picture. Rex Bromfield's direction doesn't strike me as particularly notable, but it's highly competent - and he does a great job of vividly realizing the screenplay, which I think is pretty fantastic. The narrative is compelling, and the scene writing is actually very strong, and impactful - more than I could have expected. The dialogue comes across as real and believable - and perhaps above all, as the story is largely character-driven, the roles are written with a gratifying measure of depth and personality. Even in moments that feel a little cheesy, there's a wonderful earnestness and moving sincerity to 'Melanie' in telling the tale of a woman doing her utmost to be reunited with her son. It would have been very easy for the film to dip into Lifetime-style melodrama. Yet while there are keenly dramatic instances, especially at the climax, instead the feature remains smartly centered on the protagonist and her astonishing growth, and the friends that help her.
With that - I love the cast. Don Johnson embraces a duly unlikable cocksure menace as Carl with a completeness that I appreciate, ensuring that his presence is known despite having not a lot of screen time. Though not true, the part of Walter that Paul Sorvino plays seems more dynamic than what I'm used to seeing from him (maybe because I readily picture him as stodgy Sergeant Cerreta in 'Law & Order'), and Sorvino is sweetly warm in his portrayal. Meanwhile, it's a joy to watch Burton Cummings depict boisterous, down-on-his-luck Rick - I'm certainly familiar with Cummings' days with The Guess Who, but it's a swell surprise to learn he can act, too! The singer-songwriter sells his role with delightful nuance, and no small amount of pep, making me all the more happy to have discovered this film. Yet that goes doubly for Glynnis O'Connor as the title character, delivering so outstanding a performance that I can't believe she hasn't come to my attention before now. O'Connor demonstrates admirable range, poise, and strength of personality in capturing Melanie's plight and determination - and really, I kind of think she makes the movie worth watching all by herself, nevermind the rest of it. With every step that Melanie takes toward self-improvement on the road to gaining custody, O'Connor impresses by fully embodying the mother, and it's just lovely to see as a moviegoer.
Sometimes kitschy, and more predominantly alternating between scenes and tones distressing, galvanizing, and heartwarming - 'Melanie' is, at all times, pleasantly endearing. It's not perfect, but at that, I wonder if I'm nitpicking too much in my criticism as it is. There's no pretension here, no tricks or hooks - just genuine, honest storytelling, excellent writing, and terrific performances. Rounded out with fabulous, catchy music from Paul Zaza and Cummings himself, the film is absorbing, charming, satisfying, and rewarding. It's no searing time-honored classic or must-see social commentary - just one very, very good movie. There's little more to be said - I entered with no foreknowledge and mixed expectations, and walk away giving an enthusiastic recommendation: 'Melanie' is an ultimately feel-good drama well worth 100 minutes of your time.
If one can overlook the indelicacies, however, at its core this is really a very good picture. Rex Bromfield's direction doesn't strike me as particularly notable, but it's highly competent - and he does a great job of vividly realizing the screenplay, which I think is pretty fantastic. The narrative is compelling, and the scene writing is actually very strong, and impactful - more than I could have expected. The dialogue comes across as real and believable - and perhaps above all, as the story is largely character-driven, the roles are written with a gratifying measure of depth and personality. Even in moments that feel a little cheesy, there's a wonderful earnestness and moving sincerity to 'Melanie' in telling the tale of a woman doing her utmost to be reunited with her son. It would have been very easy for the film to dip into Lifetime-style melodrama. Yet while there are keenly dramatic instances, especially at the climax, instead the feature remains smartly centered on the protagonist and her astonishing growth, and the friends that help her.
With that - I love the cast. Don Johnson embraces a duly unlikable cocksure menace as Carl with a completeness that I appreciate, ensuring that his presence is known despite having not a lot of screen time. Though not true, the part of Walter that Paul Sorvino plays seems more dynamic than what I'm used to seeing from him (maybe because I readily picture him as stodgy Sergeant Cerreta in 'Law & Order'), and Sorvino is sweetly warm in his portrayal. Meanwhile, it's a joy to watch Burton Cummings depict boisterous, down-on-his-luck Rick - I'm certainly familiar with Cummings' days with The Guess Who, but it's a swell surprise to learn he can act, too! The singer-songwriter sells his role with delightful nuance, and no small amount of pep, making me all the more happy to have discovered this film. Yet that goes doubly for Glynnis O'Connor as the title character, delivering so outstanding a performance that I can't believe she hasn't come to my attention before now. O'Connor demonstrates admirable range, poise, and strength of personality in capturing Melanie's plight and determination - and really, I kind of think she makes the movie worth watching all by herself, nevermind the rest of it. With every step that Melanie takes toward self-improvement on the road to gaining custody, O'Connor impresses by fully embodying the mother, and it's just lovely to see as a moviegoer.
Sometimes kitschy, and more predominantly alternating between scenes and tones distressing, galvanizing, and heartwarming - 'Melanie' is, at all times, pleasantly endearing. It's not perfect, but at that, I wonder if I'm nitpicking too much in my criticism as it is. There's no pretension here, no tricks or hooks - just genuine, honest storytelling, excellent writing, and terrific performances. Rounded out with fabulous, catchy music from Paul Zaza and Cummings himself, the film is absorbing, charming, satisfying, and rewarding. It's no searing time-honored classic or must-see social commentary - just one very, very good movie. There's little more to be said - I entered with no foreknowledge and mixed expectations, and walk away giving an enthusiastic recommendation: 'Melanie' is an ultimately feel-good drama well worth 100 minutes of your time.
I have loved this money ever since I saw it for the first time in 1982! initially, it may be the fact it is based on an Arkansas girl.....and I am PROUD to be one myself!
Love to actors and especially LOVE the soundtrack!
I have to say the only part I dislike, and I know it was for special "color".......is the scene where Glynnis (Melanie) and Carl (Don Johnson) are fighting and Don is wearing an "Arkansas Razorback" shirt! We do NOT support spousal abuse!!
Woooo Pigssss Soooiiieeeee! Go HOGS!!
If you have not seen this movie, find a way to see it!!
Thanks!
Love to actors and especially LOVE the soundtrack!
I have to say the only part I dislike, and I know it was for special "color".......is the scene where Glynnis (Melanie) and Carl (Don Johnson) are fighting and Don is wearing an "Arkansas Razorback" shirt! We do NOT support spousal abuse!!
Woooo Pigssss Soooiiieeeee! Go HOGS!!
If you have not seen this movie, find a way to see it!!
Thanks!
I remember watching this movie TV when I was a teen in Edmonton. Even at that time I remember thinking "wow this guy can really act" and I wasn't referring to Don Johnson.
Burton Cummings stand out performance really makes this film. He came off incredibly natural, sincere and very funny at times. As great of a musician his is he leaves us all wondering if he could also have had an acting career.
Not sure if his character had some cathartic meaning for him or not. His performance still sticks with me 36 years later.
Strongest closing song of any film till this day.
The whole cast was great.
Burton Cummings stand out performance really makes this film. He came off incredibly natural, sincere and very funny at times. As great of a musician his is he leaves us all wondering if he could also have had an acting career.
Not sure if his character had some cathartic meaning for him or not. His performance still sticks with me 36 years later.
Strongest closing song of any film till this day.
The whole cast was great.
I have tried for years to remember this movie. I knew it started when it an M. I happen to look at Glennis O'Connor's acting since I knew she had been in "Ode to Billie Jean" and there it was "Melanie". I am watching it right now on YouTube on my TV. It is not a real clear copy but great to finally have found it after over 40 years. Remember the male lead singing song over and over with lyrics "Real, real, real good and real, real, real......" with back up singers repeating "real, real, real..... I remember watching it a lot with my Dad over 40 years ago but could never remember the title except that it started with an M. The male I remember singing was Burton Cummings. I will never forget it again.
Did you know
- TriviaYvonne Murray's debut.
- SoundtracksYou Saved My Soul
Written and Performed by Burton Cummings
- How long is Melanie?Powered by Alexa
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