Les Maîtres du temps
- 1982
- Tous publics
- 1h 18m
Piel, a 7 or 8 year old boy, is alone on the desert planet Perdide, only survivor of an attack by giant hornets. Calling for help, Piel's father's friend Jaffar keeps contact with the kid an... Read allPiel, a 7 or 8 year old boy, is alone on the desert planet Perdide, only survivor of an attack by giant hornets. Calling for help, Piel's father's friend Jaffar keeps contact with the kid and hurries across space toward Perdide.Piel, a 7 or 8 year old boy, is alone on the desert planet Perdide, only survivor of an attack by giant hornets. Calling for help, Piel's father's friend Jaffar keeps contact with the kid and hurries across space toward Perdide.
- Awards
- 1 win & 1 nomination total
Jean Valmont
- Jaffar
- (voice)
Michel Elias
- Silbad
- (voice)
Frédéric Legros
- Piel
- (voice)
Yves-Marie Maurin
- Matton
- (voice)
- (as Yves-Marie)
Monique Thierry
- Belle
- (voice)
Sady Rebbot
- Claude
- (voice)
Patrick Baujin
- Jad
- (voice)
Pierre Tourneur
- Yula
- (voice)
Alain Cuny
- Xul
- (voice)
Yves Brainville
- Général
- (voice)
Michel Barbey
- Igor
- (voice)
Jim Bauman
- Lowry
- (voice)
Michel Paulin
- Pixa
- (voice)
François Chaumette
- Robot
- (voice)
Henry Djanik
- Un soldat
- (voice)
Nick Storey
- L'anglais
- (voice)
Gabriel Cattand
- Pirate
- (voice)
Georges Atlas
- Iroquois
- (voice)
Featured reviews
Despite having the English title as Time Masters, there isn't any time component in its core story, though it gets shoved quite haphazardly into the revelation, which seemed to have come from the blind side, and took me by surprise for a bit. Didn't see it coming, but on hindsight, it came woefully too late though, leaving things wrapped up fairly quickly in the last act, that made it a little unsatisfactory, and treading very close to a cop out of sorts.
A 1980s animated movie, it does present a time travel of sorts for the viewer. After having being so used to 3D or computer graphics being the tool of choice to churn out feature length animated movies, this did seem like a blast from the past, but still standing the test of time after 25 years. I guess with the science fiction genre, it does provide it an additional age in terms of longevity (like Tron). Here, the movie opens with a chase sequence over an eclectic synthesized soundtrack, where the boy Piel and his father is on a flight from some hornet creatures. Before his dad met his demise, he gives Piel an egg like communicator, and had radioed his good friend Jaffar for assistance to rescue his son.
Here on the movie takes on two parts. First, PIel and his surviving amongst various encounters and creatures from within a strange forested area within the desert planet of Perdide, while waiting for Jaffar to arrive. And on the other track, Jaffar and his crew of token love interest Belle, technical wizard Silbad, two psychic stowaway gnomes in Jad and Yula, and fugitive Prince Matton. engage in a series of adventures, dealing with internal bickering, as well as external threats such as on the Gamma 10 planet with its faceless winged creatures.
While the animation is rudimentary simple in today's terms, the story does take on an interesting, mature dimension, especially with characterization. I particularly liked the gnomes as they provide clue-ins of sorts as they prepare you for what's possibly coming up, as well as to add some comedic elements into the storyline like a Laurel and Hardy. Piel too as the child shines through with real child-like qualities, which I thought was something different as he doesn't suddenly becomes a hero, which is so common in a typical story in today's setting, and what I thought was quite refreshing - let the kid stay a kid! And the designs by Moebius is just plain wicked, making the movie truly a sight to behold. Is there any more that you can ask for in a science fiction space adventure?
A 1980s animated movie, it does present a time travel of sorts for the viewer. After having being so used to 3D or computer graphics being the tool of choice to churn out feature length animated movies, this did seem like a blast from the past, but still standing the test of time after 25 years. I guess with the science fiction genre, it does provide it an additional age in terms of longevity (like Tron). Here, the movie opens with a chase sequence over an eclectic synthesized soundtrack, where the boy Piel and his father is on a flight from some hornet creatures. Before his dad met his demise, he gives Piel an egg like communicator, and had radioed his good friend Jaffar for assistance to rescue his son.
Here on the movie takes on two parts. First, PIel and his surviving amongst various encounters and creatures from within a strange forested area within the desert planet of Perdide, while waiting for Jaffar to arrive. And on the other track, Jaffar and his crew of token love interest Belle, technical wizard Silbad, two psychic stowaway gnomes in Jad and Yula, and fugitive Prince Matton. engage in a series of adventures, dealing with internal bickering, as well as external threats such as on the Gamma 10 planet with its faceless winged creatures.
While the animation is rudimentary simple in today's terms, the story does take on an interesting, mature dimension, especially with characterization. I particularly liked the gnomes as they provide clue-ins of sorts as they prepare you for what's possibly coming up, as well as to add some comedic elements into the storyline like a Laurel and Hardy. Piel too as the child shines through with real child-like qualities, which I thought was something different as he doesn't suddenly becomes a hero, which is so common in a typical story in today's setting, and what I thought was quite refreshing - let the kid stay a kid! And the designs by Moebius is just plain wicked, making the movie truly a sight to behold. Is there any more that you can ask for in a science fiction space adventure?
I accidentally found this film, on YouTube to top it all, and was amazed how nice it was. The animation is in the French style of animation from the early 80's, so not fantastic, but the imagination and weirdness of it all more than compensate.
I think what I loved most about the film was the European feel of the plot. Characters are weird, each with their own quirks, not just bad or good, while the events are really imaginative. The planets, the creatures, the kind of interactions, all wonderful.
Bottom line: a gem that I had no idea existed, it will probably make me watch other Laloux movies, even if originally I just wanted to see the drawings of Moebius. At just 80 minutes, it would be a shame to not have seen it once.
I think what I loved most about the film was the European feel of the plot. Characters are weird, each with their own quirks, not just bad or good, while the events are really imaginative. The planets, the creatures, the kind of interactions, all wonderful.
Bottom line: a gem that I had no idea existed, it will probably make me watch other Laloux movies, even if originally I just wanted to see the drawings of Moebius. At just 80 minutes, it would be a shame to not have seen it once.
I saw this film when I was about 15 when it was shown on British television. I was already a big fan of Alien and Bladerunner but didn't realise then that Jean Giraud (moebius), the concept artist behind some of the costumes on those films was the artist behind this film. The film made a big impression on me and I spent years trying to find out what it was. Finally I described it to an anime-fan friend of mine and he knew it. Although animation has moved on I still think the look of the film is really good, and the story is quite unsettling especially when you're on the planet with the boy, there is a real sense of menace. There's a body count! okay so it's a little bit dated, there are two pretty cheesy songs in it and a cute moppet kid but that's part of it's charm. Don't forget it was made in the early eighties (in fact it looks more seventies). I'll give it an 9/10, i'm afraid it loses one because of the songs.
"Les maîtres du temps" is as good as french animation movies are rare. Designed by Moebius (Fifth Element...), inspired from a novel of Stephan Wul (french science fiction writer) "L'orphelin de Perdide", it remains one of the most powerful animation movie I have ever seen.
Evidently, It is pretty old and the animation cannot be compared to today's movies, but the rest is very impressive. Characters are mature and have interesting personnalities, the design of ETs and plants is original and the scenario is full of surprises. This movie is different from all others and it is a real victory to be better than the book it has been taken of.
Evidently, It is pretty old and the animation cannot be compared to today's movies, but the rest is very impressive. Characters are mature and have interesting personnalities, the design of ETs and plants is original and the scenario is full of surprises. This movie is different from all others and it is a real victory to be better than the book it has been taken of.
I can't speak to a novel I haven't read, but what quickly comes across in watching this film is that at least compared to other contemporary titles, and filmmaker René Laloux's other works, it's rather distinctly primed for a younger audience. By no means is this to say that it's inherently any less worthy, but in centering a preteen child as a major character, and including two non-human creatures who speak and behave with a childlike mentality, there's little mistaking the more family-friendly slant. More substantively, enjoyable and engrossing as the story is, it arguably feels a bit more simplified as one sometimes anticipates of features tailored to a younger audience - or at least, it seems that way as it's better about communicating big ideas in the narrative rather than all details that should theoretically round out that narrative and enrich it. To that end, the result feels marginally incomplete, as though we're seeing a jigsaw puzzle that's been assembled but with a scattered few pieces missing. Even so 'Les maîtres du temps' is much more enjoyable than not, and pretty good if one happens to come across it.
There's no rule that says every picture has to be a perfect, grabbing masterpiece; sometimes it's enough for one to suitably serve its purpose. I think that's rather the case here as I'm glad I took the time to watch, but I just don't feel like I'd ever been inclined to watch again. If a tad deficient the plot is nevertheless modestly compelling, with great ideas providing firm foundation like cairns on a snow-covered hiking trail. Meanwhile, though active animation elements (characters and creatures) may not be as richly detailed as we've seen elsewhere (including even in Laloux's later film 'Gandahar'), the designs thereof are nonetheless splendid. Above all, the painted backgrounds that fill our vision at any given time are a real joy, and surely the chief highlight of the movie overall. Structures and landscapes are a veritable dreamscape of far-out visuals that boast a level of texture and careful complexity that's otherwise not always present in the title, and no small amount of the value here stems just from the illustrators' work. Kudos all around!
I did have a good time watching, and whether one is specifically a fan of someone involved, the genre, animation at large, or just looking for something to fill eighty minutes, I think 'Les maîtres du temps' earns a fair recommendation. It's not necessarily something one needs to go out of their way to see, but despite its weaker points I think the feature is fine just as it is. If you have the opportunity to watch, this is worth checking out.
There's no rule that says every picture has to be a perfect, grabbing masterpiece; sometimes it's enough for one to suitably serve its purpose. I think that's rather the case here as I'm glad I took the time to watch, but I just don't feel like I'd ever been inclined to watch again. If a tad deficient the plot is nevertheless modestly compelling, with great ideas providing firm foundation like cairns on a snow-covered hiking trail. Meanwhile, though active animation elements (characters and creatures) may not be as richly detailed as we've seen elsewhere (including even in Laloux's later film 'Gandahar'), the designs thereof are nonetheless splendid. Above all, the painted backgrounds that fill our vision at any given time are a real joy, and surely the chief highlight of the movie overall. Structures and landscapes are a veritable dreamscape of far-out visuals that boast a level of texture and careful complexity that's otherwise not always present in the title, and no small amount of the value here stems just from the illustrators' work. Kudos all around!
I did have a good time watching, and whether one is specifically a fan of someone involved, the genre, animation at large, or just looking for something to fill eighty minutes, I think 'Les maîtres du temps' earns a fair recommendation. It's not necessarily something one needs to go out of their way to see, but despite its weaker points I think the feature is fine just as it is. If you have the opportunity to watch, this is worth checking out.
Did you know
- TriviaThe sounds of the giant insects were created via recording onions frying in a pan.
- Quotes
Angel: The creature denies happiness!
- ConnectionsFeatured in Troldspejlet: Episode #14.3 (1996)
- SoundtracksLe Chanteur Galactique
Music by Jean-Pierre Bourtayre
Lyrics by Jacques Lanzmann
Performed by Michel Elias
- How long is The Time Masters?Powered by Alexa
Details
Box office
- Gross US & Canada
- $43,686
- Opening weekend US & Canada
- $4,368
- Jul 28, 2024
- Gross worldwide
- $67,303
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