A successful young Los Angeles doctor and his equally successful television producer wife find their happily-ever-after life torn asunder when the husband suddenly confronts his long-repress... Read allA successful young Los Angeles doctor and his equally successful television producer wife find their happily-ever-after life torn asunder when the husband suddenly confronts his long-repressed attraction for other men. Zach and Claire live a comfortable life, secure in their love... Read allA successful young Los Angeles doctor and his equally successful television producer wife find their happily-ever-after life torn asunder when the husband suddenly confronts his long-repressed attraction for other men. Zach and Claire live a comfortable life, secure in their love for one another when Bart, a swinging Los Angeles novelist, walks into Zach's office for ... Read all
- Awards
- 1 nomination total
- Lila
- (as Ann Harvey)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
If the purpose of this movie was to send a message, then that message was obviously this: Trust what's in your heart, and be true to yourself and the ones you love.
Would love to see this little gem released onto DVD, maybe with some commentary. Playing a gay role in a motion picture required much more bravery from an actor in 1982 than it does today. It would be interesting to hear Michael Ontkean and Harry Hamlin give their perspective on this.
Well, I was mistaken about the "informed" audience! This mixed, supposedly knowledgeable New York audience nearly rioted at the first on-screen kiss, discreetly photographed, in a darkened, shadowy corner of a room, in a long shot! The gays (including my group) were cheering and applauding, the older, presumably straight folks were screaming things like "How revolting!" and "Oh, my God!" as they bolted from the theater. This only increased at the second kiss, in close-up, a few moments later. I was never more astonished in my life!
I just saw this again, after a long time. Dated though it is, I still felt the message was clear: be true to yourself. The final ironic shot says it all.
Unappreciated in its time, MAKING LOVE has held up surprisingly well. Yes, it is a rather routine romance; except for the gender-switch, there isn't much here that is new or unusual. Yet, oddly, this is exactly what makes this film so appealing. Homosexuality is not seen as a problem except where it coincidentally creates one; the love triangle is handled in almost exactly the same way it would be if the husband had an affair with a woman. The stars are attractive and sympathetic and all give extremely appealing and deeply felt performances. If you saw it in 1982, it's worth a second (even third) look. If you've never seen it, it's a treat.
Did you know
- TriviaWhen singer Roberta Flack was asked by Hotspots Magazine if she was nervous about recording the film's title theme song, even after knowing what it would be about, she responded, "Afraid of singing a song about love? Never. I was so glad when that song charted. People who did not know that the song was about love between two men loved that song. I would talk about it in my shows, and about how love is love. Between a man and a woman, between two men, between two women. Love is universal, like music."
- Quotes
Zach Elliot: It's something you don't have any control over. I mean, whether you're born with it or acquire it, who knows? But there's something in me that needs to be with a man.
Claire: My God!
Zach Elliot: Maybe it's his strength, his attitude. Maybe he's everything I'm not, I don't know. Maybe it's brotherhood, bonding, release. Maybe it's just the need for another man's approval. But it's that feeling...
Claire: Stop it! God!
- Crazy creditsThe 20th Century Fox logo plays without the fanfare.
- SoundtracksMaking Love
Written by Carole Bayer Sager, Burt Bacharach and Bruce Roberts
Performed by Roberta Flack
Produced by Burt Bacharach and Carole Bayer Sager
(P) 1982 Atlantic Recording Corp.
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Details
Box office
- Gross US & Canada
- $11,897,978
- Opening weekend US & Canada
- $3,015,497
- Feb 15, 1982
- Gross worldwide
- $11,897,978