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Making Love

  • 1982
  • 12
  • 1h 53m
IMDb RATING
6.9/10
3.1K
YOUR RATING
Kate Jackson, Harry Hamlin, and Michael Ontkean in Making Love (1982)
A successful young L.A. doctor and his equally successful television-producer wife find their happily-ever-after life torn assunder when he suddenly confronts his long-repressed attraction for other men. Zach and Claire live a comfortable life secure in their love for one another when Bart, a swinging L.A. novelist, walks into Zach's office and awakens unfamiliar feelings in him. In a move which leaves him wracked with guilt, Zach cancels dinner with his wife in order to go out with Bart. He is inexplicably drawn to this man who seems intent on keeping him at arms distance. Why can't Bart allow their relationship to grow? he wonders. Exasperated, he asks Bart, "Do you snore? Does anybody ever get a chance to find out?" As Zach's absences become more and more frequent, Claire's concern manifests itself in the suspicion that he is having an affair with another woman. Jilted by Bart and feeling alone for the first time in his married life, Zach resolves to tell Claire the truth about himself. Predictably, Claire is shocked that she could have known so little about the man she has loved for so many years and accuses him of deceiving her from the very start.
Play trailer1:57
1 Video
28 Photos
DramaRomance

A successful young Los Angeles doctor and his equally successful television producer wife find their happily-ever-after life torn asunder when the husband suddenly confronts his long-repress... Read allA successful young Los Angeles doctor and his equally successful television producer wife find their happily-ever-after life torn asunder when the husband suddenly confronts his long-repressed attraction for other men. Zach and Claire live a comfortable life, secure in their love... Read allA successful young Los Angeles doctor and his equally successful television producer wife find their happily-ever-after life torn asunder when the husband suddenly confronts his long-repressed attraction for other men. Zach and Claire live a comfortable life, secure in their love for one another when Bart, a swinging Los Angeles novelist, walks into Zach's office for ... Read all

  • Director
    • Arthur Hiller
  • Writers
    • Barry Sandler
    • A. Scott Berg
  • Stars
    • Michael Ontkean
    • Kate Jackson
    • Harry Hamlin
  • See production info at IMDbPro
  • IMDb RATING
    6.9/10
    3.1K
    YOUR RATING
    • Director
      • Arthur Hiller
    • Writers
      • Barry Sandler
      • A. Scott Berg
    • Stars
      • Michael Ontkean
      • Kate Jackson
      • Harry Hamlin
    • 69User reviews
    • 17Critic reviews
  • See production info at IMDbPro
    • Awards
      • 1 nomination total

    Videos1

    Trailer
    Trailer 1:57
    Trailer

    Photos28

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    Top cast44

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    Michael Ontkean
    Michael Ontkean
    • Zach
    Kate Jackson
    Kate Jackson
    • Claire
    Harry Hamlin
    Harry Hamlin
    • Bart
    Wendy Hiller
    Wendy Hiller
    • Winnie
    Arthur Hill
    Arthur Hill
    • Henry
    Nancy Olson
    Nancy Olson
    • Christine
    John Dukakis
    John Dukakis
    • Tim
    Terry Kiser
    Terry Kiser
    • Harrington
    Dennis Howard
    • Larry
    Asher Brauner
    Asher Brauner
    • Ted
    John Calvin
    John Calvin
    • David
    Gwen Arner
    • Alrene
    Gary Swanson
    Gary Swanson
    • Ken
    Anne Haney
    Anne Haney
    • Lila
    • (as Ann Harvey)
    Stanley Kamel
    Stanley Kamel
    • Charlie
    Charles Lucia
    Charles Lucia
    • Chip
    Doug Johnson
    • Doug
    Ben Mittleman
    • Ben
    • Director
      • Arthur Hiller
    • Writers
      • Barry Sandler
      • A. Scott Berg
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews69

    6.93.1K
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    Featured reviews

    RoseAndTheDoctor

    OF its time

    I don't understand the number of reviews that refer to this movie as being "ahead of its time." The time was clearly right for this movie. By 1980 the gay and lesbian community had finally become fed up with movies portrayal of homosexuals as either the predatory lesbian or the flamboyant faggot who best case ended up alone and bitter at the end of the movie or worst case ended up dead. When scripts for "Cruising" and "Windows" were leaked to the gay and lesbian community (with their depiction of gay men and lesbians as the underbelly of society, stalkers, and murders) there were attempts to disrupt location shoots and when the movies opened there were protests and boycotts (with posters saying "Stop Cruising" and "Close Windows"). I have to believe that this sent some sort of message to the studios, because two years later, 1982, "Making Love" was released (along with "Personal Best").

    Though I don't believe this movie was ahead of its time, I do believe it to be groundbreaking. Prior to 1982 positive depictions of gay men and lesbians in film were either rare, covert, or nonexistent. 1980's "Happy Birthday, Gemini" was a positive (though not really well done) coming out comedy, but completely devoid of any even remotely sexual physical contact. What made "Making Love" (and "Personal Best") unique was not just that that they dealt with gay/lesbian subject matter in a more positive way, but that the characters actually had sex. After decades of heterosexual sex being portrayed as everything from curtains blowing in the wind to anal sex with butter in "Last Tango in Paris," this was the first time homosexuality in mainstream film was anything more than theoretical (though sex between Ontkean and Hamlin was portrayed more as a rolling around wrestling match than as the title "making love").

    This film is flawed, it is soap opera like and melodramatic, and the documentary style talking to the camera scenes don't really work. But, there is no denying that it is a big step forward from the films of just two years before. It is a step that got us to the point where there now are characters in film who just happen to be gay and lesbian, because in society there are people who happen to be gay and lesbian. Even though it might not be a great film, it is an important film.

    A few final comments about the actors. First, I never understood the common wisdom that "playing gay" would kill a career. If "Clash of the Titans" didn't kill Harry Hamlin's career nothing could. Second, I've always been disappointed in Kate Jackson's career. She became a TV star in an era where the crossover from TV to movies was difficult. Then she was unable to do "Kramer" because of "Charlie's Angles" obligations. Then she did this movie and her performance was ignored because it's not the sort of film that the Academy is going to recognize (and ironically she would have been up against Streep had she been nominated). I wish her better things than another "Satan's School for Girls" sequel.
    butchM

    A fine film for it's time that holds up well

    I saw this when it first came out. I was 20. I had never seen a film about gay men before - except Boys in the Band - on late nite TV. That film scared me. This one made me feel good and positive about myself. It is warm and sad and happy and realistic. (well if we were all successful LA tyes, anyway) Credit goes to Ontkean and Hamlin for taking on these roles at the time. Jackson is terrific. She has a scene in the phone with her estranged father that makes you realize why she was first choice for Joanna Kramer in Kramer vs Kramer. Wish this would come out on dvd.
    10bradley-matchett

    A totally under-rated ground-breaking film

    I remember hearing about this film long before it came out. Living in a small eastern Ontario town in Canada in 1982 (a town with an army base no less) I thought that as much as I wanted to, my chances of seeing this film were pretty slim unless I could somehow make it to a big city. Finally, I lucked out and the film did come to our town as part of a double-bill along with Neil Simon's "I Ought To Be In Pictures". I remember watching as this movie (the second feature) started, and silence descended upon the entire theatre. You could have heard a pin drop. As the movie progressed and we got to the scene where Zack and Bart lovingly kiss for the first time there was pandemonium in the theatre. It seemed like half the audience got up. People were yelling abusive epithets at the screen and storming out of the theatre in droves. As a young man on the brink of committing suicide because of feelings I didn't understand and had no relation to -- this movie saved my life. For the first time in my life, after watching this film, I could identify with someone else, and I knew there were other people like me in this world. I thought then, and I think now, twenty-two years later, that all the people involved with this film took tremendous chances and showed great courage in seeing to it this movie was made.

    Say what you will about the soap opera type plot, and making the movie more palatable for mainstream tastes, the fact remains that this was in its time a ground-breaking film. I know many other people who have been profoundly touched by this film. Several years ago I ran a group for gay men in various stages of coming out. One night I showed them my own personal copy of this film. Nearly all who were viewing it for the first time were still totally mesmerized and awed by the courage shown by all involved with this film, particularly Harry Hamlin and Michael Ontkean. Both of these actors were already popular established actors at the time this film was made, and both of them took tremendous risks with their careers by taking these parts. For a movie to actually show two men in a loving relationship, and to actually show two men kiss each other on the lips was amazingly brave. As was pointed out elsewhere on this board Tom Hanks and Antonio Banderas would not even kiss in the 'critically acclaimed' "Philadelphia", and that was many years later. Kate Jackson was fresh off "Charlie's Angels" when she took the part of Claire. Kate did a wonderful job in this film, and held her own against two powerful actors. Her powerful speech to her husband after he comes out to her gave many women the words to say to their husbands.

    All of these years later I don't think there is a finer 'coming out' film than "Making Love"!
    ohcurt1968

    The message is: Be true to yourself and the ones you love

    I love how people so eagerly show their prejudice by calling movies like this "gay propaganda." If anything, these folks do us a favor by exposing themselves so that those of us with brains in our heads can steer clear of them.

    If the purpose of this movie was to send a message, then that message was obviously this: Trust what's in your heart, and be true to yourself and the ones you love.

    Would love to see this little gem released onto DVD, maybe with some commentary. Playing a gay role in a motion picture required much more bravery from an actor in 1982 than it does today. It would be interesting to hear Michael Ontkean and Harry Hamlin give their perspective on this.
    AcidQueen

    AN EXCELLENT FILM: AHEAD OF IT'S TIME IN IT'S CONTENT!

    Although the film "Making Love"(1982) was done over 20 years ago, I felt than and still feel today that it delivers one of the best and strongest messages about gays and lesbians in our society; a message that unfortunately more people need to 'get', even today. The film explores not only the idea of an individual coming to grips with his true sexuality, but provides the viewer with reasons why. It does an excellent job of depicting not only Zack's 'coming out', but the emotional stages both he and Claire go through before,during and afterwards.

    There were a few weak mini-scenes, segue ways into bigger more important scenes that would of, or rather could of been done better; but when one sees this film today, one must take into account that this was still a rather taboo subject and not many people, including gays and lesbians were talking about. I strongly suggest seeing this film on video; it has an excellent message, not only about 'homosexual love', but about 'loving another person',period!

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    Related interests

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    Drama
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    Romance

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      When singer Roberta Flack was asked by Hotspots Magazine if she was nervous about recording the film's title theme song, even after knowing what it would be about, she responded, "Afraid of singing a song about love? Never. I was so glad when that song charted. People who did not know that the song was about love between two men loved that song. I would talk about it in my shows, and about how love is love. Between a man and a woman, between two men, between two women. Love is universal, like music."
    • Quotes

      Zach Elliot: It's something you don't have any control over. I mean, whether you're born with it or acquire it, who knows? But there's something in me that needs to be with a man.

      Claire: My God!

      Zach Elliot: Maybe it's his strength, his attitude. Maybe he's everything I'm not, I don't know. Maybe it's brotherhood, bonding, release. Maybe it's just the need for another man's approval. But it's that feeling...

      Claire: Stop it! God!

    • Crazy credits
      The 20th Century Fox logo plays without the fanfare.
    • Connections
      Featured in Sneak Previews: Cannery Row/The Boat is Full/Soldier Girls/Making Love (1982)
    • Soundtracks
      Making Love
      Written by Carole Bayer Sager, Burt Bacharach and Bruce Roberts

      Performed by Roberta Flack

      Produced by Burt Bacharach and Carole Bayer Sager

      (P) 1982 Atlantic Recording Corp.

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    FAQ16

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    Details

    Edit
    • Release date
      • February 16, 1983 (France)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • Su otro amor
    • Filming locations
      • Western Canyon Rd, Los Angeles, California, USA
    • Production companies
      • IndieProd Company Productions
      • Twentieth Century Fox
    • See more company credits at IMDbPro

    Box office

    Edit
    • Gross US & Canada
      • $11,897,978
    • Opening weekend US & Canada
      • $3,015,497
      • Feb 15, 1982
    • Gross worldwide
      • $11,897,978
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 53m(113 min)
    • Color
      • Color
    • Sound mix
      • Dolby
    • Aspect ratio
      • 1.85 : 1

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