Dragon Lord

This film has to be viewed in the right frame of mind. First, the central father-son relationship makes it pretty clear that the film was intended as a prequel to his Wong Fei Hung film "Drunken Master" (ideas from this film recur in "Drunken Master II), and not "Young Master"; that Chan backed away from this plan and renamed the characters indicates that he himself was not convinced the material was coming together properly; and, indeed, the film conveys a sense of being incomplete; for instance, the romantic relationship around which half the plot turns is left utterly hanging at the end of the film. "Young Master", from the same period, also feels underdone, but at least all its central threads are tied together at the end. This film feels as though Chan wrestled with the plot and characters trying to find his central theme, only to abandon the effort, possibly due to time and budget.

Or perhaps the film is simply over-ambitious. This is an important turning point film in Chan's career, because he commits himself to development of the central character above all other concerns - which is why there's such a lack of kung fu throughout the film. Chan wants to make an historical romantic comedy that just happens to have kung fu in it. But both the historical element and the romantic element come across as little more than plot-twists.

That leaves us with the comedy. Since Chan's concern is character-development, the comedy is largely character driven - as in the conflict between Chan's character and his best friend, an argument over a girl. But there's plenty of slapstick as well. Frankly, I find the comedy amusing enough to forgive the incompleteness of the plot.

This film represents an effort on Chan's part to find a viable formula that he can use and develop over time. It doesn't quite work, and Chan would only find that formula after abandoning the historical elements of his earlier films, with the making of the contemporary action comedy "Police Story". But going back to view this film is still very informative as to how Chan worked his way through the historical genre, and perhaps why he abandoned it.

'Dragon Lord' is not Jackie Chan's first directorial effort. It was his third movie already, but somehow it feels the most incomplete one. At first, it was intended to be the sequel to 'The Young Master' but Chan changed the setting as he wasn't able to properly tie this one to the first movie's story.

The film includes exceptional fight scenes and stunts, but the story seems unfocused. At first, too much time is spent to set up the big love story, but somewhere in the middle that fades away and the romantic angle doesn't get coherent conclusion. Also, the ark with the smugglers doesn't get much needed development at the beginning. So the movie feels like two different movies jammed together. But the fight scenes and choreography is amazing. Jackie experimented with a lot of new stuff in the fight scenes, and the experiments payed off - the fight scenes are exceptional. Jackie Chan is such an amazing performer that poorly constructed story doesn't take away much of the enjoyment from the movie. Also, it was nice to see Mars who usually played some thug, robber or henchman, to get more substantial role.

The fans of Jackie Chan and his type of martial arts slapstick comedy will not be disappointed. Don't expect too thoughtful story though.

An old school kung ku comedy starring Jackie Chan. He's also the director of this movie.

This is bit like continuation of the Young Master. Jackie Chan reprises his role as the Dragon. The actor who portrayed the teacher in Young Master returns as Dragon's father. Although the production is more polished, the story isn't compelling as the Young Master. The format is old school kung fu movie where things happen in earlier days of China. Actions are also old school although there's more comedic elements in this movie than other kung fu movies.

Some clues to the future Jackie Chan movies are seen in this movie, such as using the 2nd floor balcony to stage a dramatic fight sequence.

This is the last old school kung fu movie Jackie Chan starred in. With the success of Project A, his movies starts to take different direction in the future.

`Dragon Lord' is more of a comedy than a martial arts movie. There are a few action sequences in the movie - a strange ball tournament at the beginning, a scuffle between Jackie and his friend over a girl, an interesting shuttlecock game in the middle of the movie - but there are really only two fight sequences in the movie, both near the end. Despite this, the movie's great. It's never dull. There are some funny moments, and the final fight scene between Jackie and the baddie is awesome. Definitely worth seeing over `Shanghai Noon' or `Rush Hour'.

Dragon Lord was something of a pivotal film for Jackie Chan in that it saw him decisively making the move away from old school style kung fu cinema to his own distinctive brand of goofy comedy and situational fighting. Its a shame then that it isn't great (this was apparently reflected in the cold initial box office response), though its charms are enough to make it a mostly good watch even though when all is weighed up it doesn't amount to much. It's a sequel of sorts to The Young Master, following his Dragon Ma character as he slacks off, hangs out with his buddy (a likable turn from Mars) and tries to pick up various local girls, eventually getting mixed up in the plans of nefarious individuals to smuggle Chinese relics out of the country. The juvenile nature of things takes a bit of getting used to, Chan being in his late twenties at the time yet paying essentially a teenager, but his gusto and innate likability carries things well enough. It helps that one or two scenes are actually pretty amusing in a silly sort of way, like Dragon trying to cheat his way through an exam of sorts by his dad. Although there's a downright criminal lack of actual threat to near the hour mark the film doesn't completely lack action, boasting a couple of quality sporting scenes, one somewhat modelled on rugby but considerably more chaotic and the other like football but with a shuttlecock (which apparently required a record number of takes to get right). When things warm up the results are pretty cool and the climatic fight is an absolute doozy, Wong In-Sik reprising his villainy from The Young Master in a great extended bout with Chan making good use of the barn setting and plentiful trading of crunching blows, its right up there with the finales of any of Chan's bona fide classics. Its just a shame that the film as a whole is so unfocused and generally inconsequential (with little hint of anything serious until close to the halfway mark), its an easy watch but mostly forgettable until the last twenty minutes or so, I liked it well enough as I'm kind of a geek for this kind of thing but it really isn't that good. Still a 6/10 as its quite fun, but definitely a completists only film.