Embrasse-moi, je te quitte

This comedy gives the meaning to move on with your life. Oscar winner Sally Field plays a widow who moves back into the house that she and her late husband(James Caan) lived in. She has a fiancé that Jolly doesn't like, and she is the only one that sees him. Everywhere she goes, Jolly follows. Jeff Bridges plays the fiancé who thinks Kay is a total nut case. He himself isn't quite all there. He sees quite a few things that will make Kay question his sanity. There were quite a few scenes that are total classic. Like where the electricity when haywire and the guy fixing it get locked in. Or when the dog started to act funny, and the fiancé just wanted to go all the way nuts. Then there's the part where the priest left his empty booze bottle and the fiancé slips on it. The cast of the movie are great, including celebrity chef Alan Haufrect. Not many people remember this movie, but I do remember the preview and premiere. You would have a ghost of a chance to miss this classic! 3 out of 5 stars!

I realize this movie is a remake of the 1978 Brazilian classic 'Dona Flor and Her Husbands' with the stunning Sonia Braga..but some things should be left alone. While I adore Sally Field, she seems majorly miscast as Kay Villano, widow of philandering choreographer Jolly Villano, played by James Caan, who also seems woefully miscast. Jeff Bridges is delightful as Rupert, the befuddled Egyptologist in love with Kay, and a hilarious standout, especially during the scenes in the diner, and at the inn. Claire Trevor is smashing as Kay's mother, an acid tongued woman who still holds her late son in law in high regard. The dialogue seems stilted at times, and some of the humor forced, with a silly subplot about exorcism. There is a basic sweetness about the movie, and the thought of a ghost of a husband wanting his wife to move on irresistible (which 'Ghost' did so much better 8 years later). But Robert Mulligan (who helmed 'Summer of '42 and 'The Man in the Moon'..two classics if you've never seen them) lacks that light touch that would have made this a classic. This is like a fine meal, elegantly prepared, but after you've had a bite..it leaves an unpleasant taste on your palate.

I absolutely adored this movie! I thought the acting was first rate as was the script. Sally Field is adorable as a widow who's about to remarry. No one but James Caan could have pulled off the role of Jolly as he did. He's entertaining, light-hearted, and gets his point across in a rather different way. This movie is one of my all time favorites. I especially love the way Jolly helps Kay to get hold of her life and move on. Very entertaining! Worth the watch.

All in my family love this movie! It is truly a family favorite. There are enough comments from others that describe the movie, so I will not repeat. It is one of a few movies that all of us (myself, spouse, and daughter) can watch over and over. It is light, entertaining, sweet, and funny! There are so many lines that we quote over and over -- they have become part of our family. ("You are starting to annoy Jolly!" and many others.) We also LOVE the scene when Rupert goes to the lawyer. The reactions of the lawyer and his secretary are hilarious! And the scenes previously mentioned by others: in bed with Rupert when Jolly is there, the trip to the country, the restaurant scene on the trip to the country. The movie is perfectly cast and is my favorite for many of these actors, just for the joy it has brought to all of us.

So where do I begin? 'Kiss Me Goodbye' (KMG) starts out pretty well. A widow (Sally Field) is starting to reclaim her life after her husband's (James Caan) accidental death three years earlier. She's now contemplating marriage to her new beau, (Jeff Bridges), much to the dissatisfaction of her mother (Claire Trevor). I will admit it was a pleasure seeing Ms. Trevor in what would end up being her last film. Too bad this was her final bow after a most distinguished career.. The young couple decide to inhabit the same beautiful NYC brownstone she lived in with her first husband. This is where it starts going downhill.

The ghost of the widow's first husband appears making plans difficult for the widow. Shes the only person who can see him. Caan clearly doesn't belong here. This picture might have worked better with just Field and Bridges exploring their future together. They can easily carry a movie. However, now with the 'ghost plot', Field overacts terribly trying to hide the fact that Caan's spirit is present. Comedy isn't her forte. The script also suffers as a result. Bridge's character is reduced to a boring boyfriend who nobody likes, including the dog and her mother. I won't go on further, but this is not something I'd recommend to the fans of Ms. Fields, Mr. Bridges and Mr. Caan. I gave it four out of ten stars only because of Ms. Trevor's inclusion in the film and the precious dog who might be the funniest character than any of the others. I also liked the Dusty Springfield's opening number which should have been nominated for best song. It might be the best thing about KMG.