IMDb RATING
5.8/10
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Popular comedians watch and give comments about the worst and silliest films from Hollywood.Popular comedians watch and give comments about the worst and silliest films from Hollywood.Popular comedians watch and give comments about the worst and silliest films from Hollywood.
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...for several reasons. For one, a couple of these cast members - actually narrators - left us too soon. That would be John Candy and Gilda Radner. Also, it mixes the comedy styles of SCTV's John Candy, the original Saturday Night Live crew members of Gilda Radner and Dan Akroyd, and Cheech and Chong. This was right before the "Just Say No Era" and Zero Tolerance aged out the latter's style of humor. The 70s were just a more lay back era, even with the shag carpet and the high inflation.
Next, there are all of the B sci-fi and horror movies shown here. This film was made during a bridge era when the old B movies were not being shown that much anymore on TV, and long before youtube and Turner Classic Movies and even the dawn of VHS made them accessible again. And just to let you know, some of these films are not even of the sci-fi/horror genre. Several of them are early sound musicals from the early 1930s, probably even harder to find at the time than the 50s horror films.
And finally, and I think another reviewer even mentioned this in his title, this film was my introduction to Ed Wood Jr. At first I thought it was some kind of a joke. The production code was still in force in the 1950s. How are they going to let you make a film about cross dressing? That was just how B minus Ed Wood's films were. They never even got on the radar of the censors.
It could probably never have a DVD release because of all of the rights of all of the films involved, plus the music. But it is on youtube if you ever want a look back at a look back.
Next, there are all of the B sci-fi and horror movies shown here. This film was made during a bridge era when the old B movies were not being shown that much anymore on TV, and long before youtube and Turner Classic Movies and even the dawn of VHS made them accessible again. And just to let you know, some of these films are not even of the sci-fi/horror genre. Several of them are early sound musicals from the early 1930s, probably even harder to find at the time than the 50s horror films.
And finally, and I think another reviewer even mentioned this in his title, this film was my introduction to Ed Wood Jr. At first I thought it was some kind of a joke. The production code was still in force in the 1950s. How are they going to let you make a film about cross dressing? That was just how B minus Ed Wood's films were. They never even got on the radar of the censors.
It could probably never have a DVD release because of all of the rights of all of the films involved, plus the music. But it is on youtube if you ever want a look back at a look back.
I've always enjoyed this hodge-podge of "bad" movie scenes and previews. But only for the previews themselves. Unfortunately, this movie takes a very smug and pompous attitude toward its subject matter, largely due to the fact that Golden Turkey Award creator Michael and Harry Medved were "advisors" on the project.
Anyone who is a real fan of these movies enjoys them for the silly schlock that they are. The Medveds revel in ridiculing and lampooning them with no appreciation for them at all. Surprisingly, this is the sense one gets from hosts Dan Aykroyd and John Candy, two performers one would think would have a special place in their hearts for these classics.
Only Cheech and Chong and Gilda Radner seem to get into the spirit of things. While Candy and Aykroyd poke fun and insult the movies, Cheech, Chong and Radner play along with them, and create some genuine laughs.
But the real stars are the clips themselves, which are great fun and great nostalgia. Oddly, amid these "bad" movies are such recognized classics as THE INCREDIBLE SHRINKING MAN, WAR OF THE WORLDS and THE DAY THE EARTH STOOD STILL. Scenes from outrageously over-the-top cautionary films about sex and marijuana are utterly hilarious.
Highlights are Chong ordering a truckload of candy at the concession stand and Radner doing her little girl schtick from Saturday night live.
Anyone who is a real fan of these movies enjoys them for the silly schlock that they are. The Medveds revel in ridiculing and lampooning them with no appreciation for them at all. Surprisingly, this is the sense one gets from hosts Dan Aykroyd and John Candy, two performers one would think would have a special place in their hearts for these classics.
Only Cheech and Chong and Gilda Radner seem to get into the spirit of things. While Candy and Aykroyd poke fun and insult the movies, Cheech, Chong and Radner play along with them, and create some genuine laughs.
But the real stars are the clips themselves, which are great fun and great nostalgia. Oddly, amid these "bad" movies are such recognized classics as THE INCREDIBLE SHRINKING MAN, WAR OF THE WORLDS and THE DAY THE EARTH STOOD STILL. Scenes from outrageously over-the-top cautionary films about sex and marijuana are utterly hilarious.
Highlights are Chong ordering a truckload of candy at the concession stand and Radner doing her little girl schtick from Saturday night live.
Good intentions aside, at times I had trouble really getting into this pleasantly interactive, short-lived little documentary/Mystery Science Theater 3000 style arrangement that presents a variety of random clips from supposedly old b-grade to z-grade Hollywood features (though its hard to grasp why "War of the Worlds", "The Incredible Shrinking Man" and "The Day the Earth Stood Still" made its way in) that are set-up through specific genders (monsters, gorillas, animals going berserk, brains, troubled teenagers, Ed Wood, Aliens, giants and musicals) with them being wittily dissected/or informatively discussed by comedians Dan Aykroyd, John Candy, Gilda Radner, Cheech and Chong. The thing was I thought the best moments actually involved the crazy movie clips themselves, than that of it focusing on its mugging stars and the wraparound sequences. The problem was that I found most of the remarks (which at times were surprisingly sparse) not to be all that funny, well Cheech and Chong came across more so genuinely smooth in their humour within the cinema (especially Chong at the candy bar and sitting their watching the films) and it came across an inspired choice for them to rip on the eccentrically pitched cautionary drug movies. However some of those scenes with the other stars in between the collection of clips just didn't gel, as for one Aykroyd really did get on my nerves. Some skits were better implemented than roughly penned others, but the feature does feel like one big trailer (or movie preview) for bad schlock movies
some which are hard to believe you're actually seeing it on screen. Nothing is safe in the wryly tongue-in-cheek "It Came from Hollywood".
This isn't as much a movie as it is a loose assembly of B- to Z-grade movies that have been produced between the 1940's and late 1970's (and not only did they come from Hollywood but Japan as well), narrated by numerous "Saturday Night Life"-comedians. We're talking movies like "Mars Needs Women", "Reefer Madness" (who but Cheech and Chong would be more likely to make fun of that one?), "The Incredible Strange Creatures who stopped living and became mixed up Zombies"; indeed, we're talking the works of Edward D. Wood Jrn.
It's nice to see some of your favorite 80's comedians, some which have passed on since (John Candy, Gilda Radner), others which have fallen into obscurity (Dan Akroyd, Cheech and mainly Chong). Granted the gags and jokes are all rather silly, definitely not especially gifted (and considering that this is from 1982 and that we are used to a little sharper, even cynical humor these days, they haven't aged very well), but then again, we're dealing with bottom-of-the-barrel films, hence let's just call them appropriate.
It's also interesting to reflect, 30 years down the road, how many truly awful movies have been produced since then and the path that the industry in general has taken. Movies like "Battlefield Earth" or M. Night Shyamalans "The Last Airbender" (well, actually every Shyamalan picture since "The Sixth Sense") would certainly not be out of place if they ever remade "It Came from Hollywood". However, there is one exception: while "It Came from Hollywood" focuses on films that were generally generated by a shoe-string budget, the more recent cinematic train-wrecks have swallowed millions upon millions of dollars.
Seven from ten points out of sheer curiosity value – wait; make those six points for having included "The Incredible Shrinking Man" and "War of the Worlds".
It's nice to see some of your favorite 80's comedians, some which have passed on since (John Candy, Gilda Radner), others which have fallen into obscurity (Dan Akroyd, Cheech and mainly Chong). Granted the gags and jokes are all rather silly, definitely not especially gifted (and considering that this is from 1982 and that we are used to a little sharper, even cynical humor these days, they haven't aged very well), but then again, we're dealing with bottom-of-the-barrel films, hence let's just call them appropriate.
It's also interesting to reflect, 30 years down the road, how many truly awful movies have been produced since then and the path that the industry in general has taken. Movies like "Battlefield Earth" or M. Night Shyamalans "The Last Airbender" (well, actually every Shyamalan picture since "The Sixth Sense") would certainly not be out of place if they ever remade "It Came from Hollywood". However, there is one exception: while "It Came from Hollywood" focuses on films that were generally generated by a shoe-string budget, the more recent cinematic train-wrecks have swallowed millions upon millions of dollars.
Seven from ten points out of sheer curiosity value – wait; make those six points for having included "The Incredible Shrinking Man" and "War of the Worlds".
Several top comedians of the early 1980s (Gilda Radner, Cheech & Chong, John Candy, and Dan Aykrod) host a salmagundi of clips from low budget films, mostly from the 1950s, but some dating as far back as the early talkie era, and a few as recent as the mid-1970s. The clips are tidily compartmented into chapters(monsters, juvenile delinquents, gorillas, etc.), each bookended by a Saturday Night Live type of comedy sketch.
IT CAME FROM HOLLYWOOD is an early entry in the MST3K/RIFFTRAX ambit of pop culture satire, and as such, it has its moments. It doesn't present enough academic insight to qualify as a documentary, however, which may come as a disappointment to some cinephiles, but it did introduce the immortal Edward D. Wood, Jr. Into the mainstream conscience collective(in a manner less celebratory than sneering with schadenfreude). The films selected are all over the board...some are not particularly low quality, and a few are even widely regarded as classics. There was a good idea here, but it lacks the knowledgeable supervision it really needed to succeed. It's also rather dated, existing as a fossil from the time when a certain age bracket looked back with adult eyes at the quaintly naive and repressive America they grew up in with a nostalgic, irreverent snicker.
All things considered, an enjoyable enough misfire saved by the presence of its comedy icons. 5/10.
IT CAME FROM HOLLYWOOD is an early entry in the MST3K/RIFFTRAX ambit of pop culture satire, and as such, it has its moments. It doesn't present enough academic insight to qualify as a documentary, however, which may come as a disappointment to some cinephiles, but it did introduce the immortal Edward D. Wood, Jr. Into the mainstream conscience collective(in a manner less celebratory than sneering with schadenfreude). The films selected are all over the board...some are not particularly low quality, and a few are even widely regarded as classics. There was a good idea here, but it lacks the knowledgeable supervision it really needed to succeed. It's also rather dated, existing as a fossil from the time when a certain age bracket looked back with adult eyes at the quaintly naive and repressive America they grew up in with a nostalgic, irreverent snicker.
All things considered, an enjoyable enough misfire saved by the presence of its comedy icons. 5/10.
Did you know
- TriviaThe Paramount Pictures studio had planned to release the film on DVD in 2002. Due to legal and copyright issues to do with several of the clips featured in the film, the DVD release was ultimately canceled.
- Alternate versionsWhen this film was shown on N.B.C., it deleted the scenes where Cheech and Chong smoke marijuana as they view anti-marijuana propaganda films. Also deleted was a clip from Wonder Bar (1934) featuring Al Jolson and a full chorus in black-face.
- ConnectionsFeatures La vie en rose (1929)
Details
- Release date
- Country of origin
- Language
- Also known as
- A Salute to Edward D. Wood, Jr.
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $2,000,000 (estimated)
- Gross US & Canada
- $2,573,342
- Opening weekend US & Canada
- $1,095,003
- Oct 31, 1982
- Gross worldwide
- $2,573,342
- Runtime
- 1h 20m(80 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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