The Hunchback of Notre Dame

This glossy US television version of The Hunchback of Notre Dame followed a well worn formula of that era.

Round up as many well known British thespians who prefer theatre and shower them with money to appear.

Get a few veterans who have an Oscar for a little cameo. So that's Sir John Gielgud sorted.

He is not the only knight in this movie, others would get one later. Sir Nigel Hawthorne has a small role. The main parts are reserved for Sir Derek Jacobi as the priest Frollo who is bewitched by gypsy woman Esmeralda (Lesley-Anne Down.)

Quasimodo (Sir Anthony Hopkins) is the disfigured hunchback who is mocked by the people of Notre Dame.

Strangely Quasimodo has a reduced role here. He only appears sporadically in the first half of the movie.

The film steps up the moment Frollo glimpses Esmeralda and is enchanted by her. It drives him to madness and cruelty.

This is certainly a more campy reworking than one that should had been a gothic horror/romance. In that sense it wasted its cast.

Interestingly two fishwives who appear, Pam St Clement and June Brown would later find fame in Eastenders.

This film shows us why derek jacobi is one of the greatest actors living. only he can turn a villian into the most sympathetic character in a film. his claude frollo bristles with lust, simmers with hate and all the while he feels tortured and guilty. still he can't resist his urges. he loves quasimodo but loves his own carnal pursuits more. this is indeed a tragic figure. Hopkins is also outstanding in the role of quasimodo,he is sicere and honest. david suchet and leslie anne-down offer strong support.

With every different version of "The Hunchback of Notre Dame" that I have ever seen, I hope again that I will one day see a film that copies the novel exactly. Victor Hugo's novel is a tragedy all the way, and it does NOT have a happy ending, or even a semi-happy one! The only version that is most like "Notre Dame de Paris" is the 1977 film described elsewhere in this site. However, the 1982 version comes closer than the earlier ones, which, because of censorship, could not have an Archbishop feverishly pursuing a heathen gypsy female through the dark streets of Paris, laying aside his priestly vows to lust after her to the death. This dark, Gothic romance cries out for black and white--it just doesn't work in color, and the color here is gorgeous. See the 1939 Laughton version to see what I mean. And speaking of the Laughton version, Anthony Hopkins is obviously copying Charles Laughton's legendary performance, and does it quite well--one great actor's nod to another. Has Anthony Hopkins ever given a bad performance? Or has Derek Jacobi, for that matter? He succeeds in making Dom Claude what I have always considered this character to be--not a villain, but a pathetic, pitiable character torn between his holy vows and his forbidden lust for a beautiful gypsy dancer. Lesley-Ann Down is lovely, to say the least, as Esmeralda, and the supporting cast is solid. David Suchet as Clopin is fine in his own way, but it was a thankless task to try to follow Thomas Mitchell's great, over-the-top turn as the King of the Beggars in the 1939 version. Though this version is not as good as it could have been, it still is one of the best, and well worth your time.

THE HUNCHBACK OF NOTRE DAME (1982) turns out be the first time I've watched a filmed adaptation of the Victor Hugo novel. It's just something I've never got around to before now, despite owning both the silent version and the Charles Laughton outing on video. I guess it says something about my tastes in film when I've watched Paul Naschy's HUNCHBACK OF THE MORGUE before this story! As it happens, HUNCHBACK OF NOTRE DAME turns out to be a fairly decent film, although I can't vouch for how faithful it is as I haven't read the novel. Despite being a made-for-TV production, it's eventful and intriguing, mainly worth watching for a superior cast who acquit themselves well with the material.

Anthony Hopkins, in the titular role, plays it for sympathy and it works. He's virtually unrecognisable beneath the heavy and effective makeup, and his hunchback is a tragically maligned character throughout. Lesley-Anne Down is a believable object of lust and affection for most of the cast, and Derek Jacobi has a fine line in playing villainous characters (his turn as Claudius in Branagh's HAMLET was another favourite).

Watch out for minor roles for David Suchet (with hair!), Tim Pigott-Smith, John Gielgud, Nigel Hawthorne and Robert Powell, who's wasted in a minor part. Also watch out for decent production values, with elaborate sets, and assured direction from TV helmsman Michael Tuchner. I wouldn't necessarily call this depiction of the novel definitive - it feels a little slow and stagy in places, a little cold - but it is a solidly entertaining picture.

I had been looking forward to watch this film after reading reviews praising the acts of Derek Jacobi and whatnot, but was disappointed. His Frollo seems very detached from Esmeralda, even with his talent, it doesn't connect.

Also, this Esmeralda is laughable. The hair is hilariously 80s and doesn't work. Nothing against the actor.

The one that saves this rating from even being a 6 is Quasimodo. Unfortunately we don't see a lot of him until the last half (sort of like the book), where we almost get to see more development of him but hardly see any from anyone, not even Q with Frollo. The only good scene would be the aftermath of the flogging and Quasimodo talking to Esmeralda in the tower (but only Quasimodo's dialogue, a nice touch being it's mostly lines from the book).

The ending got to me, I will admit. Hopkins does a stellar job. One of the better adaptations, but wouldn't be so quick to recommend. Watch the 1997 version if you're looking for a modern live-action Hunchback.