La Folie aux trousses

A mildly engrossing, tepid suspenser that apparently bombed in theaters and drew the ire and castigation of moviegoers - an overreaction if ever there were one. Granted, it will never be taken for a masterpiece - the comic elements of the film consistently fall flat, and the plot is a fourth-rate knockoff of Hitchcock - but it isn't a complete dud either. At least 'Hanky Panky' manages to be consistently engaging as an actioner/thriller (as far as I'm concerned) and it is fun to see Gene Wilder and Richard Widmark sharing screen credit. And it boasts a fun supporting cast: Robert Prosky, James Tolkan, Kathleen Quinlan, the wonderful Josef Sommer (of Lydie Breeze fame), and even a young Larry Pine pop up and keep things hopping. Overall, a passable movie experience - it works as a time-filler if nothing else - but some of the attempts at comedy are pretty pathetic. If the scriptwriters had spiced up the scenario with a bit of wild physical comedy and more amusing situations, they probably could have saved the picture. No, Mr. Poitier - sorry to disappoint you, but watching a helicopter pilot belch for two minutes does not, by any stretch of the imagination, qualify as intrinsically funny.

This is one of the funniest movies I have ever seen. Gene Wilder and Gilda Radner are unique. I really enjoyed the movie and recommend it to everyone. If, after watching Hanky Panky, you think it was worth it, please don't forget to watch See No Evil Hear No Evil and Silver Streak, which are two other wonderful movies with Gene Wilder.

In 1982, Gene Wilder took a break from writing and the director's chair to solely serve as the star of Sidney Poitier's 1982 film Hanky Panky. Pairing with him as a female lead was Gilda Radner. The two first met on the set and love quickly blossomed culminating in a marriage a few years later. It all began on Hanky Panky where the two principles become two people, one wrongly accused of a crime, running from the law together to protect their names and solve a mystery while they're at it.

Michael Jordon (Gene Wilder) is an architect visiting New York on business when he jumps into a cab with a distressed woman, Janet Dunn (Kathleen Quinlan). Through flirting and trying to get Janet to have a drink with him, she tells him she is on the run and asks him to put an envelope into a mailbox for him. Michael obliges and unwittingly puts himself in harms way delivering this package. to try to clear things up, Michael travels back to the hotel she was staying in, only to find her in a scuffle with another man. Being filmed on camera at the scuffle with a gun in his hand, he is believed to be the nefarious character she was fighting with. With everyone chasing him despite his innocence, Michael tries to evade, seeking refuge in the apartment he was staying in while in New York. As he is packing his suitcase in the apartment, a woman Kate Hellman (Gilda Radner) comes in, and believing she is a burglar, Michael fights her until the lights are turned on and the two realize neither is a danger. When the police show up at the apartment, Michael has to leave immediately, and Kate decides to come with him to both aid in clearing his name and investigate her brother's death personally. Neither can expect just what they will have to do to get these goals accomplished, but are in it together, as long as it takes.

It is almost magical to see a real life romance blossom on-screen. Gene Wilder and Gilda Radner's incredible chemistry is apparent, even if one is only half watching the film. The chemistry is sensational; you can really tell the two are falling in love, and makes Hanky Panky all the more fun to watch. There were also a number of great comedic gags in the film. The scene in which Michael takes over flying a plane is almost as hilarious as the scene in which Michael needs a change of clothes and takes a magic suit and can't find his change on a bus. The comedy was not without its flaws, however. For instance, there is so much going on in the film that not everything gets fleshed out by the film's end. The entire mystery is never solved, or revealed to the audience, so it is a little hard to become too invested in the film. That being so, Hanky Panky is a good Saturday night comedy that you won't regret watching, even if it's only to see Gene Wilder and Gilda Radner fall in love.

This Hitchcockian comedy-thriller misfire re-united star Gene Wilder with actor-turned-director Poitier after the box-office success of STIR CRAZY (1980; which I should be getting to presently), but it was also the fourth and last collaboration between Poitier and Richard Widmark – the others being NO WAY OUT (1950; Poitier's debut), the similarly maligned THE LONG SHIPS (1963) and the superb THE BEDFORD INCIDENT (1965; produced by Widmark). Incidentally, HANKY PANKY was intended as a follow-up to SILVER STREAK (1976) and STIR CRAZY itself as yet another teaming of Wilder with Richard Pryor – but the latter's role eventually got turned into a female character and played by Gilda Radner (from TV's "Saturday Night Live"). The two stars would then fall in love and marry but, alas, the relationship was not long-lasting as Radner would die within 5 years! Anyway, while HANKY PANKY is hardly terrible, it is far from a classic either: the thrills are largely mechanical (leading predictably to violence, a case of mistaken identity for the bewildered hero, and elaborate action for the denouement) and the laughs – the genuine ones, that is – too few (mostly, it is Wilder doing his idiosyncratic hysterical shtick). Radner herself, to say nothing of Widmark (albeit still effortlessly intimidating at 68), is somewhat underused; notable supporting roles, then, are played by Kathleen Quinlan and Robert Prosky as Intelligence operatives – respectively pursued by and pursuing Widmark and his henchmen.

How on Earth do you go about classifying this film, it's a romantic comedy, espionage, drama thriller. It really does cross several genres, and whilst it perhaps lacks laughs, it makes up for it with performances, and larger then life characters. I always loved the combo of Wilder and his beloved wife Gilda Radner, and whilst I prefer the duo in woman in Red and Haunted Honeymoon, you cannot help but enjoy the chemistry between them.

Wilder, Michael Jordan, truly makes every bad decision imaginable, but you cannot help but like his zany character. Fun performances all round, it's well made, and the aeroplane scenes look great, and are very funny.

Not a classic, but well worth a look. 6/10