IMDb RATING
5.3/10
3.9K
YOUR RATING
A priest-doctor chasing a man with supernatural regenerative abilities, who has recently escaped from a medical lab, reaches a small town where the mutant goes on a killing spree.A priest-doctor chasing a man with supernatural regenerative abilities, who has recently escaped from a medical lab, reaches a small town where the mutant goes on a killing spree.A priest-doctor chasing a man with supernatural regenerative abilities, who has recently escaped from a medical lab, reaches a small town where the mutant goes on a killing spree.
Cindy Leadbetter
- Peggy
- (uncredited)
Lucia Ramirez
- Angela - Woman on TV
- (archive footage)
- (uncredited)
James Edward Sampson
- Cop at the station
- (uncredited)
Mark Shannon
- Man on TV
- (archive footage)
- (uncredited)
Michele Soavi
- Lenny Herbert - Biker
- (uncredited)
Martin Sorrentino
- Deputy
- (uncredited)
Goffredo Unger
- Machine Shop Worker
- (uncredited)
Featured reviews
It's no Anthropophagus, but it's still worth a watch.
If Anthropophagus is a symphony of terror than Absurd is more like chamber music. It's a smaller cast. The majority of the horror takes place in one house. This has a more claustrophobic feel than Anthropophagus. Also, you get to know the characters better here which is nice.
This killer lacks the intensity of the madness from Anthropophagus. But there is at least one violent scene that's sure to grab your attention. It's worth checking out.
If Anthropophagus is a symphony of terror than Absurd is more like chamber music. It's a smaller cast. The majority of the horror takes place in one house. This has a more claustrophobic feel than Anthropophagus. Also, you get to know the characters better here which is nice.
This killer lacks the intensity of the madness from Anthropophagus. But there is at least one violent scene that's sure to grab your attention. It's worth checking out.
MONSTER HUNTER is the HALLOWEEN-esque 'sequel' to 1981's insomniac's dream ANTHROPOPHAGOUS. This time around D'Amato brings to us a sense of pace, making Monster Hunter much more enjoyable. The added gore (including an ultra-torturous scene involving an oven) and cool electronic music score is a nice bonus (I caught some music from PIECES in here as well...cool). The story (or lack thereof) brings back George Eastman as our favorite cannibal, this time not on a Greek island, but somewhere in the US being hunted by a priest (of all people). During this, he somehow manages to spill his guts (again, but does not eat them) on an iron fence outside a house. Eastman is taken to a nearby hospital. There, he recovers, kills the doctor (gorily too I might say), hacks up a few others and then returns to the house where he had his 'accident', and proceeds to stalk the babysitter and kids residing there. A bit boring at times (aren't all these italo-gore flix?) but Eastman's presence is over powering and the end involving a 'vegetable' overcoming her disabilities to face the beast is fairly ironic.
While I've seen over a dozen of Joe D'Amato's films, this was my first foray into his horror films (unless you count Emanuelle and the Last Cannibals, and his Caribbean Horror/Porns, which I have seen.)
For the first half of the movie I wasn't that impressed. But, the second half was relentless, suspenseful, brutal and agonizing. I've seen hundreds of horror/gore/splatter/slasher films, but the infamous 'oven scene' (which I won't spoil) had me literally covering my mouth to keep from making too much noise.
The rampage of the second act works well because the horror comes from the THOUGHT of what is happening, rather than the more visceral deaths of the first half. There is blood and gore, to be sure, but Joe D'Amato shows a modicum of restraint, letting the suspense build in a way it was unable to in the first act.
So, if you decide to give this film a try, and I hope you will, stick with it. Not only does the film really get going in the second half, the final shot of the film has to be one of the most unexpected, shocking and unexpected moments I've ever seen.
For the first half of the movie I wasn't that impressed. But, the second half was relentless, suspenseful, brutal and agonizing. I've seen hundreds of horror/gore/splatter/slasher films, but the infamous 'oven scene' (which I won't spoil) had me literally covering my mouth to keep from making too much noise.
The rampage of the second act works well because the horror comes from the THOUGHT of what is happening, rather than the more visceral deaths of the first half. There is blood and gore, to be sure, but Joe D'Amato shows a modicum of restraint, letting the suspense build in a way it was unable to in the first act.
So, if you decide to give this film a try, and I hope you will, stick with it. Not only does the film really get going in the second half, the final shot of the film has to be one of the most unexpected, shocking and unexpected moments I've ever seen.
Luigi Montefiori aka George Eastman is definitely one of the scariest movie villains I've ever seen. His sheer size alone just makes him creepy. He obviously doesn't mind being violent; it seems to come naturally to him. If you've ever seen Bava's "Rabid Dogs," you should know what I mean. His role in "Rosso Sangue" is no exception. He delivers the goods here.
Transformed into an unstoppable machine by an experiment gone awry, the bad guy makes his way through the countryside in search of his next victim. His next victim is basically anyone who gets in his way. He eventually lands at the home of a family and stalks them down.
For the gorehounds, there will be a lot to love here. The scene with the band saw was sweet. For the lovers of Italian shock, there will be little we haven't seen before, but it is still worth a viewing.
Ultimiately, this one could have been as triumphant as "Buio Omega" if there had been a few added killings. There are really only a handful. I wish there had been twice as many. I would have given this one at least a nine.
Aficionados of Italian horror soundtracks will recognize a few of the tunes from other flicks.
Worthy of a viewing for fans of D'Amato. Also recommend, if you like this one: "Tenebre," "Anthropophagus: The Grim Reaper," and of course "Beyond the Darkness." 7 out of 10, kids.
Transformed into an unstoppable machine by an experiment gone awry, the bad guy makes his way through the countryside in search of his next victim. His next victim is basically anyone who gets in his way. He eventually lands at the home of a family and stalks them down.
For the gorehounds, there will be a lot to love here. The scene with the band saw was sweet. For the lovers of Italian shock, there will be little we haven't seen before, but it is still worth a viewing.
Ultimiately, this one could have been as triumphant as "Buio Omega" if there had been a few added killings. There are really only a handful. I wish there had been twice as many. I would have given this one at least a nine.
Aficionados of Italian horror soundtracks will recognize a few of the tunes from other flicks.
Worthy of a viewing for fans of D'Amato. Also recommend, if you like this one: "Tenebre," "Anthropophagus: The Grim Reaper," and of course "Beyond the Darkness." 7 out of 10, kids.
I first saw this in the mid 80s on a vhs.
Revisited it recently on YouTube. The quality is fine n it is totally uncut.
Eastman once again plays a killer but this time he ain't no cannibal but a product of scientific experiment gone wrong in which he turns into an invincible nutjob who can heal itself n somehow makes weird snorting voices towards the end.
Compared to Anthropophagus, this film is fast paced with lots of gory kills.
Comparison to Halloween is inevitable, acting n editing wise it is horrendous.
The short hair blonde is cute but her death sequence is terrifying.
The nurse's drill scene made me squirm.
Did you know
- TriviaThe film was one of the original 74 UK video nasties and banned by the BBFC in 1984. It was released uncut on Bluray in the UK in 2017.
- GoofsWhen Mr and Mrs Bennett drive away in Mrs Bennett's car, as they leave the driveway two members of the film crew can be seen reflected in the window of the car.
- Quotes
Willy Bennett: I want to watch the game!
- Alternate versionsBefore its inclusion on the video nasty list the film received a brief theatrical release in the UK in 1983. Unlike its pre-certificated video counterpart however the cinema version was cut by 2 mins 32 secs by the BBFC with heavy edits to the murder of the nurse with a drill, a man's forehead being sliced with a band saw, and a woman's face being burnt off in an oven.
- ConnectionsFeatured in Porno Holocaust - Die Filme des Joe D'Amato (2001)
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