Horrible

MONSTER HUNTER is the HALLOWEEN-esque 'sequel' to 1981's insomniac's dream ANTHROPOPHAGOUS. This time around D'Amato brings to us a sense of pace, making Monster Hunter much more enjoyable. The added gore (including an ultra-torturous scene involving an oven) and cool electronic music score is a nice bonus (I caught some music from PIECES in here as well...cool). The story (or lack thereof) brings back George Eastman as our favorite cannibal, this time not on a Greek island, but somewhere in the US being hunted by a priest (of all people). During this, he somehow manages to spill his guts (again, but does not eat them) on an iron fence outside a house. Eastman is taken to a nearby hospital. There, he recovers, kills the doctor (gorily too I might say), hacks up a few others and then returns to the house where he had his 'accident', and proceeds to stalk the babysitter and kids residing there. A bit boring at times (aren't all these italo-gore flix?) but Eastman's presence is over powering and the end involving a 'vegetable' overcoming her disabilities to face the beast is fairly ironic.

It's no Anthropophagus, but it's still worth a watch.

If Anthropophagus is a symphony of terror than Absurd is more like chamber music. It's a smaller cast. The majority of the horror takes place in one house. This has a more claustrophobic feel than Anthropophagus. Also, you get to know the characters better here which is nice.

This killer lacks the intensity of the madness from Anthropophagus. But there is at least one violent scene that's sure to grab your attention. It's worth checking out.

Joe D'Amato and George Eastman's follow-up to the notorious "The Grim Reaper" (Antropophagus) is sick, twisted and – oh yes – deliciously absurd! There's no real story and the amount of genuine chills is limited, but the gory murder sequences are sensational and they easily rank among the craziest stuff ever caught on film. Eastman once again portrays a Greek psycho-killer, though a different one than the fetus-munching monster in Antropophagus (love that title!), cheerfully butchering half the population of a small American town. Nikos isn't your ordinary madman, but a scientific guinea pig whose blood coagulates much faster and hence he instantly recovers from severe wounds, like gunshots or impalement. He's pursued by an unintelligible priest, a chain-smoking copper and his black assistant who isn't allowed to talk without permission. No wonder none of these blokes is capable of catching or even tracing Nikos and the body count increases immensely. Whenever George isn't barbarically killing someone using band saws, surgical devices or axes, "Absurd" is rather dull, slow-moving and borrowing story ideas as well as direct quotes from John Carpenter's landmark slasher Halloween. There's babysitters in peril, young kids spotting the bogeyman everywhere around the house and dangerous killers escaping from hospital beds. Still, if you're looking for really good horror cinema, just wait for the climax which is quite suspenseful and it makes the popular title "Absurd" all the more meaningful.

Absurd - 1981 ( This Film Rates a C ) A man with an unusual cerebral mass has the power to regenerate dead cells. He is virtually immortal, insane and a "blood thirsty beast". Of course there is that one and only secret way to stop him. The gore and effects are fake looking but several of the kills are brutal and intense. The script is poor, the transition between scenes is poor, highlighted with terrible and unconvincing acting through out the entire film. The officer in this film has a cigarette in every sequence he is in, hell, everyone in this film smokes. The soundtrack has some really spectacular moments, a good example is at the 44:16 mark. Sadly the scare tactic during this scene completely deflated with the randomness of the bearded guy. There are several other scare tactics that were hokey and just didn't work. Overall there is enough "absurd" to keep this fairly entertaining, but ultimately it cannot overcome its consistent failings.

Luigi Montefiori aka George Eastman is definitely one of the scariest movie villains I've ever seen. His sheer size alone just makes him creepy. He obviously doesn't mind being violent; it seems to come naturally to him. If you've ever seen Bava's "Rabid Dogs," you should know what I mean. His role in "Rosso Sangue" is no exception. He delivers the goods here.

Transformed into an unstoppable machine by an experiment gone awry, the bad guy makes his way through the countryside in search of his next victim. His next victim is basically anyone who gets in his way. He eventually lands at the home of a family and stalks them down.

For the gorehounds, there will be a lot to love here. The scene with the band saw was sweet. For the lovers of Italian shock, there will be little we haven't seen before, but it is still worth a viewing.

Ultimiately, this one could have been as triumphant as "Buio Omega" if there had been a few added killings. There are really only a handful. I wish there had been twice as many. I would have given this one at least a nine.

Aficionados of Italian horror soundtracks will recognize a few of the tunes from other flicks.

Worthy of a viewing for fans of D'Amato. Also recommend, if you like this one: "Tenebre," "Anthropophagus: The Grim Reaper," and of course "Beyond the Darkness." 7 out of 10, kids.