Captains and the Kings

I really can't say enough about it here, because I've been hugely attached to it since it came out. There are several reasons to watch it - along with the "historical romance" reasons, there are the political ideas (which are that much bigger in the novel, but a very big part of this TV version). Whether it's borderline "conspiracy" thinking (with "those men" who influence everything) or not, those ideas have influenced plenty of my political thinking. (Partly because of this story, I always think the phrase "opportune little war" when I hear about ANY given war- and quite some time BEFORE the past three years.) Richard Jordan was just great as Joseph, an Irish character who hardly fits any of the images of Irishmen (even the positive ones), who's almost completely "cool", and whose emotions don't come out (in a big way) except in certain dramatic scenes, like the scenes with Catherine or Tom (for opposite reasons). There isn't enough room to mention all the best actors and characters, or scenes, but there's Perry King as Rory Armagh, Patty Duke Astin as Bernadette (I think someone here mentioned how great she was as a tragic character, and she won an Emmy for it, very deservedly), Jane Seymour as Margery, Cliff DeYoung as Brian Armagh, the aviator-film-maker etc., with his star Pearl Gray (Pearl White), Vic Morrow, who was extremely good as Tom Hennesey (and whom you really feel sorry for in that last scene with him, in spite of everything he's done), Beverly D'Angelo as Miss Emmy, Charles Durning as Big Ed Healy (I don't know if he's ever played a more entertaining character), and Harvey Jason as Harry Zeff. As far as I know, he's mainly a supporting actor in comedies, and you see that in his "sidekick" kind of relationship with Joseph, but of course with other levels to it - the scene where Joseph accuses Harry of being disloyal to him, which is the one kind of talk Harry can't stand to hear from him, and the scene where Joseph turns his back on blackmailing the senator, and Harry is glad for all three of them (not knowing what's coming next). And of course, the big guest stars, like John Houseman as Mr. Chisholm and Henry Fonda as Senator Bassett (two of the best scenes). Again, I could go on and on, but it's simply a very underrated story, as far as I know (in spite of the Emmy). Though to me, underrated is putting it pretty mildly.

In 1976 I was given a copy of the book by Taylor Caldwell by a dear friend who suggested I read it. I was not too keen initially in reading it , but did find it quickly becoming a book that was difficult to put down. While I usually prefer to watch a movie than read a book, the book added more to the story than the movie. The only problem I have with the movie (my vote as the best mini series ever)is that a list of non-fiction books she listed at the back of the book she used to form her novel are regrettably missing at the end of the movie. Joseph Armagh's recognition of a powerful group of individuals determining national politics so intrigued me that I have spent the last thirty years investigating the concept, beginning with the books she recommends at the end of the book. My world view has been unalterably formed by this historical novel and the subsequent investigations over the ensuing years. While I highly recommend this movie, I would also recommend reading the book and beginning your own search for political insight.

This TV miniseries was based on the Taylor Caldwell novel, which was clearly inspired by the Kennedy family, though it takes place in an earlier time; (Irish immigrants, the patriarch's first name was Joseph, he wants his son to be the first Irish Catholic President, need I say more?)

I read the novel and it was fascinating reading, but I liked the series better, as it made the characters more compassionate. This was especially true of Joseph Armagh, who in the book is colder and more autocratic, as well as unforgiving. In the series, he comes across as more human and with a heart.

Patty Duke was excellent as Joseph's wife, Bernadette, whom he married to fulfill a deathbed promise to her mother, Katherine, his first love. Ironically, he later falls in love with the woman who unwittingly helped bring about her death, by revealing the child she had with Katherine's husband. This will later have disastrous results for Joseph and Bernadette's daughter.

Their eldest child, Rory, represents all Joseph's hopes and ambitions, but his love for a Protestant heiress threatens to topple all Joseph's plans.

Yes, it's a bit of a soap opera, but there's also history, drama and plenty of entertainment, not to mention great acting. One of the best miniseries ever.

The comparison of the fictional Armaughs to the Kennedy clan can't be escaped. Still, this is a magnificent entertainment piece about an Irish immigrant who claws to the top of power and money (remindful of Joe Kennedy Sr.?)with the crown jewel being son Rory's bid to become the nation's first Irish Catholic president. "Captains and the Kings" is riveting from its beginning when a young Joseph Armaugh is left by his mother's death to care for two younger siblings and through the end where the elderly Joseph is left alone questioning the cost of his power and wealth. The late Richard Jordan is brilliant in presenting his Joseph as the scrapping improverished immigrant turned industrialist power broker but who, in the end, pays a horrible price. The mini-series also introduced us to Blair Brown as the daughter of Joseph's role model, and she manages to grab our empathy despite her being a mistress in Joseph's extra-marital pilferings. But, in a role that landed her a second Emmy, Patty Duke (Astin)is devastating as Joseph's wife in an arranged marriage who gradually is pushed by the price of power (and alcoholism) to insanity. There is a lesson in "Captains and the Kings," especially to those who hunger for more. As with all things, costs come, and the question is at what cost do we feed our hunger and our willingness to pay it.

Finally! Powerful and spectacular miniseries. Marvelous actors, led by the always brilliant Richard Jordan (may he rest in peace) who makes us adore Joseph Armagh before he takes him to a ruthless, power-hungry SOB we still somehow care about. Bit by bit he destroys his life while he thinks he's building it. Harvey Jason is terrific as the only friend who always believes in him. Other supporting actors are the likes of Henry Fonda (brief but absolutely mesmerizing), Vic Morrow, Ray Bolger, Patty Duke Astin, Jane Seymour and a score of others at the top of their craft. Our terrible loss is that so many of them are gone now, but boy, what they left behind. Having so many of them in one work is a genuine treat.