Alice

I used to watch this show when I was a kid. Since then, I've rarely seen it in re-runs, even though my cable system has over a hundred channels. Anyway, "Alice" was a nice, enjoyable little show that lost a lot of steam after Polly Holiday (Flo) left to pursue her own sitcom. I really think Flo was the most interesting character. The producers of "Alice" replaced her with similar characters, but none were as good.

This was one of the funniest shows of its time, at least for the first few years when Polly Holliday was still on. People may call it trashy, but I look at it as a comedy about everyday people and didn't rely on politics or lots of slapstick like a lot of other shows that were around when this one was. The characters all blended nicely. You had working mother Alice, man hungry Flo, dim bulb Vera and gruff on the outside, but tender on the inside Mel. Also, you had the diner patrons in Earl and Henry who helped to make this show what it was.

The only thing I didn't like about the show were the constant attempts to try to replace the person who was the one breakout character on the show, Flo. She pretty much invented one of the most memorable catch phrases of the 1970's in kiss my grits and she was the main reason people tuned in every week to watch the show. Dianne Ladd was okay as Belle, but once Celia Weston came in as Jolene, that pretty much ended my love for this show.

Although not always hilarious, it's funny! This is a nice show to watch no matter in what mood you are. Bob Carroll, Jr. and Madelyn Pugh Davis - who co-wrote all of the I LOVE LUCY episodes as well as writing for THE LUCY SHOW, HERE'S LUCY, and THE MOTHERS-IN-LAW - produced this series. Enough said!

Yes, I do have too much time on my hands, and I enjoy it. Alice is just one of the many programs I enjoy from the 70's era. It may not be an award winner, but to me it's better then some of the new stuff I've seen come out today. The actors play the roles as if they really did exist, natural, and just right. All I can say is, if you like it, you like it, and if you don't, be nice. There's no need to be nasty about what you don't care for.

All right! All right already! I admit it! I used to watch this show because I had a crush on Linda Lavin as a kid! There, the world knows it now! Satisfied!? Now, I watch the reruns because I think the show provides humour that is light and clean and that doesn't make you think too much. Based on the movie "Alice Doesn't Live Here Anymore," Alice Hyatt (Lavin) plays a broke, recently widowed mother of Tommy (Philip McKeon). Her car broke down in Phoenix en route to Hollywood, leaving her stranded in Phoenix. Working for Mel (Vic Tayback) the penurious tubby tyrannical proprietor of Mel's Diner, she befriends fellow waitresses Vera (Beth Howland), an innocent simpleton, and Flo (Polly Holliday), a high octane nymphomaniac whose homespun Texas manner provides the perfect foil for the street tough, New Jersey-bred "new girl in town." Flo is an even better foil for Mel, and never hesitates to retort him with some valuable advice..."Kiss my grits!" The show definitely had a split personality: funny until 1980 when Flo left, and then it went straight downhill for the next five years. Cameo players such as Andy (Pat Crenshaw), Travis (Tom Mahoney), and Henry (Marvin Kaplan) were valuable to the show, as were George Burns, Telly Savalas, Art Carney, and Martha Raye. Equally memorable were some of the one-liners, including "Can you read lips? [Raspberry!]," "Don't be rational when I'm hysterical," and "If we get out of this alive, I'm going to kill you!" One of my favourite episodes revolved around an ex-gangster wanted by the FBI and the mob, coupled with a whiny truckdriver whose rig full of peaches broke down outside the diner. Not the basis of a James Joyce or a Henry Roth novel, but entertaining nonetheless. At least the early episodes were.