Yakuza

The strongest point of this film is the writing. It's the first Paul Schrader script ever to be filmed, written with his brother Leonard (who also worked with Paul on Blue Collar & Mishima) and Robert Towne (Chinatown, Marathon Man, Bonnie & Clyde). It seems we have the best of both Schrader's here; Leonard really understands the Japanese culture and Paul is a very cerebral and thematic writer who almost always raises a number of interesting issues.

The film, which is very respectful of it's foreign culture and tries to be as true as possible to it, first and foremost shows the differences between American and Japanese culture. However, there are so many themes in this movie though that it becomes tiresome to list them. The key ones include honor, loyalty, burden, duty, friendship, love, loss, obligation, and the differences between the men of pre and post war Japan.

Although Robert Mitchum was approaching 60 when made the film, he still possessed enough of his trademark grace to be credible enough against much younger men in the action scenes. He always exudes so much casualness and weariness, but his work here shows he was obviously fired up by the material.

The other standout actor is Ken Takakura. He plays an honorable man that everyone respects, but his honor and old ways also often make him intolerable to anyone around him. He hides the deep wounds of his character behind his stone face, but that doesn't in any way prevent him from conveys that he's a miserable man from another age who lives by his code but not for anything. As he's the native that used to be in the Yakuza and Mitchum is the gaijin that doesn't have to follow their honor system (although as the movie progresses, he subscribes to their codes and honor system more and more), Takakura gets to do all the skilled swordplay. His fighting won't thrill those who want a lot of stunts, but is great if you enjoy the psychology and strategy of the craft.

The film is it has a drab, low budget kind of look, mainly as a way to maintain the mood and tone of the piece. Some of the scenes really bring the material to life, particularly through some excellent camera work, but sometimes the look is indifferent and the soundtrack seems to be trying too hard. Aside from staying true to the material and getting strong performances, I wouldn't say that Sydney Pollack has done a great job here. This is not the kind of movie you watch if you are looking for John Woo action though, and for the most part the flaws are overshadowed by the strength of the script and performances. 8/10

A neglected classic of 70s film-making, this is perhaps the most "Japanese" movie ever made by a non-Japanese. The story is rich and multi-layered, featuring not one but two sets of star-crossed lovers in a brilliant and melancholy examination of contrasting themes of memory, secrets and betrayal, friendship, honor and obligation. The script is both literate and intricate; the characters' motives are almost always obscure until another layer of deception is stripped away.

Only Robert Mitchum could have done justice to the role of Harry Kilmer, a retired detective returning to Japan for the first time in many years to rescue his old Army friend Tanner's daughter, who has been kidnapped by the Yakuza in a dispute over a debt Tanner owes them. When Kilmer arrives in Japan, he seeks out Ken, the brother of his ex-lover Eiko (played by the astoundingly lovely and talented Kishi Keiko). Ken is a lone wolf, an ex-Yakuza who now runs a martial arts school, and though there is obviously no love lost between the two, Kilmer knows Ken carries an obligation to him for rescuing Eiko and her infant daughter in the early days of the Occupation.

Kilmer is still bitter about the past, deeply wounded by his love for Eiko, who would not marry him even though she loves him deeply. This was the reason why he left Japan and never meant to return.

Now, with Ken's reluctant help, he rescues Tanner's daughter, but this only leads to an intensifying spiral of tragic consequences, because nothing is quite what it seems. Only when Kilmer begins to understand the truth of the situation is he able to act constructively.

Everyone in this film, from Brian Keith to Herb Edelman to Richard Jordan (in one of his first starring roles) turns in a first-rate performance. James Shigeta and Christina Kobuko also deserve honorable mention. But it is Mitchum and Takakura Ken who make this movie.

This is not an action film in the sense of later -- and far inferior -- efforts like "The Challenge" and "Black Rain", though there are scenes of intense and graphic violence. Nor does it have a happy ending, although some of the characters do ultimately find redemption and a hope of reconciliation.

"The Yakuza" is a work that deserves a much larger audience, one which will totally engage a thoughtful viewer with its universal themes worked out against the background of a very different culture, with its own mindset and traditions. I give it my highest recommendation.

The Yakuza introduced we occidentals to the term the Japanese use for their various crime families. Probably after the wide acceptance of both the Godfather films, the American public was ready to see what organized crime looked like in another culture.

La Cosa Nostra, the Mafia, all those phrases we use for Italian organized crime certainly had their rituals and traditions. But as we learn in watching this film they have nothing on the Yakuza.

Robert Mitchum plays a private detective who works both sides of the law back in the states and he's hired by crime boss Brian Keith to rescue his daughter who was kidnapped by one of the Yakuza crime families in lieu of a shipment of weapons Keith was supposed to deliver. Coming along with him is young Richard Jordan whose father was a friend of both Mitchum and Keith as backup.

The mission is accomplished, but Mitchum and Jordan find the situation is a whole lot more complex than they were led to believe. In addition Mitchum gets involved with an old girl friend from the days when he was a military policeman during the postwar American occupation. She's the key to getting help from a former Yakuza member in their quest.

The American actors perform well here and oriental players James Shigeta and Japanese film star Takakura Ken are well cast as feuding Yakuza brothers. You will not question why Takakura Ken is known as the Japanese Clint Eastwood after seeing The Yakuza.

Director Sydney Pollack shows a real reverence and respect for the traditions of another culture. The Yakuza is both entertaining and informative and should not be missed.

One of the best West-meets-East films made. Great dialogues, very realistic fighting scenes, even though this film has been made so long ago, without any CGI tricks at all, yet the sword fights still look really great. But in my opinion the story, which may be shortly described with one of the sentences spoken by Harry Kilmer (Robert Mitchum) at the end of this film: "I have destroyed his past, and his future" - perhaps the story is what it makes this film so unique and timeless. Outstanding performance by Ken Takakura ("Ken Tanaka")! If you haven't seen it yet - get it now! And why do I say "get it" instead of "rent it"? Because unfortunately VHS version available in US is more than 10 minutes shorter, and European VHS versions have even more *vital to the plot* cuts! (More info here: http://www.us.imdb.com/title/tt0073918/alternateversions

or if it doesn't work try the link under "Alternate versions"). Please: don't waste your time on those! I swear these edited versions must have been edited either by some blind and deaf personae, or a child who didn't understood plot at all! Currently the only good, somewhat true to the original theatrical print (just slightly more than 3 minutes shorter), are the 2hr long versions available on the not-so-legal (and not too good quality-wise) VCDs released in Hong Kong and Asia.

I rated this film very high - and I am not any big sword-actioneers fan, but nor is this movie any kind of sword fighting flicks. Its just a great story that is told (or actually shown) very well, and it deserves full 10/10.

I stumbled across this movie, back when I was in college, on late night television. At the time, I wasn't a Robert Mitchum fan. I always thought Mitchum had a way of sauntering through film roles, not always giving his best. The Yakuza, made when Mitchum was 58 years old, utilizes his style and persona to its maximum potential. He's world-weary, he's been through the mill and he's come out wiser, but not necessarily harder for it.

Written by Paul Schrader and Robert Towne, The Yakuza shows us a different side of the Gangster world than we have been privy to before. This is not a movie of good vs. bad; it's a movie about loyalty and honor to friends and family. We follow Mitchum as Harry Kilmer on a mission to save a friends daughter. For most movies made these days, that premise would be enough, but The Yakuza is deeply layered and far more interesting than that. It turns out that Harry had been in Japan after WWII and had fallen in love with a beautiful woman, Eiko. 30 years later Harry is back in Japan, much has changed, but his feelings haven't.

Harry teams up with Ken Tanaka, Eiko's brother, to find the kidnapped girl. Samurai swords slash and guns blaze, adding intense, well-choreographed action as the plot thickens and Harry realizes that this is no ordinary rescue. We learn a lot about the characters in the movie, from Harry and Eiko to Ken Tanaka and Harry's buddy George, but more than that we learn about Japan and its infamous and historic gangster world. This is a classic movie in every sense of the word and should be viewed as such. And if you're not a fan of Robert Mitchum before seeing this movie, you will be afterwards.