Yakuza

This is just so good I can't believe that not only had I not seen it but not even heard of it. Screenplay by Paul Schrader (and his brother) just before he did Taxi Driver should have drawn attention but then maybe the Scorsese film took all the attention. Sydney Pollack's direction is assured and he gets great performances from everyone, but I reckon it is the script thats the thing. Moreover it is the only US film I have ever seen that seems to have the vaguest notion of Japan and it culture. So much of this rings true that it tingles with the excitement. The 70s streets of Tokyo and Kyoto are something to behold and the believable interaction between the main characters quite fabulous. There is bloody action here but for a film with such a title nothing like as much as expected, and all the better for it. Love, memory, betrayal, loyalty and repayment of debts both financial and emotional are all here - oh and Robert Mitchum and ken Takakura are great.

One of the best West-meets-East films made. Great dialogues, very realistic fighting scenes, even though this film has been made so long ago, without any CGI tricks at all, yet the sword fights still look really great. But in my opinion the story, which may be shortly described with one of the sentences spoken by Harry Kilmer (Robert Mitchum) at the end of this film: "I have destroyed his past, and his future" - perhaps the story is what it makes this film so unique and timeless. Outstanding performance by Ken Takakura ("Ken Tanaka")! If you haven't seen it yet - get it now! And why do I say "get it" instead of "rent it"? Because unfortunately VHS version available in US is more than 10 minutes shorter, and European VHS versions have even more *vital to the plot* cuts! (More info here: http://www.us.imdb.com/title/tt0073918/alternateversions

or if it doesn't work try the link under "Alternate versions"). Please: don't waste your time on those! I swear these edited versions must have been edited either by some blind and deaf personae, or a child who didn't understood plot at all! Currently the only good, somewhat true to the original theatrical print (just slightly more than 3 minutes shorter), are the 2hr long versions available on the not-so-legal (and not too good quality-wise) VCDs released in Hong Kong and Asia.

I rated this film very high - and I am not any big sword-actioneers fan, but nor is this movie any kind of sword fighting flicks. Its just a great story that is told (or actually shown) very well, and it deserves full 10/10.

Harry Kilmer is a retired detective whiling away his days at the beach in Malibu. An old friend named George Tanner contacts him with a problem: his daughter has been kidnapped by the Yakuza, with whom Tanner was conducting business. Harry is dispatched to Tokyo to get her back, and while there rekindles his relationship with Eiko, a woman he once loved. For help with his mission, Harry calls upon Eiko's estranged brother Ken, who has an obligation to him- or giri- for coming to Eiko's aid years before. As they battle the Yakuza, Harry comes to realize that Ken and Eiko's relationship is more complicated than he realized, and that he has his own giri he may never be able to repay.

Directed by Sydney Pollack, 'The Yakuza' is a stylish crime drama that entertains, though suffers from tonal and pacing issues galore. Originally written by Paul Schrader, it was intended as a vehicle for Lee Marvin under the direction of Robert Aldrich; though that film was never made. Instead, Pollock was hired to direct and Schrader's original script was considerably altered by Robert Towne. The end result is a film of contrasting styles, attempting- largely in vain- to balance Schrader's hard-edged original material with the romanticism of Pollock and Towne's approach.

Perhaps with Schrader's script in hand, a director like Aldrich- well versed in the art of making action pictures- could have captured the violent sequences in 'The Yakuza' with style and verve. With Towne's, Pollock doesn't, seeming more comfortable with dialogue heavy scenes and wistful set-pieces. More often than not, these feel ponderous and overly-expositional, with too much talking and not enough movement. In contrast, the way Pollock captures the violence seems rushed and cursory.

While we do empathize with the central three characters- Harry, Eiko and Ken- the rest are ill-defined, blurry caricatures one can't help but forget. The film does contain powerful moments, and arrives at a sensational conclusion, but the journey there is one fraught with issues. It is a shame the narrative and Pollock's approach to it is so muddled and uncertain, as there are brilliant sequences in 'The Yakuza'- and it's a triumph in many other respects.

Kôzô Okazaki's cinematography, for one, is exceptional. He shoots the thoroughfares of Tokyo strikingly, in a manner which heightens the city's neon-streaked coldness. Watching Harry somberly stalk the city's side-streets or graveyards is arresting, while the intricate lighting in interior shots captures one's attention and keeps it held. Dave Grusin's jazzy score is also worth mentioning, as it lends to proceedings an ambience of film-noir that feels most appropriate and atmospheric.

'The Yakuza' also boasts impressive performances from the cast that one would be remiss not to mention. Robert Mitchum stars as Harry, delivering one of the finest performances from the latter half of his career. Arguably one of the most naturalistic actors of all time, he never resorted to theatrics or seemed anything less than fully authentic. His performance here as Harry is thoughtful, powerfully understated and proof that less really does mean more when it comes to acting. How the Academy never recognized his greatness is frankly scandalous; as whether in 'The Yakuza' or anything else, Mitchum was always perfect.

His co-star Ken Takakura subscribes to the same playbook as he does, delivering a restrained, masterful performance of great subtlety and style. Starring as Ken, Takakura has a magnetic screen presence and an enigmatic gravitas; ensuring you'll be staring his way anytime he's on screen. Richard Jordan also does strong work as an associate of Harry's named Dusty, and Keiko Kishi is utterly beguiling as Eiko; sharing with Mitchum a very warm, seemingly authentic chemistry.

Sydney Pollock's 'The Yakuza' is an entertaining film, though it may have been better in the hands of a different director. While it has tonal issues and the dialogue is a little stilted in places, the cinematography from Kôzô Okazaki is captivating, and Dave Grusin's score is atmospheric. The performances are routinely brilliant too, with Mitchum and Ken Takakura doing especially fine work. Taking all that into account, while the saga of blood, love and honor that is 'The Yakuza' is well worth seeing; it is not a masterpiece.

I have to agree with the preponderance of viewers here who rate this as a neglected classic of the 70's. All aspects of the film - performances, script, and direction - raise this to the level of greatness. This is certainly among Mitchum's greatest performances - his subdued, world-weary toughness undergirds the movie. The story as has been noted, is a rich and multilayered one with a sadness that aspires to and quite nearly reaches the level of tragedy. It also must be noted that this is one of the most effective portrayals of Japanese culture on celluloid. The movie does not shrink from violence; the various scenes of assassination and slaughter could have been done by Peckinpah. The movie deserves a restoration and should be brought to tv in letterbox mode. (Are you listening, Turner Classic Movies?)

The Yakuza introduced we occidentals to the term the Japanese use for their various crime families. Probably after the wide acceptance of both the Godfather films, the American public was ready to see what organized crime looked like in another culture.

La Cosa Nostra, the Mafia, all those phrases we use for Italian organized crime certainly had their rituals and traditions. But as we learn in watching this film they have nothing on the Yakuza.

Robert Mitchum plays a private detective who works both sides of the law back in the states and he's hired by crime boss Brian Keith to rescue his daughter who was kidnapped by one of the Yakuza crime families in lieu of a shipment of weapons Keith was supposed to deliver. Coming along with him is young Richard Jordan whose father was a friend of both Mitchum and Keith as backup.

The mission is accomplished, but Mitchum and Jordan find the situation is a whole lot more complex than they were led to believe. In addition Mitchum gets involved with an old girl friend from the days when he was a military policeman during the postwar American occupation. She's the key to getting help from a former Yakuza member in their quest.

The American actors perform well here and oriental players James Shigeta and Japanese film star Takakura Ken are well cast as feuding Yakuza brothers. You will not question why Takakura Ken is known as the Japanese Clint Eastwood after seeing The Yakuza.

Director Sydney Pollack shows a real reverence and respect for the traditions of another culture. The Yakuza is both entertaining and informative and should not be missed.