La bête tue de sang-froid

Taut thriller from director Aldo Lado.

Frequent criticism that "nothing happens" in the film's first forty-five minutes is rubbish. The film takes its time to establish what finally becomes a very nasty situation for two teenage girls (Marina Bertie and Irene Miracle). The suspense builds slowly as the villains, impeccably played by Flavio Bucci and Gianfranco De Grassi, are introduced and the predicament of the women is unfurled.

The production values are top notch and the spare Ennio Morricone score is utlized for maximum effect. A haunting but melodic Demmis Roussos song, "A Flower Is All You Need", is a perfect, ironic bookend to the film's grim developments.

Lado directs with a sure, intuitive, practised hand. He conjures a very uncomfortable atmosphere and tightens the tension with sharp cutting, ultra-moody interior lighting and excellent direction of the actors.

Macha Meril plays a female passenger who allows herself to be corrupted by the villains. Lado uses her to explore the nature of evil and the fascination of horror. Meril's performance is exemplary for she renders her highly disturbing character with great authenticity.

The centrepiece of the film is a sequence featuring the rape and killing of one of the girls. Although the scene is reasonably brutal, much of the violence is suggested. A shot of one of the women being thrown off the train into a river is strangely beautiful.

Comparisons with LAST HOUSE ON THE LEFT's plot structure are to be expected. Technically, the film is much more accomplished than LAST HOUSE, but LAST HOUSE, as a work of pure terror, is more confronting on a pure gut level.

NIGHT TRAIN MURDERS is a film of subtle power and horror, and it leaves one feeling uneasy (which can only be a good thing).

I am in the process of collecting all the "video nasties" and I picked this one up a week or so ago. I watched it today and was disappointed overall. When it was released in the US it was called "Last House on the Left 2" and is in fact the Italian version of "Last House" but is not nearly as visually brutal. It takes place on a train going from Germany to Italy during Christmas and other then that it tries to follow the "Last House" script almost to the letter. When I say that it is not visually as brutal as "Last House" I mean that there is more innuendo then actual gore. In fact there is virtually no gore in this film and unlike "Last House" there is no nudity. The two thugs are no where near as sadistic as David Hess and his gang were in "Last House" and even display remorse when they kill the first girl. It is definitely worth a watch but don`t expect much if you`re looking for something brutal and gory.

An Italian reaction or "response" to Wes Craven's 'The Last House on the Left'. 'Night Train Murders' was never granted a U.K cert' in 1976 and for obvious reasons. Thankfully an uncut version was released (in recent years) by 'Shameless' and despite falling short of the gut churning 'Last House', it's pretty effective in places. As usual the dubbing is pretty awful and the Italians always have such cartoonish thugs. On the positive side, the sheer nastiness of tone will keep you watching after a pretty mundane (first) 30 minutes. Another reason to watch is it's scored by the genius that is Ennio Morricone but even he delivers a forgettable piece of music. To be honest the title track sung by Demis Roussos, is more despicable than the strong, graphic depictions of violation and murder.

Two psychopathic men and their nymphomaniac associate get on the night train running from somewhere in Germany to Italy. They rape one girl, drive another to jump off the train, then go spend some time with the latter girl's parents.

It's always difficult to figure out performances in a movie that's been dubbed, even when the dubbing is good, as it is here. I thought this one might have inspired Michael Haneke's FUNY GAMES but concluded that there's very little sense of drama or black humor in it. Instead, it wound up about horrid people doing horrid things for no clear reason -- I don't believe "They're psychopaths!" to be sufficient motivation absent other items of interest, and there weren't any here. This was rejected for a theatrical license in Great Britain when it first was released. I do not approve of censorship, but can certainly understand why. I cannot recommend this movie except to those who enjoy blood sport solely for the gore.

Macha Meril, as "The Lady On The Train" is the star of this seasonal, fun for all ages, thriller.

Yes, it rehashes the plot from "Last House On The Left" but it's done effectively and brutally. Lisa and Margaret don't stand a chance against Blackie, Curly and beautiful, sexy Lady. I particularly like the inventive use of the phallic knife. The final third of the film, where the killers meet the victim's parents is predictably implausible but gratifying nonetheless.

Demis Rusos' epic song which accompanies the opening and closing credits is wonderfully insensitive and inappropriate.

I'd love to see this on Christmas Day television.

7/10