Les loubardes

Switchblade Sisters, apart of the more or less dozen films in Tarantino's Rolling Thunder pictures collection (re-released exploitation flicks and foreign films), was worth the watch for a past midnight time of viewing. It might even be Jack Hill's most entertaining movie (though I haven't seen Coffy in a while). There are really a few things that he gets really right, amid the obvious camp that comes with a movie like this. He uses some tough, interesting B-actresses for the parts of the Debs-turned-Jezebelles, with Robbie Lee and Joanne Nail and Monica Gayle as the main three ladies of the bunch all turning in cool, un-restrained performances (one thing they don't lack, aside from some sex appeal, is spunk).

Another thing that makes the film really work is that, more often than not (which was also the case with Hill's Pam Grier pictures) is that it's very, very funny. Sometimes it was just by some unexpected stuff (the guy in the elevator early in the film, or stuff during the climactic battle in the streets), or just by some of the creative dialog. But really what helped make the film work for me was that it had a great marriage of 'exploitation' ideals (just look at the prison scenes) with spots of realism, or at least things that seem realistic in the Roger Corman school of writing.

These may be larger-than-life character, but that's part of the fun in it, that it's an action fantasy where we can root for the rough, take-no-prisoners gals of action, who also aren't completely in-human. Hill, who has mentioned in interviews how part of his film-making comes from being a musician, knows the rhythms of scenes and dialog (as stupid as it can get at times), and even has a little style to show off amid the patently 70's times. That, in the end, it's really a lot of fun helps out during some of the more 'dramatic' parts. And what an awesome last line!

As in all thing's this was not made for everyone, it was intended to latch onto a genre that makes money, however, I think Jack Hill has done some great work with this, if one has an open mind, they just cant help but feel for the characters as the story develops, it's interesting the whole way thru, with lots of humor violence & sex involved.

Jack Hill's 'Switchblade Sisters' is a wild ride that will have you hooked from the get go! It's everything I hoped Ted V. Mikels disappointing 'The Doll Squad' was going to be - a trashy, campy slice of 1970s exploitation that manages to be self-parodic AND take its subject matter seriously simultaneously. Happily, 'Switchblade Sisters' is so good you'd think you'd dreamed it yourself.

Robbie Lee plays Lace the Debs' leader, and fulfills all the promise she showed in Roger Corman's 'Big Bad Mama' the previous year. She's cute but deadly, and why she never became a major star is hard to fathom. Most of the other girls, particularly gang newcomer Maggie (Joanne Nail), and Lace's former second in command Patch (Monica Gayle), are also sexy and dangerous, but none show the sheer charisma of Lee's Lace, surely up there with Tura Satana, Pam Grier or Raven de la Croix as a proto-feminist icon of the drive-in era.

'Switchblade Sister' is trash par excellence. You will both laugh at and laugh with the Dagger Debs and their rival gang, the disco-dudded Crabs, who could easily walk off this movie and straight into 'The Warriors', another surreal gang movie, directed by another Hill, Walter. Both Hill's deserve their place in psychotronic history!

This film is pretty much a second-rate Russ Meyer film (in fact, it was written by a F.X. Maier...coincidence??;) The dialogue isn't as clever, nor as tongue-in-cheek, and the acting is definitely second best. but on the other hand, Quentin Tarantino (who re-released it in '97 through Rolling Thunder Pictures) was right when he said in USA Today `There's more action is Sisters than in Twister…' The film is fast-paced, full of thrills (gotta love those low-budget, campy 70s films where everyone loses their shirt eventually...) and most of all, fun! Aside from the few scenes that just seem utterly pointless, and aside from Robbie Lee's incessant whining, it's a great film to watch; full of giggles and smiles.

As long as one doesn't take this film seriously, or compare it too closely to Faster Pussycat of Ultra-Vixens, it will be enjoyable to anyone looking for a cheezy laugh or three. And the prison scene is *priceless*.If I were to take it seriously it wouldn't rate higher than a five, but all things considered, 7/10.

This glorious slice of seventies exploitation is reputed to be one of Quentin Tarantino's favourite films and it's easy to see why though even Tarantino would be hard-pressed to come up with anything this mad or this subversive; it even manages to bring Maoist politics into the mix. It also manages to transcend the 'so-bad-it's-good' concept to exist in a netherworld all of its own. As you might guess from the title, this is a feminist gang-movie with the boys taking very much a back seat. Of course, 'acting' is non-existent but director Jack Hill seems to relish his casts limitations, wracking everything up to a Spinal Tap 11. Okay, it's certainly not for everyone but for those who can take it this is perversely enjoyable.