Les loubardes

Switchblade Sisters, apart of the more or less dozen films in Tarantino's Rolling Thunder pictures collection (re-released exploitation flicks and foreign films), was worth the watch for a past midnight time of viewing. It might even be Jack Hill's most entertaining movie (though I haven't seen Coffy in a while). There are really a few things that he gets really right, amid the obvious camp that comes with a movie like this. He uses some tough, interesting B-actresses for the parts of the Debs-turned-Jezebelles, with Robbie Lee and Joanne Nail and Monica Gayle as the main three ladies of the bunch all turning in cool, un-restrained performances (one thing they don't lack, aside from some sex appeal, is spunk).

Another thing that makes the film really work is that, more often than not (which was also the case with Hill's Pam Grier pictures) is that it's very, very funny. Sometimes it was just by some unexpected stuff (the guy in the elevator early in the film, or stuff during the climactic battle in the streets), or just by some of the creative dialog. But really what helped make the film work for me was that it had a great marriage of 'exploitation' ideals (just look at the prison scenes) with spots of realism, or at least things that seem realistic in the Roger Corman school of writing.

These may be larger-than-life character, but that's part of the fun in it, that it's an action fantasy where we can root for the rough, take-no-prisoners gals of action, who also aren't completely in-human. Hill, who has mentioned in interviews how part of his film-making comes from being a musician, knows the rhythms of scenes and dialog (as stupid as it can get at times), and even has a little style to show off amid the patently 70's times. That, in the end, it's really a lot of fun helps out during some of the more 'dramatic' parts. And what an awesome last line!

Jack Hill's 'Switchblade Sisters' is a wild ride that will have you hooked from the get go! It's everything I hoped Ted V. Mikels disappointing 'The Doll Squad' was going to be - a trashy, campy slice of 1970s exploitation that manages to be self-parodic AND take its subject matter seriously simultaneously. Happily, 'Switchblade Sisters' is so good you'd think you'd dreamed it yourself.

Robbie Lee plays Lace the Debs' leader, and fulfills all the promise she showed in Roger Corman's 'Big Bad Mama' the previous year. She's cute but deadly, and why she never became a major star is hard to fathom. Most of the other girls, particularly gang newcomer Maggie (Joanne Nail), and Lace's former second in command Patch (Monica Gayle), are also sexy and dangerous, but none show the sheer charisma of Lee's Lace, surely up there with Tura Satana, Pam Grier or Raven de la Croix as a proto-feminist icon of the drive-in era.

'Switchblade Sister' is trash par excellence. You will both laugh at and laugh with the Dagger Debs and their rival gang, the disco-dudded Crabs, who could easily walk off this movie and straight into 'The Warriors', another surreal gang movie, directed by another Hill, Walter. Both Hill's deserve their place in psychotronic history!

This glorious slice of seventies exploitation is reputed to be one of Quentin Tarantino's favourite films and it's easy to see why though even Tarantino would be hard-pressed to come up with anything this mad or this subversive; it even manages to bring Maoist politics into the mix. It also manages to transcend the 'so-bad-it's-good' concept to exist in a netherworld all of its own. As you might guess from the title, this is a feminist gang-movie with the boys taking very much a back seat. Of course, 'acting' is non-existent but director Jack Hill seems to relish his casts limitations, wracking everything up to a Spinal Tap 11. Okay, it's certainly not for everyone but for those who can take it this is perversely enjoyable.

Sure this is a really, really stupid movie, but you've got to see it to believe it. The story of the toughest girls ever, The Jezebels, will leave you on the floor in a fit of laughter. Performed totally straight, this is like a really bad comic book brought to lurid life, complete with ear-wiltingly stupid dialogue. The action is so improbable that it may as well be taking place on another planet! Don't miss it, and look for Don Stark (Bob Pinciotti on "That '70's Show") in an early role as gang member "Hook"(so called because a unique anatomical feature). Drink a six pack of tall-boys and get ready to crack up; you won't be disappointed!

Predating the cycle of gang movies by a few years, "The Jezebels" (a.k.a. "Switchblade Sisters") by exploitation icon Jack Hill really is a whole lot of fun. It's colourful entertainment that actually manages to be campy and serious in equal doses. And it does come complete with a feminist statement.

Robbie Lee is Lace, the leader of a girl gang dubbed The Dagger Debs, who are affiliated with a male gang known as the Silver Daggers. She's sweet on Dominic (Asher Brauner), their leader. Laces' world starts falling apart when Maggie (Joanne Nail), a loner, attracts the attention of the gangs (especially Dominic) and rises within the ranks - and gains influence - a little too quickly. Amid the personal problems of the main characters, they must go to war with a gang that masquerades as community activists.

Considering the fact that some of these actresses don't really convince at all as tough gals (especially Lee), and are clearly too old for their roles, they really are a whole lot of fun. Monica Gayle delivers a standout performance as Patch, a gang member who comes to distrust and despise Maggie. A rich assortment of familiar actors in the supporting roles include Marlene Clark as black revolutionary Muff, Don Stark as Hook, Bill Adler as Fingers, Kate Murtagh as butch lesbian prison guard Mom Smackley, and Bob Minor as police officer Parker. Nail definitely looks very hot in various sexy outfits. Co-star Kitty Bruce, who plays the put-upon Donut, is the daughter of Lenny Bruce.

The movie contains some absolute gems of dialogue thanks to screenwriter F.X. Maier; the viewer will find them very quotable. Nails' speech to the cops right before the end credits is hilarious. There's sex and plenty of violence, and some eye catching costumes by Jodie Tillen. And you just know that this is going to a be a most enjoyable film because of the tune "Black Hearted Woman" that's belted out during the opening credits. Many fine scenes include the clichéd action in the penitentiary and the gunfights at the roller rink and in the streets.

Fans of this kind of thing would be well advised to seek it out. It really hits the spot in terms of all of its exploitative elements.

Nine out of 10.