La nuit de la peur

Somewhere near the climax of this film, the killer states - and I quote - "I'm sorry, but there's no place for imperfection in this world". Well, if this were true, "The Spiral Staircase" itself never would have seen the light of day. That makes, I guess, the moral of this story: let's all try to be a little more tolerant and nicer to each other. Although another moral could be: if you need to recover from a mental trauma, have someone try to strangle you.

"The Spiral Staircase" is a remake of the sublime 1946 suspense classic with the same name. Or maybe it's a completely separate adaptation of the same source novel by Ethel Lina White, I'm not really sure of that. Fact remains that, of the two films, this 1976 version is definitely the weakest link, and a disappointingly tame 70s thriller altogether. The opening sequences is more than promising, though. A blind but stylish blond woman is rudely executed in a tunnel whilst walking her guidance dog. We hear from the police she's already the fifth victim of a sadist serial killer who exclusively targets disabled women. At this point, I was still anticipating a phenomenal thriller. Why shouldn't I? Everything seemed to be there, including a great cast (Jacqueline Bisset, Christopher Plummer, John Philip Law, Sam Wanamaker, the ravishing Gayle Hunnicutt), a more than talented director (Peter Collinson of "The Italian Job", "Open Season" and "Straight on till Morning"), a shivers-guaranteed premise, terrific settings and conditions (stormy night, big mansion full of suspects) ...

So then, what went wrong? I honestly don't know, in fact. What follows after the good intro is a long and dull hour without any action, suspense or emotion whatsoever. When the bodies do eventually start piling up, the murders are tame, bloodless and working towards a predictable finale.

It takes special kind of psycho to deliberately target disabled people for not being perfect; while regular movie maniacs tend to reserve their rage for healthy victims (often teenagers in the prime of their life), the killer in The Spiral Staircase has it in for those with physical impairments. Having already bumped off several handicapped people (the latest being a blind woman), the loony sets their sights on pretty mute Helen (Jacqueline Bisset), who has been unable to speak since a fire tragically claimed the lives of her husband and daughter.

A remake of the 1946 movie of the same name, this 1975 version is primarily set in a remote country house during a thunderstorm that frequently threatens to wipe out the power and plunge the film's raft of disparate characters into darkness: in addition to Helen, the building's occupants are Professor Sherman (Christopher Plummer), his sexy Southern secretary Blanche (Gayle Hunnicutt), the prof's mother (Mildred Dunnock) and younger brother Steven (John Phillip Law), Mrs Sherman's nurse (Elaine Stritch), handyman Oates (Ronald Radd) and his drunken wife (Sheila Brennan).

Despite the creepy local, the stormy setting, plenty of suspects, victims and red herrings, and the delightfully perverse notion of a killer targeting the most defenceless, The Spiral Staircase is actually about as thrilling as Professor Sherman's line of expertise: management skills (yawn!). Director Peter Collinson (The Italian Job) fails to generate any tension, boredom being the most likely emotion experienced by viewers as the thunder crashes, the rain pours, and no-one in the house gets killed for almost an entire hour. When the murders do begin, they are poorly staged and totally devoid of gore-definitely not worth the excruciatingly dull wait.

For a much more suspenseful film about a disabled woman being threatened by a homicidal maniac, watch Blind Terror, AKA See No Evil (1971), starring Mia Farrow, or even Eyes of a Stranger (1981) with Jennifer Jason Leigh ('nuff said!).

In 1945, a suspenseful classic film called "The Spiral Staircase" chilled audiences with its story and atmosphere. Set in the beginning of the 20th. Century, it told the story of the beautiful and mute servant of a wealthy, elderly widow who's threatened by a serial killer of disabled women. Here, the story has been updated to the present, which meant that the filmmakers didn't have to spend money on costumes and sets to reflect the time it took place. The overall plot remains the same, but the flat direction and script causes it to be about as suspenseful as an episode of "Murder She Wrote." There are a few red herrings as we wonder whodunit, but it doesn't make us care. It's not really a bad movie. It features a cast of starts who were big back in the day, so the acting is satisfactory. The mansion where the story takes place is rather baroque and makes a pretty good setting. And the original story remains excellent. The problem isn't that the film itself is terrible, but that given the quality of the source material and the original film, it's a major disappointment.

Remake of the 1946 classic. Helen Mallory (Jacqueline Bisset) has been rendered mute after seeing her husband and only child die in a fire. She is now staying at her uncle's mansion and getting treatment. However there is a killer on the loose who kills people who have disabilities. Is Helen next?

Pointless redo. The original is a classic--what's the point or remaking it? I caught this on TV late at night back in the 1970s. I had seen the original and was interested in seeing how this stood up. Sadly it turned out to be pretty bad. Despite a great cast (Bisset, Christopher Plummer, John Phillip Law, Elaine Stritch) this is pretty slow-moving and dull. There's virtually no suspense or atmosphere and it looks like it was made on a very low budget which hurts. The cast tries their best but even their considerable talents can't liven this up. You can safely skip this one. See the original.

I give it a 3 because the cast does try and Bisset looks stunning (as always).

One would think a film showcasing the beauty and talent of Jacqueline Bisset would at least rate a 7. Well this doesn't. Not even the fine supporting cast can save it. The film moves too slowly to build any suspense. In fact, it is quite dull. Curiously, the movie was filmed in England but they try hard to make it lookije the USA. WHY?

To make things worse, the film stars that store mannequin, John Phillip Law. Ugh.

The highlight is Elaine Stritch. She has the best lines and provides much needed comic relief. Unfortunately, there isn't enough of her.

Even though this review is long enough, imdb is requiring 600 characters now. What are we supposed to do? Describe every scene?