The Specialist

This movie......it tries to be an intriguing thriller regarding local politics but it mostly is sitting around and waiting for the plot to get going which it seems to never do. The story isn't interesting enough on its own to have so little action keeping the viewer engaged and there is very little action. I know they show production stills of Adam West in character pointing a gun but I can't remember much besides vague footage shot in a planned suburban community and a court.

Frankly, the only scene I remember clearly since last seeing this is a slow-motion shot of a window being broken. That's about it. It's lousy and best not remembered much more clearly than I am remembering it now. This came out shortly after Chinatown was a big hit. At its heart that was a story about corruption in local politics like this movie but they have nothing else in common.

I watched THE SPECIALIST as part of BCI Eclipse' Drive-in Cult Classics (featuring Crown International Pictures releases) on DVD. As I work my way through the multiple DVD sets, I am growing to like even some of the more melodramatic offerings.

Adam West stars as Jerry Bounds, counsel for the defense, in a case about a water company. Opposing counsel, Pike Smith, whose family built and controlled the town, is determined to have him disbarred before the case can go to trial.

THE SPECIALIST is story of sexual impropriety, courtroom tactics; and, backstabbing politics. Yet it maintains a lively, upbeat tone throughout. Never taking itself seriously, the lurid story unfolds at a steady pace, without being overwrought.

I really enjoyed the funky score, which is "right on" for the times. It really kept the movie moving. Moreover, the Lou Rawls theme song was great.

A surprise treat was the appearance by Alvy Moore, who played Hank Kimball in the Green AcresTV show. As Bailiff Humbolt, he manages to use the same homespun folksiness he did on TV, using terms like "hanky-pank" and "hot-diggity-dog." Even if he tried, he could not appear creepy despite trying to seduce the sultry and enticing Londa Wyeth (played by Ahna Capri).

THE SPECIALIST is a fun diversion; and, an unusual offering from Crown International Pictures; but, I didn't like the ending at all.

This was really a surprise for me. Knowing this was made by Crown International in the 70's, I expected a fun, sleazy good time. Instead I found this to be a stiff, talky courtroom piece, with little going for it other than Adam West uttering a couple of vulgarities and a fun title tune by Lou Rawls. I'd really like to see how this film was sold to audiences at the time, as it plays like an R-rated episode of MATLOCK. How did Crown International get theaters who were used to their mix of vans, cheerleaders and beach babes, to show a semi-serious drama about jury tampering? Beware....

After his best corporate client switches to another attorney named "Jerry Bounds" (Adam West), a powerful lawyer by the name of "Pike Smith" (John Anderson) seeks out a private detective named "Alec Sharkey" (Howard Avedis) for help in this matter. To that effect, not only does Sharkey agree to monitor his rival's movements, but he also suggests that they hire a beautiful female named "Londa Wyeth" (Ahna Capri) to lure Jerry into a compromising position to subsequently destroy his law practice. For his part, Jerry does everything he can to stay faithful to his wife "Elizabeth Bounds" (Marlene Schmidt) but Londa is a professional and she knows how to seduce a man. Now, rather than reveal any more, I will just say that at first, I thought this movie was a light-hearted action film, but things changed rather abruptly around the midpoint, and everything became quite serious after that. It didn't flow together very well at all. Throw in a an extremely weak script and the final product wasn't that good and I have rated it accordingly. Below average.

This Crown International Picture is unusual in that unlike most of its drive in movies, this effort takes itself much more seriously than usual. Oh, there are a few humorous moments (unintentional as well as intentional), and the movie does deliver a few scenes that display T and A, but otherwise the movie is surprisingly sober. I don't immediately object to the fact the filmmakers took this project more seriously, but I object to the way they depicted this serious story. The main problem is that the movie moves much too slow for its own good; a little jolt would have liven things up considerably. Also, Adam West gives a pretty poor performance, and his character gets much of the focus. The Lou Rawles-sung title song is great, and the movie has an unexpected ending, but more likely than not you'll drift to sleep long before the end credits start unfolding.