Sheila Levine Is Dead and Living in New York

This is a highly, highly recommended film. Very difficult to categorize it. Does not easily fit into the categories of chick flick, rom com, or even comedy vs. Drama.

It is that rare film that can be truly heart warming without being sappy. It is not a retread.

Jeannie Berlin absolutely deserves high praise for this. As great as she was in the 'heartbreak kid', the slays in this.

I have no idea if it is 'in print', etc. But if you are alone one evening, your plans fell through, etc. Watch this.

This film made the film co-op rounds in the mid to late 70's and I probably saw it 3-4 times in college.

As a heterosexual male, just 'getting started', this helped me take the first view into the female psyche.

I saw this on television in the early eighties on late night television. Strange but interesting film. As noted in the synopsis on this page, the song "Love me, oh love me, baby won't you love me" stays with you FOREVER. It's the one thing I remember most about the movie, that and the scene where Roy tells Sheila about wetting his pants in gradeschool... Odd film.

This movie is funny in places, bitter in some, too. The song they play (over and over) when she's at the party will stick in your head so far you'll need a songectomy.

I have to agree with the other reviewers about the song in this film. It sticks in your head. I saw this film only once some 20 years ago and I have never forgotten it. I could not remember the name of it and I finally discovered it here. The parts I remember the most are the scenes with the song and the scene near the end when Roy Scheider has a monologue talking about a childhood party where he was rejected by a girl, a story he tells in an effort to win back the Sheila Levine. The movie has stayed with me all these years. Its one of many films from the 70s that you catch on a late Sunday night or lazy Sunday afternoon and you watch and realize you have seen a memorable film.

A really good movie. Much better "young woman finding herself in the big city" than was "Frances Ha," or even "Breakfast at Tiffany's" (thought that obviously has other qualities). Patient, intelligent, warm, and funny, with enough conflict and growth to make it interesting and rewarding. I have an advantage in that I haven't read the book, so I can take the movie at face value. And from that vantage it works. Jeannie Berlin is wonderful, with the same ability to own the camera whenever she's on screen that she displayed last year in "Café Society". When she wants to look like a fish out of water, escaping an overbearing mother by moving to NYC, that's what you see. Awkward, unsure of herself, without any real outward appeal. But when she's supposed to be beautiful, indeed she is - you can't take your eyes off of her.

I happened to live in NYC at the time that this movie takes place, and the feel is just right.

My wife has been looking for a copy of this for years, and finally our daughter hunted one down on the "Loving The Clasics" label, whatever that might be. And it's in its original aspect ratio!