'Sheba, Baby'

Sheba Shayne (Pam Grier) receives a telegram informing her that her father may be in trouble. Sheba, a private investigator and former cop, goes to her father's aid. But someone will stop at nothing to run her father out of business. An attempt to show their muscle goes awry and Sheba's father is gunned down in cold blood. These guys have messed with the wrong woman.

If I had to describe Sheba Baby, the best I can come up with is Pam Grier Lite with some really bad acting. For a Pam Grier film, Sheba Baby is incredibly tame. It's nowhere near as violent as some of her earlier films. Gone are the over-the-top images of Pam placing a small revolver or razor blades in her afro. Pilot (D'Urville Martin) and his crew can't hold a candle to some of the real villains Pam faced in her previous movies. It's strictly by-the-numbers and almost has a made-for-TV feel. As for the bad acting, the baddies that Pam faces off with are as unnatural sounding in their delivery as I've seen. As a result, characters like Pilot don't come across as threatening as they should or need to for the movie to work.

That's not to say there aren't moments or elements in Sheba Baby that I didn't enjoy (Pam in a wetsuit and Pam brandishing a spear gun), it's just that when compared with Pam's other films like Coffy, Foxy Brown, and even Friday Foster that the movie fails.

One final observation - maybe I'm just more sensitive to these things post-9/11, but I don't remember a time, even in the security lax 70s, when you could take a suitcase full of guns on an airplane. When Sheba flies to her father's aid, she's got an arsenal packed in her luggage!

Not as good as Coffy or foxy brown but it was entertaining. Pam Grier is the standout in this movie. Action sequences could have been sharper..

This lesser film from Pam Griers' days as a blaxploitation queen is nonetheless mildly pleasing. Because it's rated PG, it has less punch than Pams' best stuff. Some viewers will really miss the elements of sex and graphic violence. The script, by producer David Sheldon and cult director William Girdler, is somewhat less than inspired, with only one sequence - the pursuit through the carnival - that could be considered memorable. The cast is also more colourless than usual. But Pam, in her inimitable fashion, could make just about anything watchable. Hell, this is worth watching just to see her in a wetsuit.

Pam plays our title character, Sheba Shayne, a Chicago-based private eye who returns to her hometown of Louisville, Kentucky. It seems that aggressive gangsters are constantly threatening her father Andy (Rudy Challenger) and his loan business, which Andy runs with Shebas' good friend Brick (Austin Stoker). Inevitably, the bad guys will have a full scale war on their hands once Sheba steps into the fray.

The ever engaging Stoker of "Assault on Precinct 13" fame is a good leading man for Pam, and D'Urville Martin is lively as "Pilot", a lowlife criminal. Christopher Joy is a hoot as a peddler who for whatever reason dresses more like a stereotypical pimp. Dick Merrifield is amusing enough as smiling, smarmy white guy villain "Shark". And it's nice to see Girdler regular Charles Kissinger as a mostly ineffectual white detective. Pam is great entertainment and eye candy as always, even if her role here isn't really on a level with her most famous ones.

The action scenes are passable (one comeuppance offers a spin on something we'd previously seen in "Coffy"), and the music score by Alex Brown and Monk Higgins (with vocals by Barbara Mason) is good, even if, like so much else here, it's also unmemorable.

Completists of the filmographies of Pam and Girdler will definitely want to check it out, no matter if it's not their best work.

Six out of 10.

A Chicago private detective (Pam Grier) returns back home to Louisville, Kentucky, to help her father fight mobsters.

This film was the pet project of director William Girdler, who had already made "Three on a Meathook" (1972) but had yet to make his better known films, "Grizzly" (1976), "Day of the Animals" (1977) and "The Manitou" (1978). During filming, Girdler was only 28... and he would end up dying in a helicopter crash at age 30. (One assumes that had he lived, he would have been a major force in the 1980s.)

Writer David Sheldon was given the task of writing a script for Pam Grier that was less edgy than the movies Jack Hill had been making. He wrote "Honor" almost literally overnight, which was transformed into "Sheba, baby" by the PR department, and Sheldon was also put on as a producer. This was a huge promotion for Sheldon, who had been at AIP as Larry Gordon's assistant (and later "director of development", which essentially means script reader).

For me, the blaxploitation subgenre is an interesting one -- did people dress like this? Now, I did not live through the 1970s nor did I grow up in a big city. But I feel like the "pimp" clothes and similar styles were more likely created in the movies and adopted in real life than the other way around. What is especially interesting is that most of the people involved in the subgenre were white... so this was very much how the black community was perceived rather than how it actually was.

One exception to this in "Sheba" might be the character of "Killer", played by Maurice Downs. Downs was a gangster and heroin dealer in real life, and somehow got mixed up with Sheldon and Girdler. He was also in their follow-up, "Project: Kill" and helped produce it. Tragically (but not surprisingly), he was shot to death outside a restaurant a few years later in true gangster fashion.

"Sheba, Baby" was a major hit in theaters, even though it is often cited as one of Pam Grier's weaker vehicles when compared to her similarly themed action films "Coffy" and "Foxy Brown" (both made by Jack Hill for AIP). This is fair, and it certainly lacks any iconic moments that really burn into a viewer's mind.

Despite this being a second or third tier film, it remains an important part of Grier's career, as well as Girdler's career, and there seems to always be a new generation of fans searching out every last AIP picture. Arrow Video has wisely picked this one up and given it the star treatment.

The Arrow disc has not one, but two audio commentaries. One with writer-producer David Sheldon, which offers incredible insight on AIP, Pam Grier and even legendary director Jack Hill. Heck, some of his detours are more interesting than his recollections of "Sheba", such as how he clarifies that "Grizzly" was not technically a "Jaws" ripoff because "Jaws" had not been released at that point. Heck, even Sheldon's involvement in "Last House on the Left" is discussed!!

We also have an in-depth retrospective on Pam Grier's time at AIP. Did you know that Grier was working as a switchboard operator before being discovered by Roger Corman and Jack Hill? Amazing!

This is an absolutely MUST-OWN disc for any fan of AIP.

This is the first of three Pam Grier releases from 1975 I'm reviewing for this site. In this one, she's Sheba Shayne who's back in Louisville, Ky., in order to look over her father Andy (Rudy Challenger) after he got roughed up from some hoods at his loan collection business. Also there is his partner Brick Williams (Austin Stoker) who rekindles his past romance with Sheba. The person who ordered the job is one called Pilot (D'Urville Martin) but the real muscle comes from another one called Shark (Dick Merrifield). I'll stop there and just say that this wasn't as exciting as Ms. Grier's previous movies Coffy and Foxy Brown and since this was rated PG, there's no nude scenes of Pam and the violence is tame in comparison. Still, those action scenes were still pretty exciting especially one involving another villain named Walker (Christopher Joy) who she forces during a car wash to stick his head out the window unless he gives pertinent info. The result with the way his hair looks was the most hilarious scene to me. In summation, if you're a Pam Grier completist, 'Sheba, Baby' is at the least worth a look. Oh, and I recognized the Chicago scenes since I lived there during the first 6 years of my life with occasional visitings since then.