Course contre l'enfer

My brother told me about "Race With the Devil" many years ago after he had seen some of it on a late night T.V showing. The way the film was described to me, made me curious in wanting to see it. I had to wait a while for the film to be shown again as obtaining it on video was going to be hard. BBC 2 eventually showed "Race With the Devil" in 1997 at about midnight. I was quite impressed with the final results. Warren Oates is the best actor in the film - he is most under-rated - but the other main cast members are OK. The film has a pretty good atmosphere and is well paced with a fair bit of incident. Nothing is quite what it seems at first glance. The ending comes after quite a build-up and I found it to be all the more shocking. This wasn't the kind of film that was expected to be a box office success but it is still a neat little film.

I have not read through all the reviews, so I'm hoping no one spoils the ending. Read the ones marked spoiler after watching the movie.

Considering how long ago this was made, it was a very cool movie. Starts off a little slow, but once you see the bonfire start, things pick up.

Roger (Peter Fonda) and his buddy, Frank (Warren Oates) take their wives, Alice (Loretta Swit) and Kelly (Laura Parker) on a nice vacation in a large motor-home. There are some comical scenes, some sad scenes, some motorcycle action and, of course, some suspense and action. I have to agree with one reviewer about the women being in it to provide screaming and in fear of almost everyone else in the movie. The car chase scenes were very good. You won't see any gross scenes in this. I would recommend seeing the movie. Enjoy!

Another 70s movie that anyone who's a fan of the time period should watch. Another movie that I probably wasn't old enough to watch when I did.

It manages to be a creepy movie that's suspensful. Was probably only beanded a horror because it was made at abtime when there were a lot of cult activities in the news. I'd say it's more a thriller.

I honestly don't think it's aged badly. It also has the benefit of not needing the "we've got no mobile signal" line that modern movies suffer from.

Two couples are on vacation and driving around in a huge motor home. They are Roger (Peter Fonda), Kelly (Lara Parker), Frank (Warren Oates) and Alice (Loretta Swit). One night while camping they see a Satanic ritual where a young girl is murdered. The members of the cult find out and the couples spend the rest of the movie with witches after them to kill them.

The story is a little silly and the dialogue is pretty bad but this is the type of movie that used to pack them in at drive-ins. It's full of action, fast-moving and has likable (if one-dimensional) characters. It's basically a chase movie disguised and marketed as a horror film. The killing in the movie isn't that explicit and the nudity in it is purposely blurred out-some people think it was edited from theatrical prints but it was always that way.

The acting doesn't really matter--I mean who's seeing this for the acting? Still all four actors give their all to this. The only thing that bothered me was Swit and Parker screaming nonstop when anything happens and letting Fonda and Oates "save" them. It's quite amusing to see Parker being attacked by witches in this one since she played the evil witch Angelique in the "Dark Shadows" TV series in the late 1960s. The climax is either a perfect one or a lousy one. I'm torn between the two myself.

Quick and fun with a really incredible car chase at the end.

Not a classic movie perhaps, but a good little thriller with some very tense moments (like the fight with the snakes - I wonder how they did that) and a few spectacular car chases (the stuntwork is excellent). Director Jack Starrett does an effective job of creating a feeling of (justified) paranoia and conspiracy: what the heroes presume is a weird orgy turns out to be ritualistic murder, and what's worse for them, the initially small group of devil worshippers appears to be supported by entire towns! Peter Fonda and Warren Oates create two believable, down-to-earth characters that you can easily root for; on the other hand, the women are reduced to useless screamers during the moments of danger, in what I seriously consider the biggest annoyance of this film. (***)