Course contre l'enfer

My brother told me about "Race With the Devil" many years ago after he had seen some of it on a late night T.V showing. The way the film was described to me, made me curious in wanting to see it. I had to wait a while for the film to be shown again as obtaining it on video was going to be hard. BBC 2 eventually showed "Race With the Devil" in 1997 at about midnight. I was quite impressed with the final results. Warren Oates is the best actor in the film - he is most under-rated - but the other main cast members are OK. The film has a pretty good atmosphere and is well paced with a fair bit of incident. Nothing is quite what it seems at first glance. The ending comes after quite a build-up and I found it to be all the more shocking. This wasn't the kind of film that was expected to be a box office success but it is still a neat little film.

I have not read through all the reviews, so I'm hoping no one spoils the ending. Read the ones marked spoiler after watching the movie.

Considering how long ago this was made, it was a very cool movie. Starts off a little slow, but once you see the bonfire start, things pick up.

Roger (Peter Fonda) and his buddy, Frank (Warren Oates) take their wives, Alice (Loretta Swit) and Kelly (Laura Parker) on a nice vacation in a large motor-home. There are some comical scenes, some sad scenes, some motorcycle action and, of course, some suspense and action. I have to agree with one reviewer about the women being in it to provide screaming and in fear of almost everyone else in the movie. The car chase scenes were very good. You won't see any gross scenes in this. I would recommend seeing the movie. Enjoy!

Never mind the nasty dismissal in the annual paperback guide to movies by critic Leonard Maltin and cronies. This is classic, exhilarating *and* suspenseful drive-in entertainment, man!

Real-life good friends Peter Fonda and Warren Oates play buddies Roger and Frank, who embark on a vacation with wives Kelly (Lara Parker) and Alice (Loretta Swit) that includes, or will include, activities such as camping, motorcycle racing, and, hopefully, skiing. Frank has even procured a state-of-the-art RV for the occasion. Unfortunately for this quartet, Roger and Frank end up witnessing a Satanic ritual & sacrifice taking place across a river. The Satanists (supposedly played by actual Satanists) realize they've been witnessed and thereafter relentlessly pursue the heroes.

Actor / director Jack Starrett ("Slaughter", "Cleopatra Jones") stepped in on short notice to replace original director Lee Frost (Frost and co-writer / producer / actor Wes Bishop being familiar names to exploitation aficionados) as 20th Century Fox was dissatisfied with what Frost was turning out. And the results make for a fine viewing experience. The tension just builds and builds throughout the whole thing. Just get a load of the sequence where the nervous Kelly sees, or seems to see, menace in every strange face around her. This will have the audience thinking, "Just how many people are in on, or could be in on, this whole damn thing?" You'll wonder, too, if there's *anybody* trustworthy in the cast of characters.

Particularly exciting scenes are those where Roger and Frank have to rush to get their vehicle going again before the villains can catch up, and where they and their wives must deal with an attack by a pair of rattlers. But best of all is the invigorating, breathless climactic action featuring some extremely impressive human and vehicle stunts. Leonard Rosenman's music score is ominous through and through, and there's one Hell of a distinctive looking tree to serve as an enduring image. Fonda, Oates, Swit, and Parker are immensely likable, and the supporting cast includes old pro R.G. Armstrong as the sheriff, Bishop as Deputy Dave, Phil Hoover as the creepy looking mechanic, and Paul A. Partain (Franklin in the original "The Texas Chain Saw Massacre") in a bit part. The movie features one of the most priceless of the downbeat endings common to 1970's cinema, ending this on a perfect note.

"Race with the Devil" is must viewing for anybody looking to discover the drive-in favourites of decades past.

Nine out of 10.

Let's hop into the wayback machine and return to the North Cedar Drive-In Theatre in Spokane, Washington, circa 1975. It's hot and muggy and my best friend and I are seeing maybe the fortieth movie of the summer, sitting in my Oldsmobile Vista Cruiser or his 12 year old F-250 (I can't remember which). We sit back to watch Race With the Devil, an obvious B-grade horror flick we've heard great things about from friends.

I haven't seen Jack Starrett's RWD since that night in the summer of '75, but I distinctly remember how good it was, how merrily hell-bent-for-leather the action was, and the way it tied into our goofy fear of Satanic cults and human chains thirty years ago. If you were around the greater Spokane area (now there's an oxymoron!) way back when, you must have heard the stories coming out of Rathdrum, Idaho, north of Coeur d'Alene. This flick was shot in the southwest, but with all the rural versions of urban legends clanking about the Idaho Panhandle, Race With the Devil seemed like a home movie.

I believe the movie made a gob of money that year.

I recommend Race With the Devil in no small part for the fact that it's obvious the people involved are having a great time, a must for a low-budget movie. It has the pacing and the chills to scare teenagers wearing long hair and bell bottoms and, I'm sure after I order a copy from Amazon, it will put a grin on the face of this paunchy, middle-aged nostalgist.

I'm very pleased with this little occult road-movie classic from the 70's. It's fun and moves at a decent pace. Of course you have to wait for more than an hour before the racing starts, but the climactic last 20 minutes make up for it. Two couples on a holiday with their mobile home are witness to a satanic ritual killing during one night. Naturally, the local authorities have some difficulties believing all this, and soon the two couples find themselves being harassed and eventually chased by several cult-members. I liked the sense of paranoia this film has. Just about everyone in this movie could be a satanic cult-member. I liked the ending too. And Peter Fonda was cool as always. This time he used the word "terrific" a lot as an expletive, instead of "groovy".