Reine d'un soir

The reasons I bought this DVD are because I'd rembered this film as being great fun (having seen it 15+ yrs ago on TV), Maureen Stapleton is a top drawer actress and I'm nearly as sentimental as the film.

But there is so much more. It's done quite creatively. The five or so bits where the two main characters sing their thoughts to themselves worked. Normally that would be difficult to pull off & Hollywood would flub it up. Part of the reason why I enjoyed it (or found it acceptable, which I normally wouldn't) is because it's quite apparent that they're from a generation raised to be selective about the thoughts they share, in stark contrast to today's society. It's also shot in a rather different manner, or have I forgotten how films of the 70s were photographed?

Queen of the Stardust Ballroom raises the moral bar by ignoring unwarranted judgements and dealing with more important matters.

And Maureen Stapleton... she's one class act and a brilliant actress.

The very fact that I remembered the exact title of this made for TV film after 36 years, says it all for me.

It was the first time I had ever seen Charles Durning or Maureen Stapleton as actors in any production, whether movie or television.

Their acting was superb -- understated and classy.

I was in my 20's when I saw this film and only now am I of a certain age where I can truly appreciate the feelings and emotions represented by these actors -- most of all it is Maureen Stapleton that made an impact on me.

A week ago, Maureen Stapleton died and right away, I said, "Queen of the Stardust Ballroom" -- such a good, warm thought to have upon hearing of someone's passing.

I would recommend this film to anyone!

The pacing is overly rapid in certain places, Bea's sister and daughter are painted with a cartoonish brush, but the film manages to be genuinely moving and poignant throughout.

We are never asked to condone every change Bea makes; only to understand. Maureen Stapleton's human, subtly-keyed performance is the perfect centerpiece. Charles Durning is also wonderful in a role many actors would coast through. Once you see him here you'll never think of him in quite the same way again. These characters are so real, so everyday, that we can feel their joy and sorrow in ways cardboard types can't transmit.

The singing is jarring at first, but their shaky voices add to the realistic undertone of the fantasy.

Bea's unapologetic stance in her relationship with Al typifies the 70's and the 70's willingness to shake off conventions; I'm not sure if this tv-film would be made today with the same viewpoint.

I loved the atmosphere of the Stardust Ballroom, the different relationships and the nostalgia for days gone by. Bea comes alive in a room where most are trying to relive their past glories.

Flawless it may not be, but if you want to believe in love, in having a second chance at life no matter what your age is, this is the film to see.

This was my grandmother's favorite movie and when she passed away two years ago, I was determined to find it and watch it. I was able to locate a copy and overall was very happy to have found it. One thing that was a bit disappointing is that Bea Arthur sings the song 50% on her one woman show CD and speaks of the movie (another reason I wanted to see it), my copy did not contain the song. I can very easily understand why this was one my grandmother's favorite movies, and I have watched it on her birthday the past two years. Both Maureen Stapleton and Charles Durning were fantastic as elderly, single love interests and for a TV movie made in the 1970's it was pretty darn good!

Hard to believe that Maureen Stapleton was only 50 when she made this movie. Charles Durning was two years older. Yet they're portrayed as a couple of frumpy and hopeless old fogies--especially her--grabbing for some last romance before they reach the graveyard. I felt also that even though most of these characters appeared to be Jewish, their ethnicity was played down too much--perhaps to appeal to a general television audience. Regardless, the story realistically portrays a woman rescued at the last moment from her family and friends' expectations. Her children want her to be a sexless grandmother-cum-babysitter living in their spare bedroom, and her sister and friends think she should be a proper widow without an emotional life. Naturally they're disappointed when she decides to live the rest of her life as a free woman who still has desires and dreams. (Durning, on the other hand, was more of a cipher. He confides that he has a wife, but nothing more is said about her. Is she an invalid? Are they living apart?) The ending was a little abrupt, but I liked the film's message that we're never too old for romance. Who would make this movie today? More important, who would go see it? Well, how about all those aging boomers who are wondering about the many loves they found, lost, or never explored in the first place when they were younger.