Peter Pan

I grew up with this movie. Some of the happiest times I remember on hols at my grandparents after a fay at the beach and watch this before bed. A wonderful adaptation of a wonderful story

Disney's animated classic has become timeless, whereas Mary Martin and Cyril Ritchard made it alive for the stage and captured for the small screen (kudos for Sandy Duncan and Charlotte d'Amboise too!). Those were the idyllic fifties, before cynicism and nihilism took over our dreams and souls.

Yet in the middle of the seventies, a particularly depressing time, British television through Hallmark delivered a gem unwisely and unfairly overlooked. Innocent, charming, delightfully entertaining and astonishingly creative, this retelling of the unsurprising tale of the boy that didn't grow up made it new and unique in its own way due to a remarkable combination of talents and teamwork.

Sure, Mia Farrow looks annoying and stubborn, but isn't it the way a proud tween usually behaves? Alas, Barrie's stagings are as good as their Captain Hook/Mr. Darling provide the necessary counterpoint of the story, and here we have the legendary Danny Kaye delivering not only a blissfully larger than life characterization but also enough warmth, malice and gusto to make the role his own and host a compelling ride. Additionally, this special presentation comes along with the serene and ethereal presence of Virginia McKenna in the critical and essential part of Mrs. Darling, and the alluring and breathtaking dancing of Paula Kelly as Tiger Kelly. Damn! Even John Gielgud lends its mellifluous diction to serve as narrator, and last, but certainly not least, our adored and venerated Julie Andrews returns home to familiar ground to gracefully illuminate the show enchanting the audience with the title song.

And this last feature is unquestionably the most enduring and endearing contribution of this TV movie. I mean, this original song score was composed by none others than Anthony Newley and Leslie Bricusse! Each one of the carefully crafted creations cradled by the genius of this extraordinary pair wrap the audience with a silky and sparkly cadence filled with echoes that range from The roar..., Stop the world..., and even Doctor Dolittle, but overflowing with originality, masterfully arranged and allowing them to glow not only to be sung but performed as they enhance the storytelling.

Fortunately, the video is available in YouTube (although somewhat tarnished by what must have been countless videocassette transfers and re-recordings); so we can enjoy it as often as we ought to. And maybe, someday perhaps the remastered soundtrack will be released to call for a permanent salute to the joyful and thrilling legacy of Bricusse, and to revere, bow, praise, celebrate and acknowledge the outstanding gifts bestowed upon Anthony Newley, a multidimensional artist, fascinating celebrity, misunderstood person and renaissance character.

I have not seen this movie (and its not without trying constantly!) for about 25 years. I used to love watching this every single year on the TV and basically would do /pay almost anything to retain a copy, remembering I live in Australia and the American VHS format does not work over here. If anybody out there can help me with where I may be able to find this, preferably in DVD then please let me know. Cheers.

This TV-movie deserved the Emmy + 1 other award it received. It is a timeless classic and personally the best version of the many that have been made of 'The boy that would not grow up'. All the cast are fantastic and the special effects inclusive of 'non real'/puppet of 'Nanna' the dog are spectacular for the time it was made. The songs are fantastically written and performed , in particular "Who needs a mother" and the demise of Danny Kaye's Hook was superb and better than any 'panto'. If there is anyone out there that can help me out, please do so ASAP.

Thanks.

Deano.

I like the bit where they punched a hole in the top hat to make a chimney. They did the same gag in Mary Poppins but that was for malicious purposes. At least this time it had practical applications.

This TV movie of "Peter Pan" as a musical should also be listed as a comedy. It's a very good Hallmark production that stars Mia Farrow as Peter, Danny Kay as the father, George Darling, and as Captain Hook, and Briony McRoberts as Wendy as the girl. The rest of the cast are very good as well. Besides the musical aspects of this fable rendition, it's obvious that the producers and writers intended it to have a definite comical edge. And, with Danny Kaye in the role as Captain Hook, they could be assured of getting that. I couldn't help but wonder if a couple of instances weren't ad libs by Kaye and they liked them so much that they kept them in.

I've seen videos and DVDs made from TV airing of made-for TV movies, and that's what I watched of this production. While the commercials are cut out, the quality is still quite choppy and rough. This is a movie that I think is good enough to be produced on DVD. The scenes with the children and Peter flying around the room are so well done, with no apparent use of wires or anything. The tricks of the trade in filming those scenes make them appear real and natural.

The main characters of J. M. Barrie's fable are here, and Nana, the nurse for the Darling children in a big furry dog (played by Peter O'Farrell). One of the songs that Kaye's Captain Hook sings is about his place in the Villain's Hall of Fame. This is worth seeing if it should ever be broadcast again on TV, or from a DVD. Here are some sample lines from this film.

Mr. Darling, "You know, Mary, I sometimes question the wisdom of engaging a dog for a nurse."

Captain Hook, "Infamy, infamy, everybody's got it inn for me."

Captain Hook, "By the way, Smee, what is a lubber?" Smee (played by Tony Sympson), Oh, it's sea talk, sir." Hook, "I know that - I'm not a fool."