A somewhat prim and proper Englishman is hired as the tutor to the son of the Japanese ambassador. His life changes when he and the boy are kidnapped by terrorists for political purposes.A somewhat prim and proper Englishman is hired as the tutor to the son of the Japanese ambassador. His life changes when he and the boy are kidnapped by terrorists for political purposes.A somewhat prim and proper Englishman is hired as the tutor to the son of the Japanese ambassador. His life changes when he and the boy are kidnapped by terrorists for political purposes.
- Awards
- 1 nomination total
Toshirô Mifune
- The Ambassador
- (as Toshiro Mifune)
Hardy Krüger
- Muller
- (as Hardy Kruger)
Kazuhito Andô
- Koichi
- (as Ando)
Salleh Ben Joned
- Sokono
- (as Salleh Joned)
Mustapha Maarof
- Marco
- (as Mustafa Maarof)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Having seen this film as a child in the 1970s I have fond memories of this film.
Watching it now it is very dated.
However, unlike the mass of mediocrity from Hollywood today, it does have a charming story and Niven and Mifune admirably carry the film by their presence.
What I liked
It's a charming film with a lovely story, and is wathable for all the family
David Niven and Toshiro Mifune are both high calibre actors and genuine veterans of WWII as was Hardy Kruger, each for their respective countries.
What I didn't like
Made in the 1970s it's very dated, special effects and 'dubbed' voices into English, all jarring to the modern viewer used to CGI etc
I think this film is a solid 6/10 bearing in mind its age. I've given it a 7 but part of that was for nostalgia.
Watching it now it is very dated.
However, unlike the mass of mediocrity from Hollywood today, it does have a charming story and Niven and Mifune admirably carry the film by their presence.
What I liked
It's a charming film with a lovely story, and is wathable for all the family
David Niven and Toshiro Mifune are both high calibre actors and genuine veterans of WWII as was Hardy Kruger, each for their respective countries.
What I didn't like
Made in the 1970s it's very dated, special effects and 'dubbed' voices into English, all jarring to the modern viewer used to CGI etc
I think this film is a solid 6/10 bearing in mind its age. I've given it a 7 but part of that was for nostalgia.
By this time in his career, debonair British actor David Niven was making films purely for the money. This effort was strangely different from other entries under this guise. The story of a dreamer facing the consequences of his masculine boasts is entertaining, and draws on his performance in Separate Tables.
There is a certain sadness, watching Niven as one of life's losers trying to make amends with one last act of heroism, full of pathos and regret. The film itself is nothing spectacular, but Niven manages to rescue it from oblivion, and credit where credit's due, he almost succeeds.
There is a certain sadness, watching Niven as one of life's losers trying to make amends with one last act of heroism, full of pathos and regret. The film itself is nothing spectacular, but Niven manages to rescue it from oblivion, and credit where credit's due, he almost succeeds.
Paper Tiger is a harmless adventure movie which tries to cater for juvenile and adult audiences. It is lifted slightly above its station by strong performances from David Niven and Toshiro Mifune. The central theme of what can go wrong if you live your life as one big lie is quite interesting too. It is neither a great movie nor a terrible one: merely a workmanlike, watchable time-filler.
Niven plays Major Bradbury, an English gentleman who has got a job in a troubled Far East country tutoring a young and impressionable Japanese boy about western history. He entertains the boy, Koichi (Ando), by spinning him tales of wartime heroism and derring-do. However, all of Bradbury's tales are fanciful lies in which he presents himself as some kind of all-action hero. Koichi and Bradbury are kidnapped by guerillas, and Bradbury soon realises that he must try to live up the heroic stature he has invented for himself in order to help the boy to survive.
Toshiro Mifune as the boy's father, a Japenese ambassador, gives a strong, moving and convincing performance. Niven also has his moments, especially when he looks into the mirror and is appalled by the "nothing" of a man he sees staring guiltily back at him near the film's climax. The story itself is interesting, but the handling isn't all that special. The film satisfies itself with being a straight-forward kidnap thriller fit for kids and adults alike, but the themes of real and imagined identity could actually have been explored much more closely and maturely if the target audience was just adults. Still, a family film is what the makers decided to make, and a family film is what they've given us. On that level, this will do quite nicely for a rainy Saturday afternoon - even if you'll have probably forgotten it by Sunday!
Niven plays Major Bradbury, an English gentleman who has got a job in a troubled Far East country tutoring a young and impressionable Japanese boy about western history. He entertains the boy, Koichi (Ando), by spinning him tales of wartime heroism and derring-do. However, all of Bradbury's tales are fanciful lies in which he presents himself as some kind of all-action hero. Koichi and Bradbury are kidnapped by guerillas, and Bradbury soon realises that he must try to live up the heroic stature he has invented for himself in order to help the boy to survive.
Toshiro Mifune as the boy's father, a Japenese ambassador, gives a strong, moving and convincing performance. Niven also has his moments, especially when he looks into the mirror and is appalled by the "nothing" of a man he sees staring guiltily back at him near the film's climax. The story itself is interesting, but the handling isn't all that special. The film satisfies itself with being a straight-forward kidnap thriller fit for kids and adults alike, but the themes of real and imagined identity could actually have been explored much more closely and maturely if the target audience was just adults. Still, a family film is what the makers decided to make, and a family film is what they've given us. On that level, this will do quite nicely for a rainy Saturday afternoon - even if you'll have probably forgotten it by Sunday!
You would be forgiven at first into thinking that this was an old Walt Disney children's film. The humour is family orientated and typically weak - this type of film always has an annoying American character in holiday mode who pops up every so often. However the story is quite clever, albeit moralistic - the moral is don't pretend to be something you ain't.
The main problem with this film is that you are unsure what kind of viewers it is actually aimed at. In between the "sweet" scenes of David Niven and his young cheeky Asian charge there are shootings,terrorist bombings and assassination attempts - hardly Walt Disney.
However, the story is quite good with nice appearances from familiar faces and, apart from the rather insipid and soppy vocal version of the theme tune, is wrapped up fairly well. A good Saturday-afternoon-with-nothing-to-do sort-of-film
The main problem with this film is that you are unsure what kind of viewers it is actually aimed at. In between the "sweet" scenes of David Niven and his young cheeky Asian charge there are shootings,terrorist bombings and assassination attempts - hardly Walt Disney.
However, the story is quite good with nice appearances from familiar faces and, apart from the rather insipid and soppy vocal version of the theme tune, is wrapped up fairly well. A good Saturday-afternoon-with-nothing-to-do sort-of-film
Simple premise of don't pretend to be what you are not. Safe family action film that is quite well acted and with decent cine-photographic shots of the far east ( think might be Hong Kong area ). Well acted with a safe plot. Motto of the story being not to pretend you are something you are not cause it could bite you in the arse..
Did you know
- GoofsWhen the Bedford 4-Ton truck is tipped over the cliff, the model that's initially pushed with a digger is the mid 1970's model previously driven into the scene, but the one that tumbles down the hill is a much older (late 1950's/early 1960's) model with different style of cab.
- Crazy creditsOpening credits prologue: This is the story of a man and a boy.
The events in which they become involved are, unhappily, happening almost daily in some part of the world.
It must therefore be emphasised that all the characters are fictitious, as is the country in which the story takes place.
KULAGONG is somewhere in South East Asia.
- ConnectionsReferenced in V.I.P.-Schaukel: Episode #5.3 (1975)
- SoundtracksMain Theme
(uncredited)
Music by Roy Budd and Jack Fishman (uncredited)
Sung by the Ray Conniff Singers
- How long is Paper Tiger?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Paper Tiger
- Filming locations
- Malacca, Malaysia(filmed entirely on location in)
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 39m(99 min)
- Aspect ratio
- 2.35 : 1
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