La nuit qui terrifia l'Amérique

"The Night That Panicked America" is an adaption of the famous War of the Worlds broadcast of October 30, 1938. I'm watching this on October 30, 2000, the 62nd anniversary of the actual broadcast. A 30-year-old Nicholas Meyer wrote the excellent screenplay and supervised the production of this made-for-TV movie, making sure it was done in an historically detailed and accurate way. I am very, very impressed by this production, and I doubt that it could have been done any better. The movie usually shows up on the Sci-Fi Channel around Halloween. Look for many future youthful stars such as Meredith Baxter, John Ritter, and Casey Kasem.

This is a must for anyone interested in the career of Orson Welles. Paul Shenar, who played the role of Welles in this production, is much too old for the role but his voice is close to the beautiful voice of Welles.

This is a great movie. If it's ever on TV, I suggest watching it. Personally I don't usually like TV movies but this is an exception. Very good with interesting situations and likable characters. It's hard to beleive something like this once happened but it's allm true. Orson Wells must have gotten into a lot of trouble after that one. It's a shame it's not on DvD. Watch it on Halloween or the Night before.

On the night before Halloween, 1938, Orson Welles directs a radio adaptation of HG Wells' novel The War of the Worlds from forty years prior. The "breaking news" style of ominous storytelling convinced many listeners throughout America to take it seriously, causing a panic. The illusion of realism was reinforced by the lack of commercial interruptions, which meant that the first break didn't come until after all of the alarming "news" had been given.

A television production, "The Night that Panicked America" (1975) works well enough to help you see how Welles' show could deceive those who failed to hear the opening announcement indicating that the show was a work of fiction. Paul Shenar does a good job playing Welles and there are several familiar faces, like Vic Morrow, Eileen Brennan, Meredith Baxter, Will Geer, Tom Bosley and John Ritter just before his success with Three's Company.

The ending fittingly mentions the town of Concrete, Washington, which is located 96 miles northeast of Seattle. During the midpoint of the broadcast a coincidental power failure plunged the town of (then) one thousand people into darkness. Needless to say, they were probably the most terrified listeners in America.

It runs 1 hour, 32 minutes, and was shot in Los Angeles.

GRADE: B.

I am not generally a fan of movies made for television, but "The Night America Panicked" is a clear Exception. I was fourteen years old when I watched it with my mother who boasted a firsthand experience of the original Orson Welles broadcast of "War of the Worlds," and the resulting mayhem. She had told the story to me many times when I was younger and it was interesting to see it recreated. My mom was so impressed with the late Paul Shenar's enthusiastic portrayal of Orson Welles that she became a lifelong fan. I became of fan of Orson Welles and I loved "Citizen Kane" as well as the humor behind Citizen Kane's promotional trailer (the girls are here for the purpose of ballyhoo). Like other fans, I would like to see this movie preserved on DVD. I would buy it so I could watch it again.

An okay telefilm about the famous (infamous?) radio broadcast. It certainly deserves good marks for adhering closely to what occurred during the original broadcast and, of course, dramatic license is to be expected with the various stories of Americans reacting to the show. But, still, it IS a TV movie from 1975 which means that it's low budgeted---therefore it seems underpopulated. For instance, Orson Welles (Shenar) arrives at the CBS Radio studios walking in at a leisurely pace in the early evening down an empty, quiet street... when in fact Welles was always rushing in at the last minute from a stage show rehearsal, and New York streets at 7PM would be bustling with people and noise (sometimes Welles hired an ambulance to get him to the CBS studio on time---now that would have been a great opening for this film!) Not to nitpick, but it's this kind of flatness in sound and direction that hurts the film. Additionally, Shenar looks nothing like a young Orson Welles (who looked very much like Bob Hope) and plays him with too much control. Welles was dynamic and explosive and very much a young man (in his early twenties in 1938) while Shenar is too aloof and too much older (he was nearly forty when he played this part). But Shenar does have the rich deep Wellesian baritone (probably the main reason for hiring him). A great subject for a movie and one that deserves another try... although this one is adequate.