La nuit qui terrifia l'Amérique

This film was a very entertaining, and historically accurate recreation of Orson Welles' radio program "War of the Worlds", which was based loosely on H G Wells' novel of the same name. It is utterly amazing that so many people believed that this radio drama was real, and the film does an excellent job of dramatizing the reactions of several people who seriously believed that the Earth was being invaded by Martians. What amazes me even more is the fact that no one has made this excellent production available for sale on video. It surely is a marketable product.

I am not generally a fan of movies made for television, but "The Night America Panicked" is a clear Exception. I was fourteen years old when I watched it with my mother who boasted a firsthand experience of the original Orson Welles broadcast of "War of the Worlds," and the resulting mayhem. She had told the story to me many times when I was younger and it was interesting to see it recreated. My mom was so impressed with the late Paul Shenar's enthusiastic portrayal of Orson Welles that she became a lifelong fan. I became of fan of Orson Welles and I loved "Citizen Kane" as well as the humor behind Citizen Kane's promotional trailer (the girls are here for the purpose of ballyhoo). Like other fans, I would like to see this movie preserved on DVD. I would buy it so I could watch it again.

This film was an excellent look at the perhaps one of the most notorious instances of mass hysteria ever. This film made me interested in the actual play and I think that this was pretty much an accurate portrayal of the event. Also, the little stories of how people were affected by the broadcast and what they went through as the story unfolded. The one story that I felt really conveyed what happened was the one featuring Vic Morrow and Eileen Brennan as the couple on the brink of divorce who forget their differences and are brought back together because of the broadcast. If anyone wants a good example of a good TV movie, this is it.

On the night before Halloween, 1938, Orson Welles directs a radio adaptation of HG Wells' novel The War of the Worlds from forty years prior. The "breaking news" style of ominous storytelling convinced many listeners throughout America to take it seriously, causing a panic. The illusion of realism was reinforced by the lack of commercial interruptions, which meant that the first break didn't come until after all of the alarming "news" had been given.

A television production, "The Night that Panicked America" (1975) works well enough to help you see how Welles' show could deceive those who failed to hear the opening announcement indicating that the show was a work of fiction. Paul Shenar does a good job playing Welles and there are several familiar faces, like Vic Morrow, Eileen Brennan, Meredith Baxter, Will Geer, Tom Bosley and John Ritter just before his success with Three's Company.

The ending fittingly mentions the town of Concrete, Washington, which is located 96 miles northeast of Seattle. During the midpoint of the broadcast a coincidental power failure plunged the town of (then) one thousand people into darkness. Needless to say, they were probably the most terrified listeners in America.

It runs 1 hour, 32 minutes, and was shot in Los Angeles.

GRADE: B.

An okay telefilm about the famous (infamous?) radio broadcast. It certainly deserves good marks for adhering closely to what occurred during the original broadcast and, of course, dramatic license is to be expected with the various stories of Americans reacting to the show. But, still, it IS a TV movie from 1975 which means that it's low budgeted---therefore it seems underpopulated. For instance, Orson Welles (Shenar) arrives at the CBS Radio studios walking in at a leisurely pace in the early evening down an empty, quiet street... when in fact Welles was always rushing in at the last minute from a stage show rehearsal, and New York streets at 7PM would be bustling with people and noise (sometimes Welles hired an ambulance to get him to the CBS studio on time---now that would have been a great opening for this film!) Not to nitpick, but it's this kind of flatness in sound and direction that hurts the film. Additionally, Shenar looks nothing like a young Orson Welles (who looked very much like Bob Hope) and plays him with too much control. Welles was dynamic and explosive and very much a young man (in his early twenties in 1938) while Shenar is too aloof and too much older (he was nearly forty when he played this part). But Shenar does have the rich deep Wellesian baritone (probably the main reason for hiring him). A great subject for a movie and one that deserves another try... although this one is adequate.