Mystère sur le vol 502

When watching this movie, don't watch it for suspense, or character development, or even for the mystery. This is a "make your own fun" movie. You can watch it in the Mystery Science Theater 3000 style, making fun of it as you go. You can watch it to spot all of the stars (at the time). Or you could watch it to find out what Airplane! was making fun of so much; this movie seems to have provided most of it. The pure dated-ness of this film makes it so easy to make fun of. Can you remember a time when a smoking box in an airport lounge was treated fairly lightly?

But don't hate this movie because it's, well, bad; praise it for its badness. This is one of those movies that is good to watch because it's horribly done. The acting is horrible, the script is horrible, the story is horrible. The only thing that was done right was the casting, but, as we're seeing so much these days, a good cast can't save a movie. But a good sense of humor can. Which is why I give this movie a fairly high grade: if you enjoy pretending to be a sillouette in front of a giant movie screen, you'll like this movie.

Back in the 70's all the major networks would put out these made-for-TV movies, usually featuring a collection of unknowns and a good number of well known actors and actresses and for the most part they were always enjoyable, even though they were't as sophisticated or as big budget as a major motion picture. This movie was no exception. I stumbled across it on a DVD and for $2 figured it was worth a look see. I can't remember if I ever watched in on TV in the 70's, but it brought back memories of enjoyable enough nights in the living room watching the set.

This is probably most notable for a pre-Charlie's Angels performance from a very lovely Farrah Fawcett as a stewardess on a flight from New York to London that has a murderer on board. In some ways it's rather preposterous. There are far too many coincidences - far too many people in the First Class section who just happened to know each other and have grievances with each other. The intent was obviously to give a large stable of possible suspects to keep the viewer guessing. In some ways it didn't work. I had the murderer figured out pretty early, and if you didn't figure it out well before it was revealed then you missed something pretty obvious. Mind you, the same could be said for the plot twist involving Fawcett's character at the end, and that took me off guard. I also couldn't figure out why the man who tried to kill singer Jack Marshall (played by Sonny Bono) is never restrained, but ends up back in First Class with his wife as if nothing had happened - he just tried to kill a guy with a knife!

This was clearly made by Aaron Spelling as lightly entertaining TV mystery to keep people occupied for a couple of hours in front of their TV screens. With folks like Robert Stack, Walter Pidgeon, Danny Bonaduce, etc., it's pretty good fun. 6/10

What a cast that has been assembled as only Aaron Spelling can do! the dialogue is so corny and played so seriously, you'll be howling. The best exchanges are between a drunk Polly Bergen and a very sober Fernando Lamas. The sets are really almost "Plan 9 From Outer Space" level. The "VIP lounge" at the airport was probably a baggage office at LAX and the plane, well, the budget was only enough to show the first class section, so all you see are big blankets/curtains covering the entrances to the rest of the plane and several references by Captain Stack to the "hundreds of people back there."

The upstairs lounge of the plane is decorated in what appears to be outdoor patio furniture and during the course of the film, the scariest looking cheese and crackers fester along the back of the wall uneaten by these high-falutin' jet-setters who spout inane dialogue as the viewer tries to wade through the red herrings and Farrah's cocktail service.

The whodunnit wraps up quickly, of course. Suprises? No. Laughs? Yes!

The $5.00 DVD I got of this in the Best Buy junk pile is covered in Farrah's photos and the DVD even includes a "Farrah Quiz" at the end that even your mother could not flunk. Thanks to Barry Diller and Spelling/Goldberg for making these tacky ABC "Movies of the Week" in the 70's and for someone actually mastering these DVD coasters that provide some of us with a hilarious flashback to our youth.

... I am referring to something Sonny Bono's agent says as they head towards his flight to board. And he says it very loud. And nobody even stops and stares. What a time capsule this is.

If you are under 40 I'm not sure you will really appreciate this. But if you remember the 1970s at all this is terrific and hilarious for reasons never intended. It is about an international flight headed for London. After take-off a smoke bomb goes off in the first class lounge. As a result of this, an airline executive gets a note a day earlier than he normally would have, and it apologizes for the murders on flight 502, the flight that just took off. So now it is a race to figure out who is the murderer before he can kill.

There are all kinds of furtive glances and obvious grudges between the first class passengers to stir the pot. There are some married couples on the flight, but there are also lots of people flying alone, and they strike up conversations with whoever is sitting next to them. It reminded me of Love Boat, and that should be no surprise since Aaron Spelling, who produced Love Boat, also produced this film. Of course, today, bothering a stranger next to you with conversation would get you rebuffed because you would be interrupting their game of Candy Crush on their phone. But in 1975 people were OK with casual conversation and were accustomed to occasionally being bored.

What's funny about it? Robert Stack as the pilot five years before Airplane, playing it straight. That setting a smoke bomb off in an airport doesn't get you shackled by the TSA upon arrival and sentenced to 40 years in the basement of a federal prison. That the killer on the plane just ASSUMES certain movements of passengers whom he targets. Farrah Fawcett as a stewardess (that is what they called flight attendents then) who at this point in her career has very limited acting talent. That changes a lot over time.

What's great for classic film buffs? Larraine Day, Dane Clarke, Walter Pidgeon, and Ralph Bellamy making appearances as passengers.

I had a hard time rating this film. I'm rating it as a time capsule that is certainly not boring. Thus my rating will probably be higher than those of other folks.

An ensemble cast of familiar Hollywood faces act, and attempt to act, in this low-budget whodunit, about a New York to London flight that has a psychopath on board. Polly Bergen hams it up as an alcoholic writer, and is fun to watch. Robert Stack plays the pilot, consistent with his serious, take-charge persona. Danny Bonaduce plays himself, more or less. Laraine Day's acting is fine but she needs more makeup. And hip looking Sonny Bono shows why he was wise to earn his living as a singer.

The film's sets look cheap, and the stereotyped characters are too perfunctory to spark much interest. The film's visuals look dated.

Given the suspects and the obvious red herrings, the whodunit puzzle is not that hard to solve. However, the plot twist at the end I did not see coming.

Even with a couple of obvious plot holes, "Murder On Flight 502" held my interest as a whodunit puzzle. But it has a "Producer Aaron Spelling" look and feel to it, with those cheap sets, bland dialogue, cardboard characters, and nondescript elevator music, all rather typical of assembly-line 1970's made-for-TV movies.