An Interpol investigation uncovers a shunned biologist and his daughter, who are involved in an alien plot to use Mechagodzilla and Titanosaurus to defeat Godzilla and wipe out humanity.An Interpol investigation uncovers a shunned biologist and his daughter, who are involved in an alien plot to use Mechagodzilla and Titanosaurus to defeat Godzilla and wipe out humanity.An Interpol investigation uncovers a shunned biologist and his daughter, who are involved in an alien plot to use Mechagodzilla and Titanosaurus to defeat Godzilla and wipe out humanity.
- Awards
- 1 nomination total
- Alien Leader Mugal
- (as Goro Mutsu)
- Yuri Yamamoto
- (as Tomoe Mari)
Featured reviews
But what really marked this out as a superior entry is the plot. A reclusive discredited scientist is employed by aliens to use his thought-controlled pet Titanosaurus to destroy Tokyo along with the newly-rebuilt Mechagodzilla, their combined might certain to overcome that pesky Godzilla. Meanwhile an Interpol agent and a marine scientist investigate the disappearance of an exploratory submarine, the trail leading them to the scientist's beautiful but non-too-helpful daughter.
It might sound like the usual gubbins on paper but there's genuine tension in many of the scenes, it's logical and exciting, and rather than feeling like drawn-out filler while we wait for the real action to begin it's successful on its own terms, even managing to pull off genuine pathos bordering on tragedy at the end.
When it does begin it's hands down the best destruction I've seen so far in the series. They're right in the centre of Tokyo surrounded by skyscrapers ready to be demolished and incinerated. The camera pans across the cityscape as whole swathes of it are destroyed, and it truly is spectacular. What makes it even more powerful is that it's not a fight sequence for the most part - it's just two big boys laying waste to the city.
Godzilla himself is given a wonderful entrance, and in those moments it's a thrill to see this (of all films) so overtly referencing The Third Man (of all films).
They do escape to the country for the final showdown, but there's still the odd power station to be sat on and let's face it, we've already had our money's worth with the destruction of Tokyo. The fight is lengthy too, with Godzilla on the back foot for most of it, and while we're never unsure of the outcome it does get pretty hairy for the big guy.
For the budget the special effects are often superb and always imaginative (like the alien technician walking inside Mechagodzilla's head or the shot that takes us from his massive, dormant frame as he's being worked on, through a window, and finishes with the aliens and doctor watching the progress from a lab).
The music throughout is excellent, and the female lead is impossibly gorgeous.
What's not to love?
The plot ONCE AGAIN rehashes the aliens-out-to-conquer-Earth-using-monsters plot,but at least here it is augmented by a few interesting elements,such as the tragic female cyborg who still retains human feelings,and it is handled a lot more seriously than before. Honda tones down the juvenile elements and even brings a touch of darkness to the film. The finale has most of the characters killed,and one person's sacrifice appropriately parallels Dr Serizawa's sacrifice in the original Godzilla {incidentally,the current version available in the US cuts so much of the violent and dark elements out that the ending makes little sense}.
Despite the general downbeat feel here is still plenty of monster action,with the best destruction sequence since Monster Zero,while Mechagodzilla is somewhat improved since the last film and Titanosaurus is a memorable new monster {why has he never returned?}. There is the odd shoddy moment,mainly due to the low budget,and signs of carelessness at times-for instance the final shot of Godzilla uses a different and pretty awful looking suit to the rest of the film. However overall this was the best Godzilla film since Destroy All Monsters,and a fairly worthy end to the 'Showa'series.
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Did you know
- TriviaDespite the film being made for children as part of Toho's Champion Festival, it's one of the few Godzilla movies with nudity as there is a scene in which Katsura's breasts are exposed (albeit a prosthetic). Actress Tomoko Ai recalled that she actually dozed off during the filming of the scene mentioning, "Everyone told me not to move, I got nice and cozy, so I just fell asleep. This scene was cut in the US, both for the heavily edited theatrical version and the extended TV version.
- GoofsIn the previous movie, the aliens had to find and kidnap a professor to help them. However, this movie establishes that they have been working together with another scientist for several years, thereby retroactively causing a plot hole between the two films.
- Quotes
Tsuda: Your heart is as cold as ice. Who could care for someone like you? Forget humankind. Remember what has brought you and your father this far. What is it that drives you both?
Katsura Mafune: Vengeance and hate.
Tsuda: That's right.
- Alternate versionsThe US cut version of the film is missing a great deal of footage, which changes the story. The uncut version shows why Mechagodzilla suddenly shorts out, etc. It also features the only example of nudity in a Godzilla film, albeit fake, prosthetic breasts while the spacemen are operating on cyborg Katsura.
- ConnectionsEdited into Godzilla Tales: G-90REX (2020)
Details
Box office
- Gross worldwide
- $426
- Runtime
- 1h 23m(83 min)
- Sound mix
- Aspect ratio
- 2.35 : 1