El pistolero

A terrible film set against the natural beauty of the California coast (my guess is the creators knew what a dog they had). Mexicans with samurai swords and training? A gun that looks like a six-shooter but holds 12 shots (is this a LeMat)? TOM LAUGHLIN? He should credit himself as "Laugh (as in "funny")-lin". The best scene occurs when Laugh-lin (astride his horse) faces off against a bad dude about to commit rape. As in "Billy Jack," Laugh-lin woodenly tells the dude "I don't want to kill you. I'll just ride away." The dude can't deal with the karma emanating from Billy - oops, I mean Finley, and Billy - sorry, Finley - kills him. The dude doesn't know that when Billy - er, Finley - takes off his hat and rubs his hand on his head and face and speaks in a weary tone, that's it! Yikes!

A better title may be "Billy Jack - Sorry, Finley - Kicks Ass on the Monterey Peninsula." Punctuated by really boring gun and sword battles (other viewers will anxiously wonder - as I did - who's going to win). This should be a "0."

Educated in the Orient, peaceful pistol-packing Tom Laughlin (as Finley) is also a samurai swordsman. He shoots and slashes people who want to take land away from Native Americans and Mexicans. They've just stolen California from them. A US government shipment of two million dollars in gold is involved. "One Week Later," birds peck at what could be a carcass. Many shots of "The Birds" amount to what could be homage to director Alfred Hitchcock. An entire family is missing. Twitching the flesh around his left eye expertly, best friend or enemy Ron O'Neal (as Paulo) and others are led to believe Mr. Laughlin stole the gold. He's clearly full of himself. Helping pass many dull stretches is beautiful Barbara Carrera (as Eula).

*** The Master Gunfighter (10/3/75) Tom Laughlin ~ Tom Laughlin, Ron O'Neal, Barbara Carrera, Lincoln Kilpatrick

Great music score,great scenery,interesting camera angles,good atmosphere(especially during the showdown moments),good to decent acting and gun/sword fighting and awesome cinematography. Whatelse can I say about the 'Master Gunfighter', it is a very entertaining Hybrid/Anti-western movie only Tom Laughlin and the crew could bring. Sure some of the movie elements could have been better like some of the editing (which wasn't that bad but could've been better) and some parts from the novelization of the movie should have been in the movie to explain some scenes better but all in all it is a really entertaining blend of Spaghetti western,samurai, and Tom Laughlin.

The story revolves around Finely (Tom Laughlin, one of the coolest figures in motion picture history) a guilt tripped gunfighter and swordsman who witnessed a massacre of a peaceful coastal Native Americans by his brother-in-law and lifetime friend Don Paulo (Ron O'Neil, thats right Priest from 'Superfly') and his goons. Finely leaves but returns three years later when Paulo plains to do it again. This is where the gun play and samurai sword comes into play. Both Laughlin and O'Neil have a six chambered, double action pistol almost like a LeMot and a Samurai sword.

A lot of critics and people complain about the peace through violence or redemption through revenge method but "To expect peace, prepare for war"-(Tom Jane,THE PUNISHER). Either that or they complained that it is too much like Billy Jack or not enough like Billy Jack, this movie was never meant to be a 'Billy Jack' movie.

But I would suggest renting or borrowing the DVD, watch the movie and the special features to learn about the movie even more, it is actually quite interesting when I watch the interviews with the cast and crew. But if you are a western,samurai,Tom Laughlin, or just a 70s cinema fan then you should pretty much buy the movie. But everyone has their own opinions so I would say rent before buy.

The story was adapted from an 1969 samurai flick called 'Goyokin' and this movie alone was only made on a budget 3.5 million of the Laughlins' own money and it is better than most movie with 10 times it budget.

I also recommend 'Red Sun' or the legendary TV series 'Kung Fu'.

Tom "Billy Jack" Laughlin spends most of his movie speaking in a monotone, wearing silly-looking floppy hats, and either shooting people or hacking them up with a Samurai sword. The exterior scenes (filmed mostly along the Pacific Coast) are often strikingly photographed, but the dialog and acting are stiff and ridiculous. Like the BILLY JACK movies, Laughlin has a lot to say about man's inhumanity toward his fellow man. But, after about 10 minutes of listening to his preaching, you won't care anymore. With just a few changes to the screenplay, and an update to the 20th century, this could have been another BILLY JACK movie. At least the BILLY JACK movies were somewhat entertaining.

The kind of film one would expect from the genius behind "Billy Jack Goes to Washington," the movie does distinguish itself in the area of weaponry. Apparently set in the era of old California, the gunfighter blazes away with a remarkable handgun called a LeMat--which didn't exist if the period is prior to the Civil War as it seems to be. Nonetheless, bringing this weapon to light is a nice historical touch. While the Union officers in the Civil War used six-shooter percussion revolvers, they were hard pressed if they came up against a Confederate with a ten-shooter LeMat (nine balls plus a shotgun round). The other milestone in weaponry is the use of swords not a la Zorro but in the fashion of Samuri, a ludicrous touch only Mr. Laughlin could have thought up. If you enjoy odd weapons or the odd use of them, you must see this film,