Two Atlanta men raise funds for their charity by rigging boxing matches in New Orleans, but their tricks attract the mob's attention.Two Atlanta men raise funds for their charity by rigging boxing matches in New Orleans, but their tricks attract the mob's attention.Two Atlanta men raise funds for their charity by rigging boxing matches in New Orleans, but their tricks attract the mob's attention.
- Director
- Writers
- Stars
- Awards
- 5 wins total
- Bootney Farnsworth
- (as Jimmie Walker)
- Jody Tipps
- (as Paul E. Harris)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Cosby is his usual self, only hipper (especially when he dresses in wild outfits to pretend to be rich). It's a real pleasure to see Poitier in a role that you can laugh at, since most of his characters have been so sophisticated. The two men together are great, especially when they are trying to get out of jams. I especially enjoyed seeing Cosby pretend to be a big-time gangster while talking on the phone. Walker, of course, was one of the best buffoons in 1970s TV, and he doesn't disappoint here. Even when his character is confident and talented, he still has that cartoonish quality about him.
Curtis Mayfield's music, with vocal performances by the Staples Singers, added a lot to the movie.
It wasn't quite a family movie, but it was quite clean compared to similar movies being made today, with very little cursing and not much to really object to.
I had a good time.
Cosby and Poitier are friends and lodge brothers who are trying to save their lodge from demolition. They decide to take the meager building fund and place bets on a boxing match. The catch? The fighter they are going to bet on is a 5 to 1 underdog, and a hapless Jimmie Walker. Walker keeps getting knocked out by his sparring partners! How do they hope to win? Hypnosis!
The actors are all first rate and there is fun all around. These films were a nice contrast to the "Blaxploitation" films of the 70's, as they provided more positive roles for many black actors. John Amos and Calvin Lockhart are rival gangsters who take the bets and then go after Cosby and Poitier. Denise Nicholas shines as Cosby's wife and the always great Ossie Davis is the leader of the lodge.
Fans of the Cosby Show may be surprised by Cosby in these films. There is a great scene where Cosby and Nicholas engage in a bit of "dirty" talk in a restaurant. This is not Cliff and Claire Huxtable!
Poitier directed these films and shows great ability. The scenes are staged well and the shots are never dull. It's a shame he didn't direct more.
This film is worth it, if only for the scenes of Cosby trying to pass himself off as a gangster. His outfit has to be seen to be believed. Check this and Uptown Saturday Night and A Piece of the Action sometime.
A sequel to "Uptown Saturday Night" in every real sense; though Cosby and Poitier play different characters it's the same guys in all but name, the film's title even a blatant reference to this fact. Though this didn't quite match the box office of the former it's arguably slightly the better of the two films, albeit uneven in tone.
As a big fan of Poitier, it has to be said that he's not as good a director as he is an actor, and that his light entertainment gene isn't as developed as it could be. Even dressed up in an outrageous pimp zoot suit he casts a staid presence, a straight, slightly stiff foil to Cosby and a clash of styles against Jimmy Walker's cartoonish boxer.
Back in May 1999 when I posted my original review, I described this as a "sublime vehicle" and "extremely pleasing", giving it 7/10. I can only conclude that I was fooling myself, viewing the film through youthful, Poitier-tinted sunglasses. Let's Do It Again is a decent enough film, but lacks sophistication on any real level and is, at best, undemanding entertainment.
Two years after this movie came out Cosby and Poitier would try it once more, with "A Piece Of The Action", after which Poitier would retire from acting and only make sporadic returns. As a trilogy to retire on, then it's good that Poitier left by putting smiles on people's faces, even though comedy clearly isn't his thing in front of the camera. Indeed, after a stonefaced first half, Poitier indulges in somewhat desperate mugging throughout the second half of this movie, illustrating that he had more success with comedy behind the camera... three years after his retirement from acting he directed Stir Crazy.
Trivia about the film includes a cameo from George Foreman (then a year deposed as heavyweight champion upon the film's release) and the inspiration for Biggie Smalls's nickname. Curtis Mayfield and the Staple Sisters add to a fine soundtrack that's almost as good as the sublime gospel in the first film of this unofficial trilogy.
Did you know
- TriviaJohn Amos, who plays Kansas City Mack, played Jimmy Walker's father in the television show Good Times (1974).
- Quotes
Billy Foster: [Beth kisses Billy on cheek]
Beth Foster: That's for showing me one of the nicest times I've ever had in my life.
Billy Foster: Is, uh, that all I'm gonna get?
Beth Foster: That's all you gonna get in public.
Billy Foster, Beth Foster: [Laughter. Billy grabs Beth's behind]
Beth Foster: [Squeals] Stop!
[Squeals]
Beth Foster: You fresh thing!
Billy Foster: [Laughs] You know you love it.
Beth Foster: Yes, I do.
Billy Foster: Woo! And tonight I'm gonna lay a blockbuster on you. To-*night*!
Beth Foster: Yeah? Oh, I'm gonna have a block for you to bust, too, baby, so you better bring a whole lotta hammer.
Billy Foster: Have hammer, will travel and go deep into your crevice.
- ConnectionsFeatured in Hell Up in Hollywood: Soul Cinema and the 1970s (2003)
- How long is Let's Do It Again?Powered by Alexa
Details
Box office
- Budget
- $70,000 (estimated)
- Runtime
- 1h 50m(110 min)
- Sound mix
- Aspect ratio
- 1.85 : 1