Laure

I've been strangely attracted to this film since I saw it on Showtime sometime in the early 80's. I say strangely because it is rather a ludicrous bit of soft-core fluff, a genre I'm not particularly interested in. The dialogue is pompously and nonsensically philosophical (making sense, no doubt, only to it's Franco-Italian producers)and the plot completely extraneous. What it does achieve is a wonderfully hypnotic and thoroughly pleasant mood. The scenery (the beautiful Philippines), soft-focus nudity and wonderful score all contribute to a strange and extremely watchable exercise in a sort of film making seldom seen today. It is truly one of my great "guilty pleasures". I was fortunate enough to find it on an old laserdisc and have watched it more times than I think is healthy. A worthwhile moodpiece.

Despite some really scenic locations in the orient and some sporadically energetic music by Franco Micalizzi, this film doesn't quite reach the level of Joe D'Amato's similar efforts while staying just about as trashy. The author of the original book "Emmanuelle: The Joys of a Woman", Emmanuelle Arsan, directed and had a smallish role in this film, which mostly pornographically showcases a very young Annie Belle as she gets in a variety of oddball sexual situations. Her boyfriend, played by ZOMBIE's Al Cliver actually approves of her sleeping around and even persuades her to continue her practices even after the two of them are married! Orso Maria Guerrini drops by as a professor who is oh so usually married simultaneously to two women, one of whom is played by Arsan herself. Despite beginning promisingly and having a few hilarious lines of dialog like "can you see me with the naked eye?" ... "I can see you better naked!", the film shambles along plotlessly up until the less-than-spectacular finale. Much like D'Amato's EMANUELLE AND THE LAST CANNIBALS, the main characters are all in search of some lost tribe, but don't get your hopes up, there's no violence at all in this film, and not much sex either for that matter. Just a lot of nudity and silly dialog. I couldn't help but find some appreciation for this little film, if only for the completely cornball logic the film goes by.

Gorgeous Annie Belle in her prime stars in this adventure/sex movie. She wears her hair in a buzz cut that is bleached platinum. She and her boyfriend are visiting some tropical Asian paradise. They have decided to keep an "open" sexual relationship, which is played out on their journey to find a secret society/tribe where the people live one year and then are reborn in some kind of ceremony. The scenery is gorgeous, deep vast green gorges and jungles are explored. The imagery is very similar to that of the movie "Black Emanuelle". It is rich and colorful. Recommended!

This is a rather bizarre movie in that it was co-directed by the real-life Emanuelle Arsan, who wrote the influential "autobiographical" novel "Emmanuelle" on which Just Jaeckin's even more influential French film "Emmanuelle" was based. The other director, however, is the primo Italian trashmeister Ovidio Assontis, who was responsible for "The Exorcist" rip-off "Beyond the Door" and the "Jaws" rip-off "Tentacles". Here he's basically ripping off Jaeckin's "Emmanuelle" in collaboration with the original female author. The strange result of all this is a film that is as allegedly arty and laughably pretentious as the "official" French "Emmanuelle" series, but every bit as low-rent and derivative as the many Italian rip-offs of that same series (although, unfortunately, it's not nearly as entertainingly sleazy as the Joe D'Amato "Black Emanuelle" films).

The movie concerns a mini-skirt clad, underwear-averse young woman, "Laure" (Annie Belle), who is traipsing about the Filipines on some half-ass anthropological expedition to find a lost native tribe. (If this were a d'Amato film the tribe would turn out to be cannibals and eat everybody, but don't get your hopes up here). She is encouraged by her photographer boyfriend (Al Cliver)to have sex with anybody and everybody (older men, women, local natives, and even at point a transvestite helicopter pilot!) usually while he films the encounter.

Belle was a very pretty French girl with a fantastic body, who always looked incredibly sexy despite the bleach-blonde, crew-cut Annie Lennox hair-do she always wore. She was starring in, and sometimes even writing, movies like this from the time she was barely 18 years old (She also appeared in Jean Rollin's "Lips of Blood", Masimo Dallamano's "End of Innocence", Ruggiero Deodato's "House by by the Edge of the Park", and with Laura "Black Emanuelle" Gemser in "Velluto Nero"). Emanuelle Arsan herself also appears in the movie and she too has a plethora of nude sex scenes. (Strangely, she actually looks a lot more like the "Black Emanuelle" Laura Gemser than the official "Emmanuelle" Sylvia Kristel). The real problem though, as others have said, is the lame-brain plot of this movie which is pretty boring and really adds nothing at all to the eroticism.

I guess I'd recommend this to my fellow 1970's "Emmanuelle" completists. But while it's not terrible, it's not that great either.

I think I watched a highly edited version because it wasn't nearly as graphic as I expected - based on the other reviews that I have heard.

Other than 1. being written by the same person who wrote the original "Emmanuelle" (1974), Emmanuelle Arsan, 2. the lead character being a sexually free spirit, and 3. being set in the exotic locale of Asia, "Laure" doesn't have the same flair as its predecessor.

I just found this film way too talky with philosophical topics that I'm really not that interested in, i.e. the voyeuristic, open relationship between Laure and Nick, "I'm just happy with whatever brings her pleasure"...something along those lines. I cannot relate to this mentality and the film/characters don't really shed any light.

The second half about finding the Mara tribe just seemed as though it were a completely separate film. One that I didn't care for. By that time, I was just hoping that it would turn into a porn so that at least it would keep my interest.

Maybe I just didn't get it.

I'll leave it at that.