La Guerre des otages

Low-Budget American-Italian Revenge Plot.

Personalized by an American Computer Programmer Stationed in Italy.

Last Film From the Celebrated Director Dymytryk Known for "Crossfire" (1947), "Murder My Sweet" (1944), "The Caine Mutiny" (1954), and Others.

His Hollywood Career became Exiled by the HUAC Witch-Hunt.

Intense Film, Anchored by a Determined, No-Nonsense George Kennedy.

After His Family is Executed, a Near-Suicidal Kennedy Regroups and Sets-Out on a Vendetta Against the Terrorist Responsible.

His Family, as it Turns was a Random Display of Activity to Extort Money and Prisoner Release.

Killing American Families Until Demands are Met.

The Computer Organization who Employs the Juggernaut who is Kennedy is Linked to the U. S. Govt and Specifically the Military.

Gets Help from Friendly Insiders and the Hunt is On.

Taut, Violent, and Suspenseful Film with a Surprisingly Effective Combination of Brains and Brawn from a Limited Actor.

Gritty, Far-Fetched, Wild and Primitive Display of 1975 Embryonic Computer Technology.

Films Date this Sort of Thing Profoundly and is Always an Awkward Attraction.

A Hidden-Gem Discovery.

Despite the Stone-Age Distraction of the Computers and the Hubris of its Overseer's Imaginary Capabilities,

The Film is Definitely...

Worth a Watch.

When I first saw this movie, I was only 9 years old. The movies idea, losing one's entire family to terrorists, haunted me for years. George Kennedy's strong portrayl of a father who is obsessed about tracking down the killers of his family, can easily be outdone by newer more daring plots. For it's time though, The Human Factor was 'on the edge of your seat' suspense that left you with a weary, empty feeling when the movie was over. Although dated, I feel it can still create an emotional response for someone who looks for more than special effects in a picture. Too bad it is out of print.

A British suspense-thriller; A story about a middle-aged NATO electronics expert who aims to track down the killers of his family, aided by a colleague and access to an early version of the internet. This film, based on a novel by Simon Quinn, has a theme about how blood vengeance consumes to the point of self-destruction. The film has conviction and carries a modicum of suspense. George Kennedy's arresting performance as a middle-aged nerd, an everyman, hulking around Campania and Lazio like an out-of-control ox, lends a touch of realism to his scenes of lex talionis but it means the emotional cards fail to stack fully in his favour. Ennio Morricone's score responds with just the right emotional tone throughout.

I generally don't care for revenge films but this was a rare exception! I did not see it when it was first released, but a few years later while I was working as an American ex-patriot in Saudi Arabia. My family and children were with me in Saudi, and we lived on the local economy, as George Kennedy did in the movie. This movie really hit home with me and a lot of other ex-pats that were overseas at the time! It showed how vulnerable we really were living in a foreign country where we were quite often resented for even being there!

I've always been a George Kennedy fan, even though he's probably not the greatest actor of all time. He's a very likable and believable actor that consistently does a good job! I give him and this film both of my thumbs up!

I highly recommend this film to anyone that is even thinking about taking a job in a foreign country!

"The Human Factor" was made in 1975, which means it's turning 40 years old this year. And yet, the themes and several aspects that feature here are still painfully relevant nowadays as well. I'm writing this user-comment in January 2015, not even two weeks after the cowardly terrorist attack in Paris, France, and still during the aftermath of numerous terror alerts all across Europe. The film centers on American families being the unwary and innocent targets of ruthless Italian left-wing terrorists. Whether for political or religious reasons, embassies and authorities in various countries are still protecting their compatriots that work abroad out of fear for kidnapping or murder. It's truly sad to see that the world hasn't changed one bit and that humanity is still as selfish and extreme as it ever was. But hey, I'm just supposed to write a review… The final project of director Edward Dmytryk, who was particularly famous in the forties & fifties thanks to movies like "Crossfire" and "The Caine Mutiny", is a tense and engaging action/thriller with a handful of harshly violent sequences and a remarkable lead role for veteran actor George Kennedy. He stars as NATO computer specialist John Kingsdale, working in Naples and playing computer games with his friendly colleague most of the time. But when he returns home to his beloved wife and three children one night, they have been viciously massacred by unknown assailants for an unknown reason. After the funeral the deeply saddened John hesitates one moment to shoot himself through the head, but he shoots the TV-screen instead and vows to personally track down his family's killers. With the help of his colleague and their computer equipment, John discovers that he deals with a group of terrorists that invade the homes of American families through responding to newspaper ads. He prevents another massacre, but meanwhile John himself is also chased by the local authorities. "The Human Factor" is an overall very solid vigilante/revenge thriller. The script is occasionally tedious and confusing due to all the computer slang, especially during the first half of the film, but this is widely compensated during the explosive final act, with a furious battle in a Naples' backstreet alley and a gritty finale inside a crowded supermarket. Several people pointed out that George Kennedy was an odd choice to play the mad avenger, but he's a terrific all-around actor and brings more realism to the part. If, for example, Charles Bronson would have played John Kingsdale, "The Human Factor" would have been more stereotypical and a lot less persuasive. Recommended!