I Wonder Who's Killing Her Now?

Apparently meant to be zany, this incredibly stupid film relates the predicament of "Oliver" (Bob Dishy) who, after being caught pilfering a quarter of a million from his employer, is given a chance, because his father founded the firm, to recompense that amount within 30 days in order to have charges dropped; however, when his wealthy wife, played by Joanna Barnes, informs him of her intention to obtain a divorce, thereby cutting off his income, Oliver arranges for a two-week, million dollar life insurance policy for his spouse with him as sole beneficiary, intending therefore to have her murdered, in this fashion solving his felonious fiscal problem. He then openly asks virtually anyone whom he sees if a payment of $25000 will purchase the murder of his wife, and finally locates a character named Bobo (Bill Dana) who agrees to take on the assignment, but when Oliver changes his mind he finds that Bobo has sub-contracted the hit to another who does the same and so on and on ad nauseum, while a flock of sub-contractors, in this poorly filmed, edited and acted affair, chase about in search of the final $6.95 assassin at the bottom of the barrel, where belongs this weakly episodic movie that is primarily composed of one-liners and gauche physical comedy that rarely is comic.

Good cast and kinda of a cute film but really doesn't have to many laughs for me. I love zany comedies generally speaking but this one isn't as funny as I was hoping it would be. It's not a bad comedy film but it's lacking something I can't quite put my finger on.

Generally speaking I like the Mel Brooks films and similar types of comedies... 'I Wonder Who's Killing Her Now' is in the same category but just somehow falls a little flat. I feel some of the jokes are a bit worn out and thin. There are a handful of giggles but just not bust-a-gut laughs one looks for in a comedy film of this nature.

The film is OK for watching when there is nothing else better on to watch. I acquired this film in the Drive-in 50-pack collection.

2/10

This is one funny flick. It's about the dead-beat husband of a rich woman who, after finding out she's going to divorce him, takes out a life insurance policy on her and hires a hit man (Bill Dana aka Jose Jimenez) to do the dirty work. When he finds out that the insurance policy is invalid, thanks to the incompetant doctor (Pat Morita) who performed the most discreet physical in medical "hystery"! The husband then tries to stop the hit, only to find that it has been sub-contracted about a dozen times! The round up of the (insane, whacky and unlikely) hit men is so funny that my sides hurt when the film finally ended.

The mystery is how it could be so bad. The cast is a great collection of comic character actors of the 1970's. The writer has a top-notch resume filled with wonderful comic scripts, including his collaborations with Woody Allen (the early movies, when Woody Allen movies were funny), and the director isn't incompetent. There are even some good lines in the script. (One attempt on Joanna Barnes' life is introduced by a shot of a shark in a swimming pool, with a sign by the pool reading, "Acme Shark Rentals." Bob Dishy's psychiatrist is confined to a straight-jacket; Dishy asks him why, and the psychiatrist replies, "We can't all be fashion-plates.") But the result is a mess. The actors and the director seem to have responded to what they knew was a failing movie with desperation -- "maybe if we play this broader, louder, quirkier, more over-the-top, we can make it funny." They can't, and they don't.

So what went wrong? The temptation, this having been a product of Hollywood in the 1970's, is to wonder who was on what drugs. If that isn't the explanation, I'd love to hear what was.

Oliver is a man in desperate need of money so he decides to have his rich wife killed off. To this end, he hires a man to assassinate her only to later have a change of heart. It turns out, though, that the murder has been sub-contracted downwards via a chain of men, with the price getting cheaper and cheaper. Oliver, therefore, amasses an ever increasing gang of oddballs and eccentrics in his mission to stop the murder he instigated.

This silly screwball comedy stars a man with an impressively silly name, the (surely) one and only Bob Dishy. This is possibly the actual funniest aspect connected to this film though, as despite being a relentless farce, it isn't especially amusing. Its plot ensures that it is quite episodic in nature and this means that it's fairly fast paced which certainly helps a bit. While it isn't exactly a successful comedy, it is strange enough to be worth a viewing. It's sort of like a poor man's Mel Brooks, even if some of Mel Brooks' actual films sometimes seem like poor man's Mel Brooks films themselves. But the sheer daftness on display here is sort of endearing to a certain extent and, on the whole, I sort of didn't mind it all that much.