Kyle Martin returns from WW2 as a silver star hero, but realizes running a one man farm is not profitable, and the bank wants to foreclose. Then a gambler Johnny has a car accident near his ... Read allKyle Martin returns from WW2 as a silver star hero, but realizes running a one man farm is not profitable, and the bank wants to foreclose. Then a gambler Johnny has a car accident near his farm, in which Kyle saves his life, and Johnny offers him $1,500, which still isn't enough... Read allKyle Martin returns from WW2 as a silver star hero, but realizes running a one man farm is not profitable, and the bank wants to foreclose. Then a gambler Johnny has a car accident near his farm, in which Kyle saves his life, and Johnny offers him $1,500, which still isn't enough to save the farm. Then when Johnny past-posts on a horse race for over $50,000, he angers... Read all
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Through a chain of events (some of them rather rushed, so I assume it was either explained in the original script or that scene was cut out for time) he is hired by a gangster (Michael Dante) to go after the gangsters who blinded him, and in return, give him the cash needed to save the farm! And thru a pulsating music score by Hugo Montenegro, he dispatches them one by one! It is more similar to ROLLING THUNDER in the nihilistic feel revenge genre, and only weak point of the film is Gary Conway, who is rather bland, and too "city" to be really convincing as the title character. Still it is a classic for it's era,and not to be missed by any fans of this genre. Just dont expect it to be in vain with todays action films ,as the unavailability of this title for 26 years has caused this film to be in so many peoples must see list,that their expectation level must be really high, so I am afraid they might be rather disappointed with what to expect of it.
Just enjoy the more "character driven, and that character reaches to the point of revenge" films of yesteryears, then you will agree, THE FARMER is right near the best of them, like ROLLING THUNDER, FIGHTING MAD and BREAKING POINT. In fact, I think Fred Williamson might have been influenced by this film, as his film MEAN JOHNNY BARROWS is very very similar in the storyline department with THE FARMER. He also hired Dante in THE BIG SCORE so he must have really liked THE FARMER.
A "lost" film for many years, this only debuted on home video this year. So, was the wait to see this flick worth it? Well, this viewer wouldn't really consider it a *classic* of its genre, but it serves as good, straightforward entertainment - albeit with a nasty edge to it. One thing is for sure: the bad guys / intended victims in this saga do have it coming to them. Although the main mobster is a guy named Passini (George Memmoli ("Phantom of the Paradise"), looking relatively svelte), the worst of the bunch is a dude appropriately named Weasel. Played by the late, great Timothy Scott ("The Ballad of Gregorio Cortez"), Weasel is as despicable as they come.
Conway is just okay as a rather stoic, unemotional character, although the opening sequence sets him up well as a man of honor, who doesn't want to see a black fellow serviceman get disrespected. Still, he makes for a memorable image here, with his hat, shades, and stogie almost constantly clamped between his teeth. Tompkins and Dante are good in support; Memmoli makes the most of his one big scene. Sonny Shroyer ('The Dukes of Hazzard'), Johnny Popwell ('Deliverance'), and Eric Weston (the future director of the horror film "Evilspeak") co-star.
Granted, some of the dialogue is pretty lame, even if four credited people worked on this script, including story author George Fargo. And the music score was inconsistent - sometimes it works, and sometimes it doesn't. At least the songs are pretty nice. And the script *does* work in an amusing surprise near the end, so it wasn't *entirely* predictable.
If you love exploitation cinema of the 70s, or a decent, no-nonsense revenge feature, you'll likely have a good time with this one.
Seven out of 10.
Did you know
- TriviaDue to injuries sustained in an accident during the production of this movie, George Memmoli had to decline the part of the disturbed passenger in Taxi Driver (1976) that was ultimately played by the film's director, Martin Scorsese. According to Scorsese, the injuries contributed to Memmoli's death in 1985.
- GoofsJohnny Popwell who played Matt Conners is billed under this name in the closing credits but named as "John Popwell" in the opening credits.
- Quotes
Kyle Martin: I don't get mad... I get even
- Crazy creditsJohnny Popwell who played Matt Conners is billed under this name in the closing credits but named as "John Popwell" in the opening credits.
- ConnectionsFeatured in Trailer Trauma (2016)
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Details
- Release date
- Country of origin
- Language
- Also known as
- The Farmer
- Filming locations
- Atlanta, Georgia, USA(main location)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $975,000 (estimated)