Edward the Seventh

I remember watching this series when it first came out and really enjoyed it very much. Annette Crosbie was absolutely wonderful as Queen Victoria. It was truly sad to lose her when she had to die in the series. I also remember Helen Ryan being wonderful as Princess and later Queen Alexandra. Of course Timothy West did a fine job as Prince Albert Edward and later King Edward VII. I must admit I felt that Robert Hardy was sadly miscast as Prince Albert. Felicity Kendal was great as the Princess Royal and Empress Frederick. Francesca Annis was lovely as Lillie Langtry. It really was sad when the series inevitably had to end as it grew on you with every episode. It has rarely been repeated which is truly a sad endictment of television today. It should be as it is very good indeed.

Timothy West was excellent in the role of a king who had a short but very successful reign. The man was King Edward VII, formerly the playboy Prince of Wales, who became the grandfather of Europe. He was a sophisticated man who enjoyed wine, women and a good cigar. West gives him that gravitas that he must have nurtured offstage until the death of his mother Queen Victoria, when he was 61. Monarchy seemed to fit him like a glove and so it seems with West. Although his domineering mother kept him off centre stage as Prince of Wales, he did blossom as king. Victoria, as a charming monarch with a cold determination, is played superbly by a Annette Crosbie and the Princess of Wales/Queen Alexandra is Helen Ryan, who had a copyright on roles as the elegant consort representing the best of Edwardian England. There are excellent actors appearing in the movie: Michael Hordern (Willam Gladstone), John Gielgud (Benjamin Disraeli), Felicity Kendall (the Princess Royal), Charles Dance (Prince Edward), Francesca Annis (Lilly Langtry), etc. I was greatly impressed with this series. Movies like this fine one are a great way to stimulate interest in history. It is one of many home-grown, British television shows that have done just that for me.

Being fans or admirers of a lot of the actors here and being drawn to such an interesting subject, I loved Edward the Seventh. It is a visually sumptuous affair with beautiful costumes, locations and photography. The music is likewise gorgeous. The story is highly absorbing, well paced and very accurate, and the writing is intelligent even in the wordier parts.

Edward the Seventh has a superb cast. Not only is it great on paper, but it is so much fun seeing so many familiar faces and all of them give great performances. Timothy West is marvellous in the titular character role, and of the cast the standouts were Helen Ryan as a tolerant and sympathetic Alexandra and especially Annette Crosbie's nuanced turn as the definitive Victoria.

That is not to dispute the other performances either. Robert Hardy is suitably rigid and determined as Albert, John Gielgud is a wonderful Disraeli, Christopher Neame is a wonderfully wicked Kaiser and Francessca Annis is also very good as Lillie. All in all, a really well done series, very absorbing with not a dull moment with great production values and you couldn't have asked for a more better cast too. 10/10 Bethany Cox

Long before "Margaret Meldrew", Annette Crosbie was quite an accomplished actress and she shows that off well here as Queen Victoria - the matriarch of a family of 9 children with her Consort Prince Albert (Robert Hardy). Their heir was "Bertie" (Charles Sturridge and Timothy West span his 68 year lifetime) and this lengthy, detailed and stylish 13-parter traces the life (and plentiful loves) of this Prince through from boyhood until the end of his 10-year reign as King and Emperor when the British Empire was still pretty much at it's zenith. The first few episodes focus more on his temperamental mother; of her relationship with her husband; her indifferent relationship with her "ugly" children and the politics of the time - her favouritism of Lord Melbourne over Sir Robert Peel; expansionism of the Empire and the addressing of the many social privations of many of her subjects. As the chronology progresses, we are introduced to the decent, but somewhat wayward young man whom, from the outset, instinctively rebels against the constrictions of his parents causing arguments and conceivably, even, the premature death of his father. His affairs de coeur cause his mother, his wife Princess Alexandra (Helen Ryan), and frequently the government no end of hassle as he bulldozes his way through life waiting - for 60 years - to ascend to the throne. Once there, however, he proves to be a popular, considered individual with an adeptness on a particularly tricky international stage that proves useful in preventing conflict between the great powers of the time. It's got an excellent cast supporting along the way - Richard Vernon, a very young Charles Dance, Francesca Annis, Felicity Kendal, André Morell, Jane Lapotaire, Michael Hordern and Sir John Gielgud and the writing gives ample opportunity for the them to create characterful performances and the attention to the detail of costumes is first class. West comes into his own as the King, his performance as the rakish but intelligent man evolves well, demonstrating the frustrations of someone who has waited a very long time for his job to become vacant. Of course, virtually all of it is speculation, but what this series offers is a plausible critique of life at the top of the British Empire and also of a vulnerable, flawed collection of human beings who were at the apex of every ruling family in Europe by the end of the 19th century. Well worth sitting through; makes for a great binge-watch!

Upon seeing this drama, I found the first few episodes to be really slow - a step-by-step account of the birth and childhood of the prince, containing all the dry and mundane details of the politics of the time and a lengthy show of his education. The young prince is portrayed as a sensitive, handsome boy under too much pressure from his parents and tutors. Whether everyone would agree with this representation I don't know - we never see him having fun with his brothers + sisters for example, and his natural apathy never comes across. Personally, I skipped the early episodes and only watched them after i'd watched the rest of the series, as I wanted to get on with the story.

Although the drama picks up after the death of Prince Albert, the main problem with it is that is that the writing is so restrained. We see much of Bertie as a respectful son, husband and a cheerful friend, but NEVER as an adulterer (we never see any first-hand evidence of this, although his 'letters' are sometimes alluded to), we seem him playing cards a lot of the time and being a nice brother to Vicky. Too many scenes are devoted to sympathising with him over his mother's refusal to give him any real duties (She says he is too frivolous and irresponsible - though we don't SEE him doing anything very bad so this totally UNBALANCES the drama).

As the lead, Timothy West portrays Edward as an intelligent idealist, not a reckless, fun-loving rake, and this, combined with the rather one-sided writing, means that West doesn't nail the character, and as a main character Bertie is rather bland. Annette Crosbie is a formidable Queen Victoria, we see how she jealously coveted her beloved husband and deeply resents Bertie - but this is about as much scope as the writing gives to her, so we are again denied a fully rounded character.

By far my favourite portrayal was that of Queen Alexandra - the only character who the writing gave full justice to. We see her in-depth as a wife and mother, her tact and ability to dispel a bad atmosphere, her kind but simple nature, and her close bond with her sister Dagmar. Helen Ryan's performance is brilliant, she really gets Alexandra's personality off to the audience, even in her speech and movements. She is the only character with whom Bertie has a deep, complex relationship.

As you can imagine, most of the series is filmed on tape in a studio, though the sets and costume are all very fine and sumptuous. The direction is generally okay, although sometimes I found that emotional scenes (still playing music in the background) would abruptly cut, and then we'd be on to the next scene, which seemed a bit crude.

One of my main problems with the series is the concept itself. Of all the many Kings and Queens of England, why make a 13HOUR long series on... Edward the Seventh? It seems a bit of an odd choice to me. And then to subsequently leave out controversial aspects of his life just takes out all the fun and action. The King himself was a very lively, adventurous personality with a strong need for sexual and emotional fulfilment - I think he's be bored to pieces watching a drama like this.

Ultimately, if you like history and have the time, 'Edward the King' is a quiet, compelling drama and will give you something decent to watch. Despite its flaws, you cam see they have taken the time and effort to recreate the Victorian age. However, it's not big on action and might not appeal to many of a younger generation. Though it lacks the dramatic intensity of dramas like 'Elizabeth R' and 'I, Claudius', anyone with an interest in the era and some patience will enjoy this.