La Course à la mort de l'an 2000

Death Race parodies so many things it's hard to know where to begin. America-centrism (the government blame the French for everything), professional sports, pro wrestling (the drivers are badly acted "theme" types), Big Brother, and just about everything else you could name. At the same time it panders to the blood lust of the audience with cartoon violence. Sylvester Stallone is hilarious as a driver with the mannerisms of a 30's gangster, practicing on his accent for the Rocky movies. A must -see.

I'm astonished by the number of reviewers who see this film as "stupid". It has one hell of a witty script, with amazingly accurate jabs at everything from media hype to uber-patriotic propaganda. Just listen to the president blaming everything on "the treacherous French and their stinking European allies". Sounds chillingly like "Freedom Fries", doesn't it?

This wonderful little gem is far more intelligent that it's usually given credit for, and certainly smarter than 99.9% of the films made today. Those who dismiss it as stupid junk because of its outrageous premise are missing the point. I haven't seen anyone write a film this smart in at least 20 years.

Just exactly when bad taste ceases to be funny and becomes plainly cruel is a personal thing. However I have tried this film on a few friends and they did not enjoy it. That said I had rented the old VHS from the art-house vid shop 3 times before purchasing a cheap DVD copy when it popped up.

Personally I thought some of this was laugh out loud funny and other parts frankly embarrassing to watch.

I highly recommend Deathrace 2000 but take no responsibility should you decide to watch it! Tim

Death Race 2000 is, without a doubt, a camp masterpiece. Paul Bartel's energetic direction and jet black humor speed the proceedings along like the racers' custom-made autos. The photography is razor sharp, done in vivid color that beautifully captures the landscapes, rushing roads, and splatters of blood. The phenomenal cast turns in spirited performances all around, with the top prize taken by the exquisite Mary Woronov as sexy cowgirl Calamity Jane Kelly. Whether gyrating on a dance floor or going after a matador in her Bull car, she effortlessly steals every scene she's in. The only flaw in the movie (and it's a minor one) is the resistance; with so many colorful characters and hilarious dialogue and situations, you really don't care one way or the other about Thomasina Paine and her opposition forces. Still, this low-budget (about $300,000) New World opus is an audacious, wildly funny, gorgeously garish delight and an essential classic. "Go for the baby, the baby!"

"Death Race 2000" is a low budget genre melting pot from 1975 starring David Carradine and Sylvester Stallone as two of five feuding race car drivers competing in a futuristic sport that is won based on racking up points from killing pedestrians and others. Based on a 1956 short story, it's a highly satiric sci-fi actioner that uses ironic and downright sadistic touches to examine America's abhorrent fascination with violence.

The ridiculously contrived and outlandish futuristic setting was put into heavy rotation during the mid-70's in several other films ("Westworld"; "Soylent Green"; "Logan's Run") as a means to tell downbeat and cynical stories that allowed the audience to escape their own reality, but still experience a certain catharsis.

In the case of "Death Race 2000" the results are a mixed bag, as the over the top material races from dark comedy to "Sleeper"-like sci-fi to undercooked romance and back again. It works because of the tongue-in-cheek direction of Paul Bartel, who would go on to helm the brilliant dark comedy "Eating Raoul". The whole thing is great fun, and has a surprising innocence underneath all of the mostly cartoonish violence.

This said, the main gripe would have to be the inconsistent pacing, as the race and the story took breaks between laps, which leaves the viewer peeking at their watch.