A newly wedded husband plays a practical joke on his wife's family with full support from his wife and friends.A newly wedded husband plays a practical joke on his wife's family with full support from his wife and friends.A newly wedded husband plays a practical joke on his wife's family with full support from his wife and friends.
Jaya Bachchan
- Vasudha Kumar
- (as Jaya Bhaduri)
David Abraham
- Haripad Chaturvedi
- (as David)
Lily Chakravarty
- Lata Kumar Srivastav
- (as Lily Chakraborty)
Keshto Mukherjee
- James D'Costa (Driver)
- (as Kesto Mukherjee)
Harish Magon
- Chor (The Thief)
- (as Harish)
Vishal Desai
- Ratna
- (as Master Bittu)
Featured reviews
A newly married professor implements an amusing plan for getting introduced with the family of his elder brother-in-law under false pretense. It is approved by his wife and actively supported by a few friends. The couple doubly enjoys the secrecy. They continue the whole plan of joking tricks until it becomes enough. Otherwise, they enjoy the desperate love relation in a climate of adventurous hiding.
A prolonged play of secret humor--the broad connotative meaning of the title-- does not lose its relish due to the compact screenplay, the excellent performances of the casts, proper editing, wonderful music by Sachin Deb Barman and a few other supportive constituents of the film. Though the social composition of the characters, the social nature of turns and twists of the sequences focus on the educated urban Indian middle class, the lucid narrative seems to communicate a stable flow of comedian pleasure to all viewers. The final revelation of the true identities among the characters is accelerated because of the maturity of a new love relation. The narrative seems to challenge softly some insensible social norms. It also expresses its deep conviction about love and honesty of individuals and obviously its trust on the creative capacity of intelligent and humorous individual.
Any regular Indian film lover would enjoy the nice acting of at least four film stars--Dharmendra, Sharmila Tagore, Amitabh Bachchan and Jaya Bhaduri-- in simple social images and appreciate director Hrishikesh Mukherjee for another successful experiment. The film makes the spectator reminiscent of the genre, which rarely used the very close and the very long shots and rapid cuts. In spite of a theatrical design of the screenplay it could provide the actors and the actresses with the greater scope of establishing their performing talents. The use of bright light and sustained delight of the romantic characters in the family drama--initiated by an unconventionally sensitive, urban, academic personality--makes the film a bright entertainment.
A prolonged play of secret humor--the broad connotative meaning of the title-- does not lose its relish due to the compact screenplay, the excellent performances of the casts, proper editing, wonderful music by Sachin Deb Barman and a few other supportive constituents of the film. Though the social composition of the characters, the social nature of turns and twists of the sequences focus on the educated urban Indian middle class, the lucid narrative seems to communicate a stable flow of comedian pleasure to all viewers. The final revelation of the true identities among the characters is accelerated because of the maturity of a new love relation. The narrative seems to challenge softly some insensible social norms. It also expresses its deep conviction about love and honesty of individuals and obviously its trust on the creative capacity of intelligent and humorous individual.
Any regular Indian film lover would enjoy the nice acting of at least four film stars--Dharmendra, Sharmila Tagore, Amitabh Bachchan and Jaya Bhaduri-- in simple social images and appreciate director Hrishikesh Mukherjee for another successful experiment. The film makes the spectator reminiscent of the genre, which rarely used the very close and the very long shots and rapid cuts. In spite of a theatrical design of the screenplay it could provide the actors and the actresses with the greater scope of establishing their performing talents. The use of bright light and sustained delight of the romantic characters in the family drama--initiated by an unconventionally sensitive, urban, academic personality--makes the film a bright entertainment.
Hrishikesh Mukherjee known for his simple and yet excellent movies gives us a comedy which is so delightful, it is remembered even today
The film has several hilarious moments, especially between Dharmendra-Om Prakash and will make you die laughing especially their Hindi vs English scenes
The film has all ingredients well balanced, comedy, romance and it makes for an entertaining film something we miss from today's comedies especially Rohit Shetty type of rubbish comedies
The first half has several hilarious moments which make you die laughing while even the second half have several hilarious moments and you'll keep waiting for more
Direction by Hrishikesh Mukherjee is classic Music by S.D.Burman is superb, Sare Gamapa sung by Kishore/Rafi is superb while Ab ke Sawan is superb and rest are superb
Dharmendra shows his range as a comedian and does a brilliant job, often known for his action roles, Dharmendra was superb in 70s in all genres sadly post 80's his comedy became terrible But here he excels Amitabh in a supporting role excels in his comic part perhaps his first comic role,his expressions and dialogue delivery are flawless Both appeared together in SHOLAY and their chemistry is fabulous Surprisingly both diverse films in the same year Amitabh and Hrishikesh made several classic films like ANAND(1971), ABHIMAAN(1973), MILI(1975), ALAAP and BEMISAAL(1982) Sharmila is a natural and does a brilliant job Jaya Bachchan too leaves a mark in a smaller role Om Prakash is hilarious in his role, his role is the important part in the film and he excels in his part Amongst rest Asrani in a small role does well and rest are okay
The film has several hilarious moments, especially between Dharmendra-Om Prakash and will make you die laughing especially their Hindi vs English scenes
The film has all ingredients well balanced, comedy, romance and it makes for an entertaining film something we miss from today's comedies especially Rohit Shetty type of rubbish comedies
The first half has several hilarious moments which make you die laughing while even the second half have several hilarious moments and you'll keep waiting for more
Direction by Hrishikesh Mukherjee is classic Music by S.D.Burman is superb, Sare Gamapa sung by Kishore/Rafi is superb while Ab ke Sawan is superb and rest are superb
Dharmendra shows his range as a comedian and does a brilliant job, often known for his action roles, Dharmendra was superb in 70s in all genres sadly post 80's his comedy became terrible But here he excels Amitabh in a supporting role excels in his comic part perhaps his first comic role,his expressions and dialogue delivery are flawless Both appeared together in SHOLAY and their chemistry is fabulous Surprisingly both diverse films in the same year Amitabh and Hrishikesh made several classic films like ANAND(1971), ABHIMAAN(1973), MILI(1975), ALAAP and BEMISAAL(1982) Sharmila is a natural and does a brilliant job Jaya Bachchan too leaves a mark in a smaller role Om Prakash is hilarious in his role, his role is the important part in the film and he excels in his part Amongst rest Asrani in a small role does well and rest are okay
Today is 14th September, known as Hindi Day as per the Indian constitutional provisions. On this occasion, I am reviewing a classic comedy whose theme is the usage of the two languages - Hindi and English whose propagators are mostly seen at loggerheads in India. Yes, no prizes for guessing. It is Chupke Chupke (1975) which is unarguably one of the best Bollywood commedies of all times.
Chupke Chupke (quietly) is the story of Parimal Tripathi (Dharmendra), the professor of Botany who falls in love with a student of Botany - Surekha (Sharmila Tagore). After marriage, he comes to know of her fondness towards her brother-in-law or Jijaji (elder sister's husband) - Raghavendra (Om Prakash) who has not been able to attend their marriage. Just to prove himself before his wife, he masquerades as a driver speaking pure Hindi (without any use of English words) and enters Raghavendra's household. What follows is a two hours long laugh-riot for the audience in which, in addition to the mentioned ones, several characters get involved viz. Parimal's friend - Sukumar (Amitabh Bachchan), his another friend - Prashant (Asrani), Prashant's sister-in-law (wife's sister) - Vasudha (Jaya Bhaduri) and many more. Comic situations keep on coming before the spectators till the finale is reached with the truth being revealed before Raghavendra who acknowledges the wittiness of his brother-in-law, i.e., Parimal.
Legendary director - Hrishikesh Mukherjee has directed this movie whose script and dialogues have been written by another Bollywood legend - Gulzaar. It's not a slapstick comedy. It's a situational one whose brilliant script makes it a winner. Right from the very start to the very finish, there is no dearth of laughs for the audience. And the perfect comic timings of the lead characters, especially Dharmendra complement the script to serve its purpose to make the audience laugh again and again.
The inherent message is no less useful and worth remembering. No language is superior or inferior to any other one. Language is a medium of communication for the human-beings who have no business making fun of any language. The way Hindi is respectable, the same way English is. Each one of the two has its own positives (and negatives too) and it's in the interest of the Indians to appreciate the worth of both without mocking any of them.
Sachin Da (S.D. Burman) has composed pretty good music for the movie. The best song is - Abke Sajan Saawaan Mein sung by Lata. Other songs are also apt according to the mood of the movie. Anand Bakshi has penned appropriate lyrics for them.
Performance wise talking, this movie is definitely one of the best movies of Dharmendra. This versatile actor has proved quite emphatically that he is not only skilled in serious roles but he has no match in comedy also. Interestingly, Bollywood's most popular movie -Sholay which contains Dharmendra's another memorable comic performance was released in the same year. Dharmendra has left no stone unturned in making the audience laugh right from the beginning to the end. Om Prakash is the second best and Amitabh Bachchan is the third best in this work. Asrani, Sharmila Tagore, Jaya Bhaduri, David, Keshto Mukherjee etc. all have done their parts well and generated showers of laughter for the viewers.
The technical and production value aspects of the movie adhere to the simplicity doctrine of Hrishi Da. Editing is good. Length is also perfect. Summing up, Chupke Chupke is a flawless movie.
Surprisingly, Chupke Chupke was not a box office hit when released. However, now it is considered a classic comedy which has unlimited repeat value. The way, the admirers of Sholay can watch it umpteen number of times, the same way Chupke Chupke can also be watched countless number of times and every time the laughter is guaranteed for the viewer.
Chupke Chupke (quietly) is the story of Parimal Tripathi (Dharmendra), the professor of Botany who falls in love with a student of Botany - Surekha (Sharmila Tagore). After marriage, he comes to know of her fondness towards her brother-in-law or Jijaji (elder sister's husband) - Raghavendra (Om Prakash) who has not been able to attend their marriage. Just to prove himself before his wife, he masquerades as a driver speaking pure Hindi (without any use of English words) and enters Raghavendra's household. What follows is a two hours long laugh-riot for the audience in which, in addition to the mentioned ones, several characters get involved viz. Parimal's friend - Sukumar (Amitabh Bachchan), his another friend - Prashant (Asrani), Prashant's sister-in-law (wife's sister) - Vasudha (Jaya Bhaduri) and many more. Comic situations keep on coming before the spectators till the finale is reached with the truth being revealed before Raghavendra who acknowledges the wittiness of his brother-in-law, i.e., Parimal.
Legendary director - Hrishikesh Mukherjee has directed this movie whose script and dialogues have been written by another Bollywood legend - Gulzaar. It's not a slapstick comedy. It's a situational one whose brilliant script makes it a winner. Right from the very start to the very finish, there is no dearth of laughs for the audience. And the perfect comic timings of the lead characters, especially Dharmendra complement the script to serve its purpose to make the audience laugh again and again.
The inherent message is no less useful and worth remembering. No language is superior or inferior to any other one. Language is a medium of communication for the human-beings who have no business making fun of any language. The way Hindi is respectable, the same way English is. Each one of the two has its own positives (and negatives too) and it's in the interest of the Indians to appreciate the worth of both without mocking any of them.
Sachin Da (S.D. Burman) has composed pretty good music for the movie. The best song is - Abke Sajan Saawaan Mein sung by Lata. Other songs are also apt according to the mood of the movie. Anand Bakshi has penned appropriate lyrics for them.
Performance wise talking, this movie is definitely one of the best movies of Dharmendra. This versatile actor has proved quite emphatically that he is not only skilled in serious roles but he has no match in comedy also. Interestingly, Bollywood's most popular movie -Sholay which contains Dharmendra's another memorable comic performance was released in the same year. Dharmendra has left no stone unturned in making the audience laugh right from the beginning to the end. Om Prakash is the second best and Amitabh Bachchan is the third best in this work. Asrani, Sharmila Tagore, Jaya Bhaduri, David, Keshto Mukherjee etc. all have done their parts well and generated showers of laughter for the viewers.
The technical and production value aspects of the movie adhere to the simplicity doctrine of Hrishi Da. Editing is good. Length is also perfect. Summing up, Chupke Chupke is a flawless movie.
Surprisingly, Chupke Chupke was not a box office hit when released. However, now it is considered a classic comedy which has unlimited repeat value. The way, the admirers of Sholay can watch it umpteen number of times, the same way Chupke Chupke can also be watched countless number of times and every time the laughter is guaranteed for the viewer.
Decades before David Dhawan and Priyadarshan rediscovered comedy in Indian Cinema and began their barrage of outings, the undisputed emperors in this genre were Hrishikesh Mukhejee and Basu Chatterjee.
Both relied heavily on creating a natural humour as opposed to what we witness today ie. mindless comedy/ situational comedy/ tongue-in-cheek comedy. And this very natural humour gives USP for "Chupke Chupke" repeat viewings.
Dharmendra:: Dharmendra gets the lions share in "Chupke Chupke". He proves his versatility as an actor by doing comedy effortlessly.
Om Prakash:: "Chupke Chupke" rests heavily on the performance from two actors namely Dharmendra and Om Prakash. If there was any short-coming from either, the entire proceedings would have fallen like a pack of cards. It goes without saying that it was fantastic performance from Mr. Om Prakash.
Big B:: An extended special appearance compared to Dharmendra. The panic-attack prone professor and his inability to hold his nerves is brilliantly breathed to life by Amitabh. Lets not forget that this movie got released in the same year as "Sholay" and "Deewar" which casted his image of angry young man in stone. Talk about chalk-and-cheese!
The rest of the star-cast namely Sharmila Tagore, Jaya Bhaduri, Asrani, David and Keshto lend adequate support. S D Burman's composition to Anand Bakshi's lyrics are a music for ears. As with most successful outings of Hrishda, Gulzar's gets involved to contribute his two-cents in the department of screenplay and dialogues and needless to say makes the movie flow seamlessly.
Verdict:: Anytime is "Chupke Chupke" time!
Both relied heavily on creating a natural humour as opposed to what we witness today ie. mindless comedy/ situational comedy/ tongue-in-cheek comedy. And this very natural humour gives USP for "Chupke Chupke" repeat viewings.
Dharmendra:: Dharmendra gets the lions share in "Chupke Chupke". He proves his versatility as an actor by doing comedy effortlessly.
Om Prakash:: "Chupke Chupke" rests heavily on the performance from two actors namely Dharmendra and Om Prakash. If there was any short-coming from either, the entire proceedings would have fallen like a pack of cards. It goes without saying that it was fantastic performance from Mr. Om Prakash.
Big B:: An extended special appearance compared to Dharmendra. The panic-attack prone professor and his inability to hold his nerves is brilliantly breathed to life by Amitabh. Lets not forget that this movie got released in the same year as "Sholay" and "Deewar" which casted his image of angry young man in stone. Talk about chalk-and-cheese!
The rest of the star-cast namely Sharmila Tagore, Jaya Bhaduri, Asrani, David and Keshto lend adequate support. S D Burman's composition to Anand Bakshi's lyrics are a music for ears. As with most successful outings of Hrishda, Gulzar's gets involved to contribute his two-cents in the department of screenplay and dialogues and needless to say makes the movie flow seamlessly.
Verdict:: Anytime is "Chupke Chupke" time!
This film is evenly paced throughout, though it turns out to be a Dharmendra show! Prominent among the hilarious scenes are, when Dharmendra, as a chauffeur, seeks clarification from Om Prakash as to why 'go', 'so' are pronounced in the same way and why not 'to', and the other is that Amitabh Bachchan (English Professor) is shown memorising some aspects of Botany using a college botany textbook under dim-lit table-lamp, because he has to take 'botany tuitions' for his sweetheart (Jaya Bhaduri)! Gulzar's screenplay and dialogues take the cake in this film! A must-have among the VCD collection! 'Chupke-Chupke Chal Ree Purvaiya' is the pick of songs of this film, which too are melodious.
Did you know
- TriviaHrishikesh Mukherjee wanted newcomers for the parts played by Amitabh Bachchan and Jaya Bachchan. But when they heard Hrishikesh was making the film, they insisted they be cast in the film and did not charge any money. Mukherjee kept insisting the roles were too small for them. But Amitabh and Jaya accepted it as a good will measure.
- Quotes
Professor Sukumar Sinha: [Angrily] I'll tell everyone the truth.
[Pointing at Pyare Mohan]
Professor Sukumar Sinha: I'll tell them who you are. I'll tell them who I am.
[Pointing at Prashant]
Professor Sukumar Sinha: I'll even tell them who you are.
Prashant Kumar Srivastav: Why me? They know me as Prashant and I am Prashant.
Professor Sukumar Sinha: Ok; Then what's the problem in telling the truth?
- ConnectionsFeatured in All the Best: Fun Begins (2009)
- SoundtracksSa Re Ga Ma
Sung by Kishore Kumar and Mohammad Rafi
Music composed by Sachin Dev Burman
Lyrics by Anand Bakshi
- How long is Chupke Chupke?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Hush Hush
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- ₹991,000 (estimated)
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