Boss Nigger

Fred Williamson was one of the greatest of the 1970s blaxploitation stars, but as cool as he is, he can't make this one anything more than very average. Williamson and frequent co-star D'urville Martin ('Dolemite') play bounty hunters on the trail of no-good varmint William Smith ('Invasion Of The Bee Girls', 'The Ultimate Warrior', 'Maniac Cop') who bully the mayor of a small town (Peckinpah regular R.G. Armstrong) into letting them become sheriff and deputy. They make sport of the uptight white townsfolk, grab as much cash as they can, and wait for an opportunity to get their man. 'Boss N*gger' can't decide whether it wants to be a serious western or a spoof of the genre, and the comedy is broad, recycles much of the Cleavon Little schtick from Mel Brooks' 'Blazing Saddles', and is basically just not that funny. But when it takes the material seriously it shows promise, and seeing Fred Williamson battle b-grade legend William Smith is worth the rental. Williamson scripted as well as starred, and would have been better advised not to. It's the lame script that really lets this one down. The cast is good, and the direction, by 1950s monster movie favourite Jack Arnold, is strong enough. Williamson's charisma keeps this afloat, but to be honest, it's nothing special.

Boss (Fred Williamson) and Amos (D'Urville Martin) are bounty hunters, riding into the city of San Miguel to collect a reward when they find there's no sheriff. Boss nominates himself the new sheriff, and the reluctant mayor (who is working with the local bandits) goes along with it. Now Boss and Amos must clean up crime, defend the poor and win some women's hearts.

What's really amusing about this film is that it received a PG rating. There's some borderline nudity, and they use the N-word something like 200 times. But they never really swear otherwise, the violence is minimal by western standards and there's no sex (though it's hinted). Having seen other blaxploitation films (such as "Sweet Sweetback") I was surprised by the tameness.

They play really heavily on the race issue, not surprisingly. They even institute "black rules" as the new police, which is awesome (including banning the n-word, despite its prevalent use in this film). But the film is not derogatory to whites or blacks, really. It offers an interesting view where white people must be protected by the black man, and things work out fairly well (much to the people's initial chagrin).

Reviewer Vincent Canby of The New York Times described the film as "a pleasant surprise if you stumble upon it without warning." Canby characterized Williamson's acting as "an immensely self-assured parody of the Man With No Name played by Clint Eastwood in Sergio Leone's films." I agree with the first part, although I think the second part might be giving this film just a little bit too much credit. But, perhaps not.

Canby finished the review by pointing out what made the film notable among black Westerns: "Most black Westerns either ignore race or make it the fundamental point of the movie. (This movie) somehow manages to do both quite successfully." And on this we agree completely -- race was both the issue and yet completely removed from the real point of the film. Which is why it works; it plays on your insecurities while convincing you they don't exist.

If you can get your hands on this one (I don't know how easy that is), I give it a very high recommendation. My only concern is that someone really needs to get a good transfer with quality picture and sound. The quality I saw was a VHS transfer with grainy footage and mediocre sound. This did nothing to take away from the brilliance of the film, but a smart action film like this one deserves better. Give me digital remastering and a Fred Williamson audio commentary.

Boss Ni*ger (1975)

*** 1/2 (out of 4)

Boss (Fred Williamson) and Amos (D'Urville Martin) are bounty hunters who travel to a small town being ran by a corrupt Mayor. Boss is waiting on a bad guy to show up and in the mean time decides to make himself Sheriff, which doesn't sit well with the racist white locals but they're going to learn that there's one way to do things and that's up to the Boss. In case you didn't read the title, this here is blaxploitation 101 and without question the best I've seen from the genre. Director Arnold is best known for CREATURE FROM THE BLACK LAGOON but he handles this material perfectly and not only delivers the perfect blaxploitation movies but also a pretty good Western. What works best here is Williamson's screenplay, which clearly shows that he knows how to write dialogue but it also shows he's just as brave as the characters he plays because there are all sorts of rules broken here and this helps keep the viewer on high alert because you never know what's going to happen. Every racist remake ever made towards a black person are present here and played for laughs in how over the top they are but they then lead to some hard hitting action as Williamson really does lay down the Hammer. The racial slurs are downright hilarious especially one scene where a dumb redneck tells Williamson to "shine his shoes" and the Hammer goes up to him acting like a shoe shiner. The way Williamson plays this and eventually pays it off is just downright brilliant and is clearly a highlight of the genre. Some get shot while others are forced to keep handing money over in fines but the Hammer deals with them all. What I respect most about the film and its screenplay is that Williamson isn't afraid to not play by the rules and the reason I say this is because certain people are killed throughout and these are the type of people that never get killed in films like this. The action scenes are great as are the stunts and Arnold knows how to use the slow motion oh so well. In some ways this film spoofs BLAZING SADDLES, which is pretty funny considering that film was a spoof to begin with. The sensitive should probably stay clear but if you want brave and fun film-making than this here is the top of the blaxploitation genre.

I had wanted to see this movie for a long time, but I could never find it in any video rental stores. The reason for that probably is the provocative title. I finally got a copy of it for a Christmas present and I sat down to enjoy it. I found some things about the movie enjoyable. As others have said here, the title song is very memorable, though the funk music score elsewhere in the movie is equally enjoyable despite not being western-flavor. Also, Williamson's performance here is great. He makes for a charismatic (and amusing) hero that you hope will succeed, and his abusing of the racist town citizens is good for some laughs.

In fact, Williamson's performance comes close to saving the movie - but the movie ultimately disappoints. It's a low-budget movie, with frequent camera set-ups that were obviously set up quickly. As Williamson's sidekick, D'Urville Martin is mostly wasted. In fact, it wouldn't take very much rewriting to remove his character from the script. Speaking of the script, it is filled with scenes that seem to fill no purpose, and partly because of that the movie is VERY slow-moving at times. If all this fat were cut out, the movie would be much, much shorter-running.

If you decide to watch this movie, a warning about the DVD. Although it's presented at its correct aspect ration (2.35:1), the print looks very crummy, and the audio is weak as well.

Boss N#gger is definitely not a prime sample of either western or blaxploitation but it's a genre crossover I'm glad happened because if it didn't happen back in the day it probably wouldn't ever. Perhaps the biggest problem in the movie is Fred Williamson's script, which bears all the marks of an inexperienced writer: too much exposition, flat characterization, scenes that seem to exist only to take the plot from point A to point B. Well, I guess few people are going to see a movie called "Boss N#gger" for its story, but it's details like these that make the difference between Coffy and the multitude of forgettable blaxploits of the early seventies. Williamson's script but be throwaway but when he dons his black cowboy hat and cheroot and transforms into black bounty-hunter Boss, he's as badass as he's ever been. Along with his associate D'Urville Martin ("Sheba Baby", "Dolemite", "Black Caesar") they rescue a black girl from the clutches of bandits before riding into a lawless town terrorized by a gang of cutthroats. He elects himself sheriff and rails against the corrupt mayor of the town and all the bigotry around him. Boss N#gger's seems to exist for no other reason than sticking it to "the man" and in that aspect the balance is heavily tipped towards the blaxploitation end of the equation. This is a blaxploit movie that only happens to take place in the old west. It's still a fairly entertaining diversion with quotable dialogue and all the amusing shenanigans one can expect from having a black sheriff in a town filled with white bigots. A kid is ridden down in slow motion, Williamson says things like "we've got some more whities to catch" and "Mayor, have somebody clean up ma office", D'Urville locks up the bank president for tearing up a note and when the mayor demands he's released he locks him up too for disturbing the peace. What starts as a funky, frolicking action western becomes a lot more violent in the final third and ends on quite a downbeat tone that comes eerily close to Sergio Corbucci's The Great Silence. Jack Arnold ("Creature from the Black Lagoon", "The Incredible Shrinking Man") directs.